Carol Kidd is widely considered to be a singer's singer. She has been described by Frank Sinatra as "the best kept secret in British Jazz". While Tony Bennett was prompted to say "you should be world-famous, where've you been?" Cleo Laine, who should know about these things, has commented, "her control is thrilling…. She is world class". This re-issue debut album, originally recorded in 1984, is ample proof that Carol Kidd is indeed an exceptional talent. She has a voice of outstanding beauty, marvellous diction and perfect pitch combined with impeccable jazz feeling.
For over a decade, jazz singer Carol Kidd has managed to consistently pull in accolades, "Best Awards," and honors from an arena consisting of all-time greats such as Peggy Lee, Ella Fitzgerald, and Sarah Vaughan. Carol Kidd proves her star potential on her second album, "All My Tomorrows". Now re-mastered for Super Audio CD, this is one of the most popular titles recorded on Linn Records. Carol Kidd and her quartet explore and interpret some classic material from the Great American Songbook.
Paranoid was not only Black Sabbath’s most popular record (it was a number one smash in the U.K., and “Paranoid” and “Iron Man” both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath’s signature sound — crushingly loud, minor-key dirges loosely based on heavy blues-rock — and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics. Where the extended, multi-sectioned songs on the debut sometimes felt like aimless jams, their counterparts on Paranoid have been given focus and direction, lending an epic drama to now-standards like “War Pigs” and “Iron Man” (which sports one of the most immediately identifiable riffs in metal history).