Though it may seem unlikely that Frank Zappa had much of an influence on the work of Lalo Schifrin, one can detect some cultural crossover on There's a Whole Lalo Schifrin Goin' On. Schifrin was as much a jazz-pop genius as ever, but on this album rock rhythms, musical satire, sound effects, and exotica are all used as camp in a way that is eerily reminiscent of Zappa's more thoughtful efforts. Schifrin being Schifrin, every cut has a distinct and catchy melody, but there are whimsical and satirical themes embedded in the music. Nowhere is this more obvious than in "Hawks Vs. Doves," in which a cheery carnival-like theme is played in counterpoint to a martial air, each interfering with the other.
They are young. Already large. And the head crowned with laurels many (first price RéZZo Focal Jazz à Vienne and Jazz Springboard La Defense in particular). But this time, the case escalates to Uptake who published his first album So Far So Good at Jazz Village. Bursting with energy and groove, this quartet from the Lyon scene is already a master in the art of interplay, the accomplice way to circulate and combine all the music in freedom … A four Bastien Brison piano and Rhodes, Pierre Gibbe on bass, trombone and Robinson Khoury Paul Bern on drums built a repertoire consisting essentially of compositions they say influenced the new generation of American musicians like Jason Lindner, Robert Glasper or Robin Eubanks.
Because the Jazz Crusaders in the early '70s dropped the "Jazz" from their name and later in the decade veered much closer to R&B and pop music than they had earlier, it is easy to forget just how strong a jazz group they were in the 1960s. This CD reissues one of their rarer sessions, augmenting the original seven-song LP program (highlighted by "Blues Up Tight," "Doin' That Thing," and "Milestones") with previously unissued versions of "'Round Midnight" and John Coltrane's "Some Other Blues." The Jazz Crusaders (comprised of tenor saxophonist Wilton Felder, trombonist Wayne Henderson, pianist Joe Sample, drummer Stix Hooper, and, during this period, bassist Leroy Vinnegar) are heard in prime form.
These are not your usual recordings. They are field recordings, created by fans on cassette tapes with equipment sitting on jazz club tables or attached to house sound systems, catching a master jazz musician and his band in acts of purest creativity. Woody has been labeled by many jazz critics and historians as the "Last Great Innovator" and has influenced jazz performers of all instruments ever since his arrival on the scene in the early 60s and beyond his death in 1989. Previously unreleased field recordings from the 1970's and '80's courtesy of Woody Shaw III and Steve Turre. Produced with the help of the Woody Shaw Global Arts Foundation. Liner notes include commentary by jazz historian Tammy Kernodle and jazz trumpeter/educator Pat Harbison.