This is the second of Brilliant's box sets devoted to Russian recordings from Evgeny Kissin. Labeled as early, these live concert performances from 1984 to 1990 carry us from the day after Kissin turned 13 (Mozart Cto. #12 K. 414) to age 18 (Mozart Cto. #20, K. 466), with most readings clustering in the range of 1985-89. Russians were well aware of the marvel in their midst; the pianist's American breakthrough occurred in 1990 when he debuted at Carnegie Hall's centennial season.
On time for their 10th anniversary the hard rockers of KISSIN’ DYNAMITE are striking a balance. All members are just in the middle of their twenties, though the group around singer Hannes Braun has seen and achieved a lot since they first appeared on the map in 2006: 5 worldwide released studio albums, extensive touring in Europe and Asia, multiple TOP 20 entries in official German album charts…
Official Release #91. In October 1971, Frank Zappa & The Mothers of Invention played two shows in one night at New York City’s Carnegie Hall. The album, Carnegie Hall, celebrates that night's marathon – two shows (7:30 and 11:30 p.m.) with ticket prices ranging from $3.50 to $6 – featuring Zappa (lead guitar, vocals) with Mark Volman (vocals, percussion), Howard Kaylan (vocals), Ian Underwood (keyboards, alto sax), Don Preston (keyboards, gong), Jim Pons (bass, vocals) and Aynsley Dunbar (drums).
For Evgeny Kissin, recording Prokofiev's Third Piano Concerto must be déjà vu all over again, to quote noted American philosopher Yogi Berra, because every time the Russian pianist switches labels, he records the piece again. In 1985, he recorded it for RCA with Andrei Chistyakov and the Moscow Philharmonic, and in 1994, he recorded it for Deutsche Grammophon with Claudio Abbado and the Berliner Philharmoniker. In 2008 he recorded it for EMI with Vladimir Ashkenazy leading the Philharmonia Orchestra.
Recorded live at the Moscow Conservatory, this is a truly legendary performance. Any experienced veteran could be proud of it; that a boy of 12 should possess the necessary technique, the musical understanding and maturity, and the sustained concentration, is almost beyond belief. Reveling in his own limitless virtuosity, Kissin seems to be playing with as well as on the piano with elfin grace and delicacy; yet his command of the keyboard his warm, singing, powerful, varied tone are only tools for expressing his spontaneous response to the music.
In 2011 the Berliner Philharmoniker and their musical director Sir Simon Rattle welcomed in the New Year with a gala concert programmed with ‘Dances & Dreams’. Spinetingling and inspiring performances of music by Dvořák, Ravel, Richard Strauss, Stravinsky and Brahms are complemented by the extraordinary talent of the multi-awarded Russian pianist Evgeny Kissin. Kissin’s musicality, the depth and poetic quality of his interpretations, and his extraordinary virtuosity have placed him at the forefront of today’s pianists, and his passionate performance of the renowned Piano Concerto in A minor by Edvard Grieg is mesmerizing.
"Although the U.S.S.R.'s system of identifying and training musically talented youngsters produced amazingly precocious pianists on a regular basis, Evgeny Kissin stood out from the rest for a talent far surpassing that of the usual Wunderkind. He has become, seemingly without difficulty, one of the finest adult pianists on the world's concert stages…"