Carl Orff's Stravinskian rabble-rouser retains its appeal. The pagan high-jinks, driving rhythms, and dips into semi-hysteria can be irresistible given the right performance. And, of course, with its dynamic range, from delicately colored quiet passages to heaven-storming climaxes, it's tailor-made for showing off hi-fi systems. Telarc is known for its outstanding sound, and this one's well up to the house standards.
…The breadth, depth, and height of the sound stage presented by the multi-channel "surround" mix delivers an enormous portion of the experience of a live performance of a splendid orchestra, with splendid soloists in a splendid hall. You really are "surrounded" by the ambient signature of the Atlanta concert hall. Orff's percussive writing, as well as the innovative writing for winds and the large chorus is wonderfully captured with huge impact. I can ask for nothing more!
American musician, producer, movie director, and writer. He was co-founder and the keyboardist of The Doors, from 1965 to 1973, and in The Doors of the 21st Century from 2001, who subsequently changed their name to Riders On The Storm. He died following a prolonged battle with cancer. Carmina Burana is the third solo album by Ray Manzarek released in 1983. It is a recording of Carmina Burana by Carl Orff.
Jansug Kakhidze was a Georgian conductor, nicknamed "the Georgian Karajan". (…) In 1993, Kakhidze founded the new Tbilisi Symphony Orchestra, and led it until his death in 2002. Noted for his innovative program and devotion to contemporary works from his homeland, Kakhidze gained recognition during his life as a close friend and strong advocate of composer Giya Kancheli, recording his entire cycle of seven symphonies along with many other works…"
Often described as ‘music for amateurs’, sometimes used (or misused) towards purely commercial ends, Orff’s Carmina Burana was clearly ready for a new approach, a sort of revivifying, thorough rethinking. This has now been done, thanks to Jos van Immerseel and the absolutely exceptional musical team that he assembled.
"This is a terrifically exciting performance of Orff's popular chestnut. Tempos are swift, from the opening "O fortuna" onward. The soloists are uniformly excellent, especially Judith Blegen, whose "In trutina" remains one of the most beautiful ever recorded. (…) In sum–an unusual and extreme rendition, really well done." ~ClassicsToday