The inexhaustible and compelling journey of exploring Bach’s cantatas and the great choruses which define the heart of their message – lies primarily in the depth, richness and variety of Bach’s response to the seamless rhythm of the liturgical year. Particular events in the Lutheran calendar are associated with the contemplative or the celebratory and yet, within these seasonal expectations, Bach departs radically from convention in his nearly-200 surviving church cantatas written between about 1703 and the late 1740s.
Underappreciated in his own time, Johann Sebastian Bach has ascended to Olympian heights in the estimation of generations of music lovers. But what is it about his music that makes it great? Composer and musicologist Robert Greenberg helps you hear the extraordinary sweep of Bach's music and understand his compositional language—whether you're a devoted admirer or a casual listener.
Professor Greenberg sets Bach in context by tracing the musical traditions and composers from whom he drew his inspiration, and explaining how Bach absorbed these influences to become the transcendent composer of the High Baroque. According to Professor Greenberg, no other composer is more representative of the period and its aesthetic of emotional extravagance and technical control.You will also learn how Bach's background—at least 42 of his relatives were professionally involved with music—and his strong German Lutheran heritage shaped his development as an artist.
Like many German composers of his time, Johann Sebastian Bach also devoted himself to the French style with its characteristic dances and rhythmic ouvertures. His regular contact from an early age with French musicians and dance masters living in Germany made him very familiar and competent with the typical features of French music. Among the results of this interest are his orchestral ouvertures, of which BWV 1066, 1068 and 1069 with large scoring are presented in this recording.