Gods of Light '73~'75 is a live album by progressive rock band Camel released 26 September 2000. A "re-boot" of an old bootleg of some wonderful BBC radio recordings from 1973, 1974 and 1975. Features the original lineup of Andrew Latimer, Peter Bardens, Andy Ward, and Doug Ferguson.
The band's fifth release, Rain Dances is Camel at its best, offering the most consistent and representative package in their saga. The addition of Caravan-cofounder Richard Sinclair proves profitable, as do a few colorist touches by Brian Eno on "Elke." Mel Collins' woodwinds are among the highlights, especially on "Tell Me" and the title track. From beginning to end, this project flows gracefully.
Blue Camel is the pinnacle to date of Lebanese oud player Rabih Abou-Khalil's achievement as a jazzman. In both mood and scope, it can almost be characterized as a new Kind of Blue. Both tense and reflective, it is perfect for listening after midnight. Abou-Khalil brings back Charlie Mariano on alto sax and Kenny Wheeler on flugelhorn and trumpet, and they generally alternate solos with Abou-Khalil himself. Rounding out the roster is Steve Swallow on bass, Milton Cardona on congos, Nabil Khaiat on frame drums, and Ramesh Shotham on South Indian drums and percussion. They form a tight ensemble and play comfortably with each other.
This double-CD set more or less supplants – though in some ways it also enhances – the 1993 compilation Echoes: The Retrospective. With a slightly longer running time and a fair difference in song content; though the same number of tracks, the overlap between the two is surprisingly limited. Gone are "Unevensong," "Breathless," "Skylines," the studio versions of "Lunar Sea" and "West Berlin," and "City Life," among other tracks – in their place as "Stationary Traveler," "Long Goodbyes," "Slow Yourself Down," "Nimrodel," "The Great Marsh," and "Spirit of the Water," plus live renditions of "Lunar Sea" and "West Berlin"…
Harbour of Tears is a studio concept album by English progressive rock band Camel. It tells the story of an Irish family who are painfully separated as their young ones depart to the United States to seek a better future. Released in 1996, it was their twelfth studio album. Band vocalist and guitarist Andrew Latimer learned that the last sight of Ireland his grandmother's family would have seen was Cóbh Harbour, a deep water port that witnessed the fracturing of thousands of families as their sons and daughters departed towards America. Thus the album was titled as the common alias of the port, 'Harbour of Tears'.
Progressive rock bands like Camel have to be creative in their touring schedules, often traveling to Europe in order to find a substantial concentration of fans in a single place. So it was that Camel arrived with their 20th anniversary tour at Enschede, Holland. After their tenth anniversary tour (which found them promoting The Single Factor), few would have predicted a 20th, but the release of Dust and Dreams in 1991 suggested the band had found a second creative wind (or at least tapped into the original breeze last felt on Nude). Never Let Go confirms the point that Camel has plenty of life left in it…
Rajaz is the thirteenth studio album by Camel, released in 1999. The album's songs have been composed on the camel's walking metre and is considered by many fans to be a return to the band's musical roots of the 1970s.
Coming of Age is a live album by progressive rock band Camel released 1998. Two hours of live recordings at Billboard Live in Hollywoodduring their 1997 West Coast tour. 28 tracks total, including 'Lunar Sea', 'Sasquatch', 'Milk 'N Honey' and 'TheHour Candle'.
Abandoning the lovely soundscapes of Snow Goose, Camel delved into layered guitar and synthesizers similar to those of Pink Floyd's Wish You Were Here on the impressive Moonmadness. Part of the reason behind the shift in musical direction was the label's insistence that Camel venture into more commercial territory after the experimental Snow Goose, and it is true that the music on Moonmadness is more akin to traditional English progressive rock, even though it does occasionally dip into jazz-fusion territory with syncopated rhythms and shimmering keyboards. Furthermore, the songs are a little more concise and accessible than those of its predecessor…
‘Ichigo Ichie’: “Treasure every encounter for it will never recur.” Two hours of live Camel from the tour no one thought would ever happen! ‘Ichigo Ichie’ was recorded in Tokyo at the Ex-Theatre in Roppongi during May 2016, the line-up of this event was: Andrew Latimer (guitars / vocals / flute / recorder), Colin Bass (bass / vocals), Denis Clement (drums / recorder) and new member Peter Jones from Tiger Moth Tales (keyboards / vocals / penny whistle). Released on 25th January 2017.