A new, larger version of Camel debuted on Nude, a concept album about a Japanese soldier stranded on a deserted island during World War II and staying there, oblivious to the outside world, for 29 years. More ambitious than the preceding I Can See Your House from Here, Nude is in many ways just as impressive. Although it's a less accessible effort, it has a number of quite intriguing passages, particularly since it boasts heavier improvisation, orchestration, and even some worldbeat influences. It's not as spacy as Camel's earlier progressive rock records, yet it is quite atmospheric, creating its own entrancing world.
Harbour of Tears is a studio concept album by English progressive rock band Camel. It tells the story of an Irish family who are painfully separated as their young ones depart to the United States to seek a better future. Released in 1996, it was their twelfth studio album. Band vocalist and guitarist Andrew Latimer learned that the last sight of Ireland his grandmother's family would have seen was Cóbh Harbour, a deep water port that witnessed the fracturing of thousands of families as their sons and daughters departed towards America. Thus the album was titled as the common alias of the port, 'Harbour of Tears'.
Coming of Age is a live album by progressive rock band Camel released 1998. Two hours of live recordings at Billboard Live in Hollywoodduring their 1997 West Coast tour. 28 tracks total, including 'Lunar Sea', 'Sasquatch', 'Milk 'N Honey' and 'TheHour Candle'.
With their second album, Mirage, Camel begin to develop their own distinctive sound, highlighted by the group's liquid, intricate rhythms and the wonderful, unpredictable instrumental exchanges by keyboardist Pete Bardens and guitarist Andy Latimer. Camel also distinguish themselves from their prog rock peers with the multi-part suite "Lady Fantasy," which suggests the more complex directions they would take a few albums down the line. Also, Latimer's graceful flute playing distinguishes several songs on the record, including "Supertwister," and it's clear that he has a more supple technique than such contemporaries as Ian Anderson. Camel are still ironing out some quirks in their sound on Mirage, but it's evident that they are coming into their own.
‘Ichigo Ichie’: “Treasure every encounter for it will never recur.” Two hours of live Camel from the tour no one thought would ever happen! ‘Ichigo Ichie’ was recorded in Tokyo at the Ex-Theatre in Roppongi during May 2016, the line-up of this event was: Andrew Latimer (guitars / vocals / flute / recorder), Colin Bass (bass / vocals), Denis Clement (drums / recorder) and new member Peter Jones from Tiger Moth Tales (keyboards / vocals / penny whistle). Released on 25th January 2017.
A Live Record is the first live album by the progressive rock band Camel, released in 1978. It is a double LP, composed of recordings from three different tours. LP one features recordings from the Mirage tour in 1974, and the Rain Dances tour, in 1977. Tracks 1–4 on the LP are from the Rain Dances tour, and 5–6 are from the Mirage tour. LP 2 features the original line-up all the way, and is devoted to a complete performance of the band's instrumental concept album, The Snow Goose, during the tour for the album in 1975, performed with the London Symphony Orchestra.
Features the high-fidelity SHM-CD format (compatible with standard CD player). Cover artwork faithfully replicates original one. Comes with lyrics and a description. Camel was still finding its signature sound on its eponymous debut album. At this point, Peter Bardens and his grand, sweeping organ dominate the group's sound and Andrew Latimer sounds tentative on occasion.