Much of Bach's music is abstract enough that it can easily be arranged for new instrumental combinations, and often was by the composer himself. The music for unaccompanied violin and for unaccompanied cello forms an exceptional case; the sonatas and partitas for solo violin were part of a long tradition of virtuoso violin music to which Bach was making a conscious contribution, and the six suites for solo cello were written as extensions of the ideas in the violin pieces. Transferring the cello suites to a solo recorder, which is incapable of executing many details of the cello scores, is thus something Bach probably wouldn't have countenanced. ..
Gustav Leonhardt was one of the most important harpsichord and organ players in the world and a very well-known specialist in baroque music. Gustav Leonhardt -The Edition is a 15-CD retrospective containing a representative selection of his numerous recordings, including famous solo recordings such as the legendary Goldberg Variations and Bach's organ and harpsichord works. 6 CDs feature collaborations with his famous colleagues Sigiswald Kuijken, Frans Bruggen and Anner Bylsma, the Leonhardt-Consort and Harry van der Kamp.
Nach seiner erfolgreichen CD mit Mozarts Klavierkonzerten kehrte Martin Stadtfeld mit seiner vierten CD wieder zu seinem Lieblingskomponisten Johann Sebastian Bach zurück. Für "Kleine Stücke" hat er vierzehn wunderschöne Präludien aus Bachs "Clavierbüchlein" ausgewählt und diese reizvoll mit den 14 kurzen Stücken aus dem Zyklus "Bunte Blätter" von Robert Schumann kontrastiert - der übrigens ein großer Verehrer Bachs war. Und obwohl die 28 kleine Stücke für den musikalischen Hausgebrauch gemacht waren, sind sie spielerisch sehr anspruchsvoll…
This 20-disc box set has been entertaining me for several months. Dutch pianist Ivo Janssen set up his own record label to distribute his 1997 Goldberg Variations, recorded on the hoof over two days in Haarlem. Its success prompted him to tackle Bach’s complete keyboard output. And there’s a sense of fly-by-night impetuosity about some of these performances, all taped in the same venue with the same producer, the cycle finally finished in 2009.
"It is…a fine pairing of two of Bach’s more extroverted works, in which Herreweghe delves beneath the masculine surface of the Magnificat to find its more tender interior and boldly explores Bach’s expansion of Luther’s great Reformation hymn, Ein feste Burg ist unser Gott. For whatever reason, Cantata 80 seems to have lost a degree of popularity lately, and it’s good to hear it again, complete with W. F. Bach’s interpolated trumpets."– George Chien