The Dave Matthews Band may not have released the Lillywhite Sessions – the semi-legendary soul-searching album recorded in 2000 but abandoned in favor of the heavy-handed, laborious Glen Ballard-produced Everyday – but they couldn't escape its shadow. Every review, every article surrounding the release of Everyday mentioned it, often claiming it was better than the released project – an opinion the band seemed to support by playing many numbers from the widely bootlegged lost album on tour in 2001. Since they couldn't run away from the Lillywhite Sessions, they decided to embrace it, albeit on their own terms. They didn't just release the album, as is. They picked nine of the best songs from the sessions, reworked some of them a bit, tinkered with the lyrics, re-recorded the tunes with a different producer (Stephen Harris, a veteran of post-Brit-pop bands like the Bluetones, plus engineer on U2's All That You Can't Leave Behind), added two new songs, and came up with Busted Stuff, a polished commercial spin on music widely considered the darkest, most revealing work Matthews has yet created.
Billed as the first official collection of live bootleg recordings, the triple-disc For Lack of Honest Work is a live anthology stretching back to live-in-the-studio recordings of “It Wouldn’t Have Made Any Difference” and “Broke Down and Busted” in Philadelphia from 1971 and running all the way to 2006, when Todd belts out “I Hate My Frickin’ ISP” in Toronto. In between these extremes are many other extremes – Todd indulging in the early days of Utopia, cuts from his A Cappella tour, a doo wop arrangement of “Real Man,” a synthesized piss-take of “Bang on the Drum,” a solo electric “Hammer in Your Heart,” slickly accomplished on-stage jamming – all loosely arranged so the first disc contains the poppiest material, the second the proggiest, the third his mature phase. It’s not quite a straight-on realist portrait but a hazy abstract impression of Todd’s multifaceted abilities, with the overall range being somewhat more impressive than individual moments.
Busted is the eleventh studio album released by Cheap Trick, which was released in 1990 and peaked at number 44 on the US album charts. After the success of "The Flame" from the previous album Lap of Luxury, the band recorded Busted with a similar format, especially on the single "Can't Stop Fallin' Into Love." The single peaked at number 12 on the US charts. Guest musicians on the album include Mick Jones of the band Foreigner (guitar on "If You Need Me"), Chrissie Hynde from Pretenders (vocals on "Walk Away"), and Russell Mael of Sparks (vocals on "You Drive, I'll Steer"). Session musician (and former member of Poco) Kim Bullard played keyboards on the album. The album was certified Gold in Canada in November 1990.
Busted is an album by Cheap Trick, which was released in 1990 and peaked at #44 on the US album charts. After the success of "The Flame" from the previous album Lap of Luxury, the band recorded Busted with a similar format, especially on the single "Can't Stop Fallin' Into Love."…
The SoCal alt-metal foursome Alien Ant Farm formed in 1996 with the raging singer/songwriter Dryden Mitchell, guitarist Terry Corso, bassist Tye Zamora, and drummer Mike Cosgrove. All were bored with their day jobs and sought something else to break them from corporate norms. Music allowed them to freely express themselves, and a friendship was born. They independently released their quirky debut, Greatest Hits, toward the end of the '90s and soon enough noise surrounded the band. It won the award for Best Independent Album at the 1999 L.A. Music Awards and Alien Ant Farm found themselves striking a deal with Papa Roach's New Noize, which is partners with DreamWorks.