To the outside observer, Looking Glass were one of the luckiest bands to come up during the early '70s – and doubly so, coming out of New Jersey in 1972 with a number one hit, three years before anyone was thinking about Bruce Springsteen & the E Street Band, and getting radio play on the song that has carried over into the oldies and '70s nostalgia boom over the decades since. Ironically, the bandmembers were never entirely happy with either the hit or the nature of the success that it brought them, mostly because it didn't represent what Looking Glass actually sounded like.
These Charly, UK sets are not easy to find. Their sets are generally made with great care and pride. 151 Chess and Sun recordings- it is entitled "Complete" although it does not contain two very non-essential albums from the period (The Super Super Plus Band from 1967 and the 1968 Cadet album aka "Howlin' Wolf Didn't Like This Album"- and with good reason; both are quite disposable and unnecessary), plus a conversation; this is all from Sun and Chess, his very best stuff, the real essential recordings without a bad track in the lot.
The Amadeus were the most successful and highly-regarded Quartet of the 20th century. Benefitting from the jet aeroplane and from the record industry s ability to reach out to world, they dominated chamber music making for nearly 40 years.
Essentially a vehicle for Hammond organ maestro Mick Weaver, late 60s British band Wynder K. Frog specialised in funky club Soul/Jazz. Hailing from Bolton, Lancashire, but based in London for much of their career, Mick and the band made three albums for Island Records between 1966 and 1970. These have long been coveted by Mod collectors and fans of the prestigious Island label. For the first time ever, all three LPs - Sunshine Super Frog (mono, 1966), Out Of The Frying Pan (stereo, 1968) and the US-only Into The Fire (stereo, 1970) - appear on one package, accompanied by a host of rare non-album tracks, previously unissued material, a track from a BBC radio session and two stereo mixes from the soundtrack to the 1968 film The Touchables…
July 1978: The Complete Recordings is a live album by the rock band the Grateful Dead. Packaged as a box set, and produced as a limited edition of 15,000 copies, it contains five complete concerts on twelve CDs. It was released on May 13, 2016.
This nine-disc box set gathers music from a trio of consecutive Grateful Dead gigs – November 9 – 11, 1973 at their hometown hockey rink Winterland Arena. At the time the band consisted of Jerry Garcia (lead guitar/vocals), Donna Jean Godchaux (vocals), Keith Godchaux (keyboards), Bill Kreutzmann (drums), Phil Lesh (electric bass/vocals), and Bob Weir (rhythm guitar/vocals). In 1973, they atypically played a mere handful of gigs in San Francisco. According to Dennis McNally's liner notes, the run represented within could be considered over half of their Bay Area appearances for the year. That shouldn't suggest that the combo weren't keeping a full calendar, as they played about every five days or so for a total of 72 live shows. As the overwhelming bounty of strong performances on 2008's Winterland 1973: The Complete Recordings substantiates, the combo were operating on all cylinders and – when applicable – at full velocity.