Bruckner 7 Chicago Haitink

Bruckner - LSO, Bernard Haitink - Symhony No. 4 [Hybrid SACD: PS3 SACD Rip & EAC CD Rip]

Anton Bruckner - Symphony No. 4
London Symphony Orchestra / Bernard Haitink
PS3 SACD ISO: 4,06 GB (2.0/5.1) | EAC Rip, FLAC LOG & CUE: 251 MB (2.0) | 24B/88,2kHz FLAC (2.0): 1,07 GB | Lossless Artwork: 110 MB | Recovery Info
Label/Cat#: LSO Live LSO0716 | Country/Year: UK 2011 | Genre: Classical | Hoster: Filepost/Filefactory

…The LSO play with their customary precision and refinement, which goes a long way in music that can often be so ethereal and uplifting as Bruckner's. And when the orchestra get a chance to come into full bloom in the biggest crescendos and fortissimos, they sound wonderful, especially with Haitink guiding them so evenhandedly…
Mahler: Symphony No. 7 - Chicago Symphony Orchestra, Sir Georg Solti (repost)

Gustav Mahler: Symphony No. 7 – Chicago Symphony Orchestra, Sir Georg Solti, conductor
Classical | 1 CD | EAC Rip | 370 MB (3% recovery) | | FLAC+LOG+M3U+Cue | Full scans | FS & RS links
Publisher: Decca | Recorded: 1971 | Published: 1992

GRAMMY WINNER - Best Classical Performance – Orchestra; 1972 - 15th Annual GRAMMY Awards
Bruckner - The Symphonies - Haitink, Royal Concertgebouw Orchestra [Box Set, 9 CD]

Bruckner - The Symphonies - Haitink, Royal Concertgebouw Orchestra [Box Set, 9 CD]
Philips, 2005 | APE, CUE, Logs, Covers, Booklets | 9 CD's, 2.9Gb @ Rapidshare

Furtwanger Conducts Bruckner 7 & 9  

Posted by happy_lappy at July 30, 2007
Furtwanger Conducts Bruckner 7 & 9

Furtwanger Conducts Bruckner Symphonies 7 & 9
Classical | MP3 | Mono | 224 Kbps | WinRar 98 + 90 Mb

Great performances by W. Furtwangler of two monumental symphonies by Anton Bruckner. Both are mono radio recordings, remastered digitally.

Mahler: Symphony No. 7 - Chicago Symphony; Solti  

Posted by waldstein at Sept. 3, 2009
Mahler: Symphony No. 7 - Chicago Symphony; Solti

Gustav Mahler: Symphony No. 7 – Chicago Symphony Orchestra, Sir Georg Solti, conductor
Classical | 1 CD | EAC Rip | 359 MB | FLAC+LOG+M3U+Cue | Full scans | 2 RS links
Publisher: Decca

GRAMMY WINNER - Best Classical Performance – Orchestra; 1972 - 15th Annual GRAMMY Awards

Mozart - Idomeneo (Bernard Haitink) (2004/1983)  Music

Posted by Vilboa at Nov. 4, 2016
Mozart - Idomeneo (Bernard Haitink) (2004/1983)

Mozart - Idomeneo (Bernard Haitink) (2004/1983)
NTSC 4:3 (720x480) VBR | Italiano (Dolby AC3, 2 ch) | 7.16 Gb (DVD9) | 180 min
Classical | NVC ARTS | Sub: English, Deutsch, Espanol, Japanese

“Trevor Nunn produced his first opera, Idomeneo, Glyndebourne in 1983, with felicitous results. John Napier's designs imaginatively evoke the Cretan milieu, supported by restrained, dignified costumes and lighting. The spare setting now seems a model beside what usually passes for decor today. Within it Nunn directs his principals and chorus with economic yet pointed care. Philip Langridge is a compellingly distraught and haunted Idomeneo, singing with his customary feeling for word-painting. He easily encompasses the longer version of 'Fuor del mar'. Carol Vaness offers a fiery, richly contoured Elettra. Yvonne Kenny's beautifully sung Ilia is more conventional and Jerry Hadley is a fresh, pleasing Idamante. Bernard Haitink conducts a lithe, forward-moving account of the score, though you'll need a high volume setting to get the best out of the sound.” (The Gramophone)

Eugen Jochum - Bruckner: 3 Masses (1996/2016)  Vinyl & HR

Posted by SERTiL at Nov. 3, 2016
Eugen Jochum - Bruckner: 3 Masses (1996/2016)

Eugen Jochum - Bruckner: 3 Masses
Classical | FLAC (tracks) 24-bit/96 kHz | 148:08 min | 2.73 GB | Digital booklet
Label: Deutsche Grammophon | Tracks: 19 | Rls.date: 2016

''What seraphic music. It must be Bruckner'', remarked a friend who entered the room as I was playing this recording. I cannot recommend this . . . too highly, both as performances and recordings. Seraphic is the word. Bruckner's three settings of the Mass are enough in themselves to convert the heathen. I cannot possibly decide which of them I like most, though my head tells me that No. 2 in E minor, with its wind-only accompaniment, is the greatest.
Rafael Kubelik - A Portrait: Mozart, Beethoven, Bruckner (2009/1967-71)

Rafael Kubelik - A Portrait: Mozart, Beethoven, Bruckner (2009/1967-71)
NTSC 4:3 (720x480) VBR | Deutsch (LinearPCM, 2 ch) | (DTS, 6 ch) | 7.62 Gb+7.64 Gb (2xDVD9) | 195 min + 109 min (bonus)
Classical | Deutsche Grammophon | Sub: English, Francais, Espanol, Chinese

Rafael Kubelik was one of the 20th century's most brilliant and charismatic conductors, yet under-appreciated because of his reluctance to embrace the "star" system. Here he is seen working with the great orchestras of Berlin, Vienna and Amsterdam, and featured in a bonus biographical documentary acclaimed for "stylish camera-work and a counterpoint of image, word and music reflecting Kubelik's spontaneity, exuberance, trust in emotion, and ability, even in tailcoat, to retain his warmth and humanity" (Süddeutsche Zeitung).

Pro Sound Effects Library Chicago Ambisonics WAV  Software

Posted by orientazure at Aug. 15, 2016
Pro Sound Effects Library Chicago Ambisonics WAV

Pro Sound Effects Library Chicago Ambisonics WAV | 12.4 Gb

Chicago Ambisonics is a library of B-format city ambiences with "virtual microphone" software. Included software allows users to tweak perspective in real time for greater control and creativity. The Ambisonics format offers versatile use of the library, as the recordings can be decoded to mono, stereo, 5.1, 7.1 and beyond. The creative possibilities are endless!
Bruckner - Symphony No. 7 (Franz Welser-Most) (2011) [Blu-Ray]

Bruckner - Symphony No. 7 (Franz Welser-Möst) (2011) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 23913 kbps / 1080i / 29,970 fps | 66 min | 20,1 Gb
Audio1: LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 2177 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 (16:9) / 6215 kbps / 29,97 fps | 3,56 Gb
Audio: DTS / 6ch / 48.0 KHz / 24 bits
Classical | Arthaus Musik

Bruckner‘s Seventh – The master‘s homage to Richard Wagner With the mighty build-ups and monumental fortissimi of Bruckner’s Seventh, Welser-Möst and his Clevelanders have their work cut out for them. And they do not disappoint. The most popular, and perhaps most easily accessible, of Bruckner‘s symphonies, the Seventh casts its spell on the audience with its clear-cut architecture and the wealth and fullness of its melodies. From the sweeping opening theme of the first movement to the victorious chords of the finale, the Cleveland Orchestra and its conductor deliver a magisterial reading of Bruckner‘s masterpiece. Cleveland‘s Severance Hall is the venue for this performance. This hall, an eclectic yet elegant mix of Art Deco, Art Nouveau, Classicism, Egyptian Revival and Modernism was inaugurated in 1931 and is still hailed today as one of the world‘s most beautiful concert halls. The Cleveland Orchestra, founded in 1918, began its ascent to the upper ranks of the world‘s ensembles after it moved to Severance Hall in 1931.