Bruch

Ning Feng - Bruch: Scottish Fantasy; Tchaikovsky: Violin Concerto (2013) MCH SACD ISO + FLAC

Ning Feng, Deutsches Symphonie-Orchester Berlin, Yang Yang - Bruch: Scottish Fantasy / Tchaikovsky: Violin Concerto (2013)
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 70:41 minutes | Digital Booklet | 4,12 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Digital Booklet | 1,34 GB
Features Stereo & multichannel Surround Sound | Channel Classics # CCS SA 34913

After two very successful solo discs it was time for Chinese violin star Ning Feng to move on and record two beautiful pieces for solo violin and orchestra. The great success of Max Bruch's 1st Violin Concerto cast a shadow over his other music. Tchaikovsky's Violin Concerto in D is a breathtakingly virtuosic work from becoming one of the most frequently performed of all violin concertos.
Rachel Barton Pine, BBC Symphony Orchestra & Andrew Litton - Elgar & Bruch: Violin Concertos (2018)

Rachel Barton Pine, BBC Symphony Orchestra & Andrew Litton - Elgar & Bruch: Violin Concertos (2018)
EAC Rip | FLAC (tracks)+cue, log, m3u, d. booklet | 319 MB
Label: Avie Records – AV2375 | Tracks: 06 | Time: 76:19 min
Classical

Billboard chart-topping violinist Rachel Barton Pine releases her 36th album and fourth for AVIE with her first recordings of two repertory staples, violin concertos by Edward Elgar and Max Bruch. The two works – Elgar’s only concerto for violin and Bruch’s first – straddle the turn of the 20th century but have in common a Romantic hue which Rachel probes with her rich, soulful tone.

Pieter Wispelwey - Tchaikovsky, Saint-Saens, Bruch (2001)  Music

Posted by tirexiss at April 29, 2018
Pieter Wispelwey - Tchaikovsky, Saint-Saens, Bruch (2001)

Pieter Wispelwey - Tchaikovsky, Saint-Saens, Bruch (2001)
EAC FLAC (image+.cue, log) | Covers Included | 55:16 | 232 MB
Genre: Classical | Label: Channel Classics | Catalog: 16598

This was the first commercially produced SACD hybrid super audio on the market. In June of 2000, I sat in one room recording in pcm and the research team of Philips were in the room next door taking my analogue signal directly from my mixer. I first released my pcm version in the fall of 2000. The Pyramix at that time was very primitive but thanks to the Phliips team who worked around the clock to produce the software, we were able to get this DSD version out at the beginning of 2001.
The Nash Ensemble - Max Bruch: String Octet, String Quintets (2017)

The Nash Ensemble - Max Bruch: String Octet, String Quintets (2017)
EAC FLAC (image+.cue, log) | Covers Included | 62:48 | 292 MB
Genre: Classical | Label: Hyperion | Catalog: CDA68168

The three works on this album were all written by Max Bruch at the end of his life, after World War I, when he was more than 80 years old. They were not published until after his death in 1920, and then they were forgotten due to Nazi bans on Bruch's music because of his supposed Jewish ancestry, wartime manuscript loss, and the self-serving actions of modernist gatekeepers. In the world they depict, the Great War might as well never have happened, but perhaps that is part of the point.
Trio Estampe - Max Bruch: Piano trio Op. 5 & 8 pieces, Op. 83 (2011/2014) [Official Digital Download 24/96]

Trio Estampe - Max Bruch: Piano trio Op. 5 & 8 pieces, Op. 83 (2011/2014)
FLAC (tracks) 24-bit/96 kHz | Time - 56:04 minutes | 952 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Max Bruch’s compositions shine the last lights of German romanticism. Following in the footsteps of Felix Mendelssohn, Robert Schumann and Johannes Brahms, Bruch persisted in defending a melodic line inspired by popular culture, “one can only hope in these times that are hostile to melody”.
Michael Halasz, Staatskapelle Weimar - Max Bruch: Symphonies Nos. 1 and 2 (2010) [Re-Up]

Michael Halász, Staatskapelle Weimar - Max Bruch: Symphonies Nos. 1 and 2 (2010)
EAC | FLAC | Image (Cue&Log) ~ 268 Mb | Mp3 (CBR320) ~ 141 Mb | Scans included
Genre: Classical | Label: Naxos | # 8.570994 | Time: 01:01:05

There's little competition for the best recordings of Bruch's symphonies, but what competition there is is stiff, very, very stiff. On one side, there are Kurt Masur's opulent accounts with the Leipzig Gewandhaus Orchester from the late '80s, on the other, there are James Conlon's urgent readings with the Gurzenich-Orchester Kölner Philharmoniker from the mid-'90s. And yet Michael Halász and the Staatskapelle Weimar have found a way to top them both by delivering performances of surpassing warmth and beauty that still have unstoppable drive and momentum in this 2008 recording of Bruch's First and Second symphonies. One is reminded here and there of the composer of the famous violin concertos, but for the most part, Halász turns in performances of such conviction and authority that it makes one think Bruch's reputation as a symphonist has been seriously underestimated for the past century and a half. Captured in clear, colorful digital sound, this disc deserves to be heard by all fans of 19th century German symphonic music.
Trio Apollon - Max Bruch: Chamber Music (2015) [Official Digital Download]

Trio Apollon - Max Bruch: Chamber Music (2015)
FLAC (tracks) 24-bit/48 kHz | Time - 60:57 minutes | 598 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The new release by the acclaimed Trio Apollon concentrates on Max Bruch’s (1838-1920) music for clarinet, viola, and piano.In 1990, Felix Schwartz, 1st principal violist of the Staatskapelle Berlin; Matthias Glander, 1st solo clarinettist of the Staatskapelle Berlin; and Wolfgang Kühnl, professor of piano and chamber music at Berlin University joined to form the Trio Apollon. Little did they know the musical success they would experience, with 2015 marking the 25th anniversary of the ensemble, unchanged in its line-up.
Rachel Barton Pine, BBC Symphony Orchestra & Andrew Litton - Elgar & Bruch: Violin Concertos (2018)

Rachel Barton Pine, BBC Symphony Orchestra & Andrew Litton - Elgar & Bruch: Violin Concertos (2018)
Classical | WEB FLAC (tracks) & d. booklet | 348 MB
Label: Avie Records | Tracks: 06 | Time: 76:19 min

Billboard chart-topping violinist Rachel Barton Pine releases her 36th album and fourth for AVIE with her first recordings of two repertory staples, violin concertos by Edward Elgar and Max Bruch. The two works – Elgar’s only concerto for violin and Bruch’s first – straddle the turn of the 20th century but have in common a Romantic hue which Rachel probes with her rich, soulful tone.
David Garrett - TIMELESS Brahms & Bruch Violin Concertos (2014) [Official Digital Download 24/96]

David Garrett - TIMELESS Brahms & Bruch Violin Concertos (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 63:49 minutes | 1.08 GB
Studio Master, Official Digital Download | Artwork: Front Cover

The photogenic violinist David Garrett, who uses the maiden name of his American mother professionally, has been known for crossover releases featuring the likes of Nirvana's "Smells Like Teen Spirit." He was trained partly in Israel, which may have led to his pairing with the nearly octogenarian conductor Zubin Mehta and the Israel Philharmonic Orchestra. Mehta makes his aims explicit in the booklet: "I hope that this CD will help David's other public, the crossover public, to also listen to Brahms and Bruch and to admire his honesty toward this music.
Rachel Barton Pine, BBC Symphony Orchestra & Andrew Litton - Elgar & Bruch: Violin Concertos (2018) [Official Digital Download]

Rachel Barton Pine, BBC Symphony Orchestra & Andrew Litton - Elgar & Bruch: Violin Concertos (2018)
FLAC (tracks) 24-bit/48 kHz | Time - 76:19 minutes | 747 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Billboard chart-topping violinist Rachel Barton Pine releases her 36th album and fourth for AVIE with her first recordings of two repertory staples, violin concertos by Edward Elgar and Max Bruch. The two works – Elgar’s only concerto for violin and Bruch’s first – straddle the turn of the 20th century but have in common a Romantic hue which Rachel probes with her rich, soulful tone.