Havergal Brian’s extraordinary late creativity is almost unparalleled in musical history. Between the completion of Symphony No. 6 in 1948 and the end of his compositional life two decades later he wrote 26 symphonies. No. 6 marks a crucial point in his adoption of more concise forms and economy of expression in its single-movement span, a process taken even further in the brief but free polyphonic fantasia of No. 31. In Symphonies Nos. 28 and 29 Brian turned to the classical four-movement model but one which is wholly and idiosyncratically re-imagined. The intensity and even savagery of No. 28 is balanced by No. 29, Brian’s most lyrical late work.
Includes guitar solo tutorials and 3 speed guitar jam tracks to solo sections, lessons by Michael Casswell. This excellent DVD shows you how to nail five solos by Queens legendary guitarist. It also includes performances and guitar jam tracks for each guitar solo section at slow, medium and full tempo so you can learn each solo at your own pace and steadily build up to full speed.
Learn five Brian Setzer tracks note for note with Stuart Bull! This superb DVD will teach you five classic tracks from this legendary Rockabilly guitarist… learn every riff and solo note for note! Tracks include Stray Cat Strut, Rock This Town, Runaway Boys, Built For Speed and Rumble In Brighton.
This is a logical tribute album from one great bassist (Brian Bromberg) to another (Jaco Pastorius). The front of the CD purposely resembles Pastorius' debut recording and the program features six Pastorius songs (including two versions apiece of "Come on, Come Over" and "Teen Town"), Joe Zawinul's "A Remark You Made," the R&B standard "The Chicken," and Bromberg's "Tears." A master at tapping his bass and equally skilled on electric and acoustic basses, Bromberg also has the ability to sound a bit like Pastorius when he wants. This excellent tribute set uses different personnel and instrumentations on each selection and shows off the many sides of Pastorius, both as a bassist and as a composer.
Duke Robillard pays homage to T-Bone Walker with this collection of swing, big band and blues songs. The bubbly and bouncy "Lonesome Woman Blues" has a be-bop Count Basie feeling as his supporting players are given brief solos to shine, particularly the horn section. There is far more substance and style to this approach than a rehashed run-through à la Brian Setzer. This fluidity continues, albeit a bit slower in tempo with the swinging "T-Bone Shuffle" which carries the same head-bobbing groove. Here the horns lead the way but Robillard makes his presence felt on guitar near the homestretch, and throughout the stellar "Pony Tail." The barroom blues and drum brushes on "Love Is a Gamble" takes things down to a creepy crawl, bringing to mind Dr. John or Delbert McClinton. An early favorite has to be the rousing and toe-tapping "Alimony Blues," an indication that Robillard wants to pay tribute in the right way by nailing each song beautifully.
One of the most enigmatic figures in rock history, Scott Walker was known as Scotty Engel when he cut obscure flop records in the late '50s and early '60s in the teen idol vein. He then hooked up with John Maus and Gary Leeds to form the Walker Brothers. They weren't named Walker, they weren't brothers, and they weren't English, but they nevertheless became a part of the British Invasion after moving to the U.K. in 1965. They enjoyed a couple of years of massive success there (and a couple of hits in the U.S.) in a Righteous Brothers vein. As their full-throated lead singer and principal songwriter, Walker was the dominant artistic force in the group, who split in 1967. While remaining virtually unknown in his homeland, Walker launched a hugely successful solo career in Britain with a unique blend of orchestrated, almost MOR arrangements with idiosyncratic and morose lyrics. At the height of psychedelia, Walker openly looked to crooners like Sinatra, Jack Jones, and Tony Bennett for inspiration, and to Jacques Brel for much of his material.