This release in Praga's Reminiscences series of SACD remasterings features the great Russian conductor Yevgeny Mravinsky leading the Leningrad Philharmonic in recordings of two masterpieces of the Romantic repertoire. Brahms's refined and intellectually complex Symphony No.4 is paired with the rich, heart-on-sleeve passion of Tchaikovsky's Symphony No.5 – one of the composer's best loved works.
Editorial Reviews- Amazon.com
Noted podium tyrant and sadist Fritz Reiner must have scared the daylights out of the Royal Philharmonic, which plays this music as though their very lives depended on it. This is one of the great Brahms Fourth Symphonies, a performance of eruptive force and barely contained fury. It's been superbly transferred to CD, and anyone who loves this symphony simply has to own this recording. No question about it. –David Hurwitz
…got this for the Brahms, which is at best a thoroughly decent performance, nothing more - but the highlight is the excellent Beethoven. The ratings reflect the dichotomy of the two performances and their sonics, an average of 4 for sound seems fair - but the Beethoven warrants a 5 for performance.
Few conductors have made a greater contribution to our present-day understanding of Bruckner than Günter Wand (1912-2002).
This first box includes Bruckner symphonies nos. 5, 6 and 8 in their original or restored versions as well as an elegant, but rarely performed Haydn Symphony and the "Unfinished" symphonies by Bruckner and Schubert. Later, TDK released the second box of 4 DVDs including the popular Bruckner Symphonies Nos. 4 and 7 and symphonic works by Brahms and Schubert.
First recordings of two powerful works from the pen of one of our major composers, John McCabe, who is celebrating his sixtieth birthday this year. Of Time and the River (the title is taken from Thomas Wolfe's novel) is actually the published title of McCabe's Fourth Symphony, written in 1993/4 to a commission by the BBC. The Flute Concerto was written for James Galway in 1989/90 and he gave the first performance of it in 1990 with Michael Tilson Thomas and the London Symphony Orchestra who commissioned the work. Here it is played by the outstanding young flautist Emily Beynon in her first recording for Hyperion.
Shostakovich’s Tenth Symphony is 50 minutes of tragedy, despair, terror, and violence and three minutes of triumph. Premiered in 1953, the best performance is still that conducted by Mravinsky. Yevgeny Mravinsky's June 3, 1955, performance with the Leningrad Philharmonic of Beethoven's Symphony No. 4 is just as great. Mravinsky was the best Soviet conductor and his passionate precision and intense interpretations were as valid for Beethoven as they were for Shostakovich. His interpretations can be hard-driven and sharp-edged, but no one could object to the lucid strength and linear lyricism he brings to the work.