What remains consistent is Pierre Fournier's elegant and aristocratic playing, his superb control of the bow and his supple, consistently beautiful tone impressed a whole generation of cellists and music lovers all over the world. Sixty-five years since he first recorded for Decca, we are proud to celebrate the artistry of this most distinguished of cellists and the wealth of recordings for Deutsche Grammophon, Decca and Philips – presented here together for the very first time in this 25-CD limited edition set.
Many collectors would agree that Sviatoslav Richter was the greatest pianist of the 20th century. His enormous recorded legacy hides hundreds of treasures, many of which are included in this beautiful 51CD set. Released to celebrate the 100th anniversary of his birth (20th March 2015), the edition encompasses his complete Decca, Philips and DG recordings, including his Sofia Recital as well as his collaborations with Rostropovich, Karajan and Benjamin Britten.
Founded 70 years ago by Paolo Borciani, Elisa Pegreffi, Lionello Forzanti and Franco Rossi, Quartetto Italiano is one of the finest string quartets of the 20th century. The group recorded almost exclusively for Philips Classics, leaving a legacy admired for its insight and technical brilliance. This 37CD Box Set celebrates the artistic achievements of the Quartet by presenting their complete recordings on Decca, Philips and DG.
This 37CD Box Set celebrates the artistic achievements of the Quartet by presenting their complete recordings on Decca, Philips and DG. Featured are the legendary Mozart, Beethoven and Brahms cycles as well as many other interpretations…
This is Volume 4 in Barry Douglas’s monumental project to record the complete works for solo piano by Johannes Brahms. Each volume has been released to critical acclaim, the first one, in 2012, being seen by BBC Music as ‘a triumph of Brahmsian thought, with playing that gets right to the heart of the composer’.
The equally majestic follow-up to one of the most successful box sets in recent memory: After KARAJAN 1960s here comes KARAJAN 1970s. Between 1970 and 1979, Herbert von Karajan recorded the incredible amount of 82 CDs worth of orchestral and choral music for DG This was the period that saw Karajan delve deeply into important repertoire that he never really tackled before or after – from Vivaldi to Mahler, to Berg, Schoenberg and Webern as well as Orff. Not to forget Christmas Concertos, National Anthems, and Prussian Marches.
DG offers a terrific bargain here that anyone who follows this celebrated pianist will want to hear.
Formed by three Austrian immigrants and one youthful Londoner, the Amadeus Quartet came to prominence in postwar England. It excelled in the Classical repertoire, and its recordings in the 1950s were important contributions to the growing body of chamber music on the newly introduced LP. The process of recording on tape was a major improvement over the start-and-stop 78 rpm methods, and these clean and skillfully edited masters hold up quite well in the digital transfer. This seven-disc set follows Deutsche Grammophon's 2003 reissue of the quartet's early Mozart recordings, and covers works by Haydn, Schubert, Mendelssohn, and Brahms, thus giving a fuller representation of the group's prodigious output for Westminster and DG.
Masters, as the name suggests, is a series that concentrates on presenting recordings of the stars of DG's digital catalogue. As Diapason noted: "one does indeed find here the greatest names of the DG catalogue: Abbado, Bernstein, Giulini, Karajan, Argerich, Kremer, Pollini, Ludwig …," not to mention Anne-Sophie Mutter, Mischa Maisky, Giuseppe Sinopoli, Trevor Pinnock, Reinhard Goebel and John Eliot Gardiner…
DG’s mining of its vast catalogue continues with the Original Masters series of budget-priced reissues, of which this well-filled three-disc Hans Hotter set is a highly attractive entry. Hotter’s superb, black-tinged instrument and aliveness to the texts indisputably place him among the great singers of the last century. So this set is an enticing proposition for those familiar with his artistry and for newcomers interested in an overview of Hotter’s distinguished career. But the set is weighted toward the latter part of that career; all of the second disc and parts of the other two were recorded in the early-to-mid-1970s when Hotter was in his mid-60s. (Despite the album’s title, some tracks were recorded in 1975). He was still singing with insight and expressivity, but his remarkably well-preserved vocal instrument had nevertheless become darker, drier, less flexible, and more effortful.