This six-CD set, with recordings from 1972 to 1984, includes the albums Conception Vessel, Tribute, Dance, Le Voyage, Psalm and It Should’ve Happened A Long Time Ago. Paul Motian’s innovative drumming with the great trios of Bill Evans and Paul Bley had already assured him of a place in jazz’s history books, but Motian had not considered life as a bandleader until ECM proposed a recording session under his own name. “Conception Vessel” opened floodgates of creativity. Through these recordings we hear not only the evolution of several outstanding Motian ensembles and the birth of the enduring Motian/Frisell/Lovano trio, but also the growth of confidence of a unique jazz composer. In Paul’s music, memories of Turkish and Armenian melodies he had heard as a child were filtered through a love of jazz.
Live & Remastered is not just a deliciously put together compilation, but a time capsule of the history of house music. In the early days, the men and women at Ministry of Sound hit the record button on their DAT machine each week and captured mind blowing sets from the era’s finest DJs.
This four-disc box from London's JSP Records collects an astounding 100 songs recorded by John Lee Hooker in Detroit from the years 1948 to 1952, including his first two sides ever, the signature tunes "Boogie Chillen" and "Sally Mae." Most of the tracks here are done solo, with Hooker's ever-present foot-stomping, although a few feature other musicians on loose-limbed blues boogies. Since Hooker never significantly altered his style during his long career, these first recordings set the stage for all that came after, and he arguably never sounded fresher or better. Four discs worth of this throwback Mississippi bluesman will be severe overkill for casual listeners, but diehard Hooker fans will find this box set absolutely essential.
After the release of This Is What You Want, Lydon assembled yet another touring band. Martin Atkins stayed on as drummer, with Jebin Bruni and Mark Schulz joining the band's ranks. While gigging, Bruni and Schulz assisted in writing the material that wound up on Album…
There Is a Season is a four-CD box set by the American rock band The Byrds that was released on September 26, 2006 by Columbia/Legacy. It comprises 99 tracks and includes material from every one of the band's twelve studio albums, presented in roughly chronological order. In addition to the four CDs, the set also includes a bonus DVD featuring ten previously unissued television performances.
These recordings which were assembled to keep alive the memory of unique moments and meetings, are those prime compositions that were written in a state of excitement, with the passion and innocence of first look. Eleni Karaindrou / From the liner notes: Music lovers of Eleni Karaindrou have every reason to rejoice. More than 3 hours of music, written for 22 plays, directed by Antonis Antypas (1986-2010) moved to a historical version - documentary on the Mikri Arktos, a 3 CD to accompany an elegant book, enriched with photographs of performances, reviews and information on the recordings. The cooperation of Eleni Karaindrou director and partner Anthony Antipa began in 1986 when he suggested she composed music for "Victory" by Loula Anagnostakis.
Relive the flower power era with Ultimate… 60s a 4CD collection containing 80 classic hits from the 60s, includes tracks by Elvis, The Ronnettes, Simon & Garfunkel and many more!
2016 three CD collection. As that noted hipster Plato once observed, when the mode of the music changes, the walls of the city shake. And there was certainly a whole lotta shakin' goin' on in 1967. A distended Summer of Love saw psychedelic pop emerging from the underground clubs to infiltrate the home-grown music scene mainstream, with the vast majority following in the footsteps of perennial market leaders The Beatles in surrendering to the new genre. As the year progressed, it seemed that more or less every element of the British pop world had been swept up in the blissed-out UFOria. Beat boom survivors, R&B stalwarts, sharp-suited mods, Swinging London soul revues, earnest acoustic folkies, Denmark Street hustlers, traditional pop acts… all abandoned or refined their previous identities to make music that reflected the ubiquitous influence of psychedelia in it's myriad paisley-patterned guises. Across four hours and eighty tracks, the all-singing, not-much-dancing Let's Go Down And Blow Our Minds anticipates the 50th anniversary of the Summer of Love to chronicle a tumultuous twelve-month period of music-making within the British Isles.