Mostly Other People Do the Killing have recreated one of the greatest and most important jazz albums of all time. By attempting to make an identical copy of the original recording, this album poses several interesting questions about music in the 21st century.
For Friedman's fifth recording, he is definitely exploring the progressive edges of modern mainstream post-bop. He's more sublimated as a voice, with guitarist Attila Zoller taking a prominent role as frontman, while the performances of bassist Richard Davis and drummer Joe Chambers provide perfect foils for Friedman's swashbuckling creative urges. While the pianist utilizes elements stemming from bop and the avant garde, the melodic and listenable ingredients are juxtaposed with challenging ideas, and the leader acts as a true ringleader in the midst of his three brilliant compadres. "Wakin' Up" starts the six tracks in a quirky, mid-swing waltz; Zoller's signature clipped, staccato leads and the innovative Davis' ruminating bass chords identify a sound prevalent throughout.
Lee Morgan’s first meeting on record with Clifford Jordan was in June 1957, when Morgan was about to turn nineteen and Jordan had just begun making a name for himself. After their first collaboration, the precocious Morgan occasionally called Jordan to play tenor on his recordings; thus they recorded together twice in 1960 and once in January 1962.
Playscape Recordings is proud to release "Pride ", a new two-disc set from veteran guitarist/composer Michael Musillami with his flagship trio, featuring bassist Joe Fonda and drummer George Schuller. Pride is the Michael Musillami Trio's seventh release in the group's 11-year history.
In the 80s, the band engendered a cagey slant on mainstream swing and then morphed into the risk-taking New York downtown scene, eventually garnering widespread attention and sell-out crowds at the Knitting Factory and other hip venues. They regrouped in 2006, carrying the torch for what has become a singular sound, ingrained in classic jazz stylizations, bop, funk, and the free-jazz domain. Known for its quirky deviations, razor-sharp horns arrangements and melodic hooks, the septet's spunkiness and tightknit overtures align with the stars on Manhattan Moonrise.
b. 18 February 1926, Kingston, Jamaica, West Indies, d. 2 December 1998, London, England. As a child Burrowes was given a trumpet by his sea-going father and began learning to play the instrument. As the unofficial mascot of a West Indian army regiment, he was encouraged to develop his musical abilities and took lessons from a military bandsman. He formed his own bands, playing in and around his home town but in the late 40s went to New York City, USA where he quickly established himself on the local music scene. Among the musicians with whom he played during this stage of his career and who also helped his advance was Sonny Rollins.