Don't Be Cruel is the second studio album by American singer Bobby Brown. It was released in the United States on June 20, 1988 by MCA Records.
The fifth in a series of 8 simultaneously released sets celebrating the most iconic British pop show of all time takes a journey back in time to a time of goths, stadium rockers, the acid house revolution and funky dreads. Marking the period 1985-1989 this 3-CD collection includes Simple Minds, The Cure, Soul II Soul, Fleetwood Mac, Duran Duran, Simply Red and many more.
Robert Dwayne "Bobby" Womack is an American singer-songwriter and musician. An active recording artist since the early 1960s where he started his career as the lead singer of his family musical group The Valentinos and as Sam Cooke's backing guitarist, Womack's career has spanned more than 50 years and has spanned a repertoire in the styles of R&B, soul, rock and roll, doo-wop, gospel, and country. In 2009, Womack was inducted into the Rock and Roll Hall of Fame.
Official Release #106. In his trailblazing and incredibly prolific career, artist, composer and all-around musical pioneer Frank Zappa released more than 60 albums in his lifetime, as a solo artist and with his bands the Mothers of Invention and the Mothers. Coupled with more than 40 posthumous releases since his death in 1993 at 52, figuring out where to start in Zappa’s vast, genre-leaping catalog can be daunting. ZAPPAtite – Frank Zappa’s Tastiest Tracks, out now on Zappa Records/UMe, collects some of Zappa’s best known and beloved compositions, from his early psychedelic rock beginnings to his avant-garde experimentation, jazz-rock explorations, symphonic suites and satirical send-ups, compiling them into one easily digestible collection and offering key entryways into the many musical worlds of the visionary musician.
]At Columbia, Franklin lived an entirely different musical life than she would at Atlantic, one that was grounded in jazz and the Great American Songbook, revealing a gigantic vocal talent that betrayed potent hints of the tectonic soul shift to come at Atlantic. It takes precious little imagination to conclude that Franklin was as important to American music in the middle-to-late 1960s as singer/pianist Ray Charles was the decade before, the two star ascents crossing in creative eclipse.