A collection of 20 CD, which includes all the studio albums by English rock band Blur at the moment, also 2 compilations, 1 live and 8 singles.
This release contains all studio recordings by the brilliant quintet fronted by CLARK TERRY and BOB BROOKMEYER. This material was originally released on three albums which are presented here in their entireties.
Both of Young Flowers' studio albums (1968's Blomsterpistolen and 1969's No. 2) are included in their entirety on this two-CD compilation, which also has a 1967 non-LP single and the three songs they contributed to the 1970 Quiet Days in Clichy soundtrack, as well as three live September 1969 recordings. With English-language liner notes, it's the definite collection of this Danish psychedelic group. As the back cover points out, they were "the first Danish hippy band, the first home-grown rock band to sing in Danish (though the majority of their recordings were in English), and the first to play the States…
Originally released in March 1999, 13 saw a departure from long-time collaborator Stephen Street with William Orbit taking over production duties, what followed was Blur s fourth consecutive No 1 album and a further, more introspective, development of their music. Accompanying the remastered album in the 13 Special Edition is a whole disc of bonus material, including b-sides to the hit singles Tender, Coffee & TV and No Distance Left To Run. Featured in this extensive collection of b-sides are each band member s own remix of the album track Bugman, the track Beagle 2 (which was sent aboard Mars landing spacecraft of the same name) and the epic Cornelius Remix of Tender. Completing the bonus disc are a demo version of I Got The Law (previously only released on the Japanese version of 13) and the Music Is My Radar single (and its b-side) released on the 2003 Blur: The Best Of.
Over the years a number of studio rarities have been appended to the deluxe or expanded versions of The Grateful Dead’s studio albums. In addition, two critically acclaimed career-retrospective box sets—2001’s The Golden Road and 2004’s Beyond Description—further increased the number of “alternate” studio recordings available in their best fidelity. This collection (like its companion Complete Live Rarities Collection) mops up the loose ends in one spellbinding place. These tracks are best understood in context with the new digital book The Golden Road and Beyond: A Grateful Dead Primer, which has two essays written for those aforementioned box sets by the band’s longtime publicist Dennis McNally. However, you only need ears to enjoy the Scorpio Sessions versions of “Don’t Ease Me In” and “I Know You Rider,” the under-three-minute take of “Dark Star,” and the studio outtakes of “Catfish John,” “Jack-a-Roe,” and “Peggy-O.” The b-side “My Brother Esau” is a great find, while the studio rehearsal of “Touch of Grey” should interest anyone who fell under the spell of the band’s biggest hit single.
This unique 70CD box set includes all the studio recordings Maria Callas ever made. It contains 26 complete operas, four of which are studio repeats, plus the complete studio recitals made during her recording career, from 1949 to 1969.
Limited 21 CD set from the Dutch progressive rockers. This box holds the band's sixteen studio album (including three double albums) and two bonus CD's with non-album tracks, rarities and demo's. One of the bonus CD's most remarkable items is 'Happy New Year', a Kayak demo dating from '74 or '75, that has never been released…
June Christy (November 20, 1925 - June 21, 1990) was an American Jazz singer popular in the 1950s. Her success as a singer began with the Stan Kenton orchestra. She pursued a solo career from 1954 and is best known for her recording of "Something Cool" written by Hollywood composer/lyricist Billy Barnes.
Even if comparisons with Lennie Tristano, Al Haig and Bud Powell are inevitable, Dodo Marmarosa's music has a surrealistic imprint essentially unlike that of any other pianist in or out of bop. In honor of this cardinal truth, the Lone Hill Jazz label has come forward with the Complete Studio Recordings of the Dodo Marmarosa Trio (including alternate takes), bringing together three different West Coast sessions from 1946 and 1947, four selections waxed in his home town of Pittsburgh in 1950, and an entire second disc's worth of mature Marmarosa material recorded in Chicago in 1961 and 1962.