Bluiett Baritone

Hamiet Bluiett - Blueblack (2001)  Music

Posted by TmanHome at Feb. 21, 2015
Hamiet Bluiett - Blueblack (2001)

Hamiet Bluiett - Blueblack (2001)
Jazz | MP3 320 kbps CBR | 55 min | 126 MB
Label: Justin Time Records | Rel: 2001

The Bluiett Baritone Saxophone Group strikes again. Four baritone saxes make for quite a wall of low-register sound, and every quartet member but Bluiett Patience Higgins, James Carter, and Alex Harding doubles on bass clarinet. In Carter's case, make that contra-bass clarinet, an instrument that can cause the room to shake. Since the horns have the bass function covered, all that's needed are drums; hence the presence of trapsman Lee Person and percussionist Kahil El'Zabar.
Hamiet Bluiett - You Don’t Need To Know… If You Have To Ask

Hamiet Bluiett - You Don’t Need To Know… If You Have To Ask
Flac & MP3, 320 kbps | 270 MB & 122 MB | Rec. 1991 | Label: Tutu | CD 1994 | 53:54

Hamiet Bluiett - Im/Possible To Keep [2 Cd's]  Music

Posted by Garina at Nov. 9, 2008
Hamiet Bluiett - Im/Possible To Keep [2 Cd's]

Hamiet Bluiett - Im/Possible To Keep [2 Cd's]
Ape | CD 1: 394 Mb | CD 2: 290 Mb | Label: India Navigation | CD 1996
Recorded 1979
Hamiet Bluiett - The Clarinet Family (1984) {Black Saint 120 097-2 rel 1987}

Hamiet Bluiett - The Clarinet Family (1984) {Black Saint 120 097-2 rel 1987}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 351 Mb | MP3 @320 -> 148 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1984, 1987 Black Saint | 120 097-2
Jazz / Post Bop / Modern Jazz / Avant-Garde Jazz / Clarinet

Recorded live in November, 1984 - an acoustical concert with no amplification except for a bass amplifier on For Macho - during the "Berliner Festspiele", at Berlin Philharmonic, Berlin. The clarinet was once one of the leading voices of jazz. During the Swing era clarinet players like Benny Goodman and Artie Shaw were Kings, but more recently the instrument has been all but forgotten in jazz circles. We should therefore thank World Saxophone Quartet member Hamiet Bluiett for his personal attempt at a revival with "The Clarinet Family." Recorded for the Black Saint label during a live performance in Berlin in November 1984, Bluiett trades in his trademark baritone sax for the alto clarinet, and joins forces with fellow clarinetists Don Byron, Dwight Andrews, Gene Ghee, John Purcell, J.D. Parran, Sir Kidd Jordan and even the great Buddy Collette on this eclectic tribute to the instrument.
Hamiet Bluiett & Concept - "Live At Carlos I: Another Night" (1986) {Just A Memory Records JAM 9136-2 rel 1997}

Hamiet Bluiett & Concept - "Live At Carlos I: Another Night" (1986) {Just A Memory Records JAM 9136-2 rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 447 Mb | MP3 @320 -> 152 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1986, 1997 Just A Memory Records | JAM 9136-2
Jazz / Post Bop / Modern Jazz / Avant-Garde Jazz / Baritone Saxophone

The quintet on this CD (baritonist Hamiet Bluiett, pianist Don Pullen, bassist Fred Hopkins, drummer Idris Muhammad, and Chief Bay on African percussion) was only together for a week, but three CDs resulted from their engagement at the Carlos I club in New York; Mulgrew Miller is in Pullen's place on one of the two other discs. This is a particularly intriguing setting for the great baritonist Bluiett, for even though he is an avant-gardist, he is heard here playing such numbers as "I'll Close My Eyes" (which becomes so romantic at one point that it seems satirical), "Autumn Leaves," and Bluiett's blues "John."
Hamiet Bluiett - Im/Possible To Keep (1996) [2CD] {India Navigation} [Repost]

Hamiet Bluiett - Im/Possible To Keep (1996) [2CD] {India Navigation}
EAC rip (secure mode) | FLAC+CUE+LOG -> 743 Mb | MP3 @320 -> 350 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb
© 1996 India Navigation | IN 1072 CD
Jazz / Avant-Garde Jazz / Saxophone

This double-CD, released for the first time in 1996, has the 37½-minute performance "Sobra Una Nube" that was originally released as the LP S.O.S., plus five other previously unreleased selections (two of which are quite lengthy) from the same engagement. Recorded at a small club during the now-legendary loft period in New York City, baritonist Hamiet Bluiett (who also plays some effective clarinet and flute) is featured with pianist Don Pullen (who was really coming into his own during this era), bassist Fred Hopkins and drummer/percussionist Don Moye.

Leonard Warren: American Baritone  eBooks & eLearning

Posted by thingska at Feb. 18, 2016
Leonard Warren: American Baritone

Leonard Warren: American Baritone by Mary Jane Phillips-Matz
English | Mar. 1, 2003 | ISBN: 1574670530 | 520 Pages | EPUB | 3 MB

Charles Mingus - Mingus At Carnegie Hall (1974) {MFSL}  Music

Posted by TestTickles at July 23, 2015
Charles Mingus - Mingus At Carnegie Hall (1974) {MFSL}

Charles Mingus - Mingus At Carnegie Hall (1974) {MFSL}
EAC Rip | FLAC with CUE and log | scans | 326mb
MP3 CBR 320kbps | RAR | 129mb
Genre: jazz

Mingus At Carnegie Hall is the 1974 album by Charles Mingus, originally released on Atlantic. This Mobile Fidelity Sound Lab pressing was released in 1994. Mingus is joined by George Adams (tenor sax), Hamiet Bluiett (baritone sax), Jon Faddis (trumpet), John Handy (alto & tenor saxes), Rahsaan Roland Kirk (tenor sax & stritch), Charles McPherson (alto sax), Don Pullen (piano) and Dannie Richmond (drums). It was recorded at Carnegie Hall on 19 January, 1974.
The Singer's Musical Theatre Anthology: Baritone / Bass. Volume 1 (Piano, Vocal Soundbook) by Hal Leonard Corporation

The Singer's Musical Theatre Anthology: Baritone / Bass. Volume 1 (Piano, Vocal Soundbook) by Hal Leonard Corporation
English | Jan 1, 1987 | ISBN: 0881885487 | 271 Pages | PDF | 14,3 MB
Arban's complete celebrated method for the cornet or E♭ alto, B♭ tenor, baritone, euphonium and B♭ bass in treble clef

Arban's complete celebrated method for the cornet or E♭ alto, B♭ tenor, baritone, euphonium and B♭ bass in treble clef
Publisher: Carl Fischer | 1900 | ISBN: N/A | English, French, German | PDF | 347 pages | 30.79 Mb

Containing Arban’s original and complete method, the art of phrasing (150 songs and operatic airs), sixty-eight duets for two cornets, fourteen characteristic studies, numerous fantasies, and other solos.