The Rolling Stones recorded Black and Blue while auditioning Mick Taylor's replacement, so it's unfair to criticize it, really, for being longer on grooves and jams than songs, especially since that's what's good about it. Yes, the two songs that are undeniable highlights are "Memory Motel" and "Fool to Cry," the album's two ballads and, therefore, the two that had to be written and arranged, not knocked out in the studio; they're also the ones that don't quite make as much sense, though they still work in the context of the record. No, this is all about groove and sound, as the Stones work Ron Wood into their fabric. And the remarkable thing is, apart from "Hand of Fate" and "Crazy Mama," there's little straight-ahead rock & roll here. They play with reggae extensively, funk and disco less so, making both sound like integral parts of the Stones' lifeblood. Apart from the ballads, there might not be many memorable tunes, but there are times that you listen to the Stones just to hear them play, and this is one of them.
A great lost chapter in the career of organist Lonnie Smith — a session recorded in the 80s, but done with the simple straightforward soul jazz groove of earlier sides on Muse and Prestige ! Lonnie's working here in a loose and free trio format — with Melvin Sparks on guitar and the great Alvin Queen on drums — rolling out over longish tracks in an open-ended style that almost recalls more of the feel of Don Patterson's great organ trio sides than it does the heavier funk of Smith's early years. The recording quality is great — very faithful to the best tones of the Hammond.
The Rolling Stones recorded Black and Blue while auditioning Mick Taylor's replacement, so it's unfair to criticize it, really, for being longer on grooves and jams than songs, especially since that's what's good about it…
In a new installment of her Black in America series, award-winning journalist Soledad O’Brien uses graphic videos and incisive interviews to show how the lives of young men are fractured by aggressive policing. Her documentary film, BLACK & BLUE, takes us into the lives of men frisked without cause as many as 100 times, and the police officers who insist they're just fighting crime. Between 2002 through mid-2013, the New York Police Department (NYPD) reported making more than 5 million stops. More than 80 percent of those stopped were African American or Latino, and 88 percent of the stops did not result in arrests, summons, or evidence of any crime, O’Brien reports with her co-directors Ross Tuttle and Steve Maing.