Elvin keeps the cornpone good-ole-boy schtick down to an acceptable level on this, perhaps his most serious solo album to date. Although Bishop's good-time approach is still evident on tunes like "I'm Gone," "Right Now Is the Hour," the acoustic "Radio Boogie" (with a guest shot from Charlie Musselwhite) and "Country Blues," the playing and lyrics get much deeper and more serious with "Shady Lane," "The Skin They're In," "Middle Aged Man" and "Long Shadows." Perhaps the most cohesive album he's made to date, revealing an artist coming to grips with his muse, his age and his art, all at once.
When Bishop played guitar with Paul Butterfield in the 1960s he fancied himself a countrified hippie named Pig Boy Cranshaw. His sense of humor remains intact decades later, evidenced on a relaxed blues-oriented rock program shot through with a smart sort of bumpkin levity. He never could sing (it was Mickey Thomas on his 1970s smash "Fooled Around and Fell in Love"), but his guitar rides roughshod over those of many a better-known blues artist.
Duffy Bishop has been compared to Janis Joplin, Dusty Springfield, and Bette Midler, but her own rocking R&B style extends beyond these comparisons. Bottled Oddities is the debut of Bishop and her band on Burnside Records and features the standout "Louisiana Flood." Duffy Bishop is an American electric blues singer and songwriter. She is in the Cascade Blues Association and Washington Blues Society Halls of Fame, and has been given a Lifetime Achievement Award by both bodies. In a career spanning over forty years, Bishop has also been a costume designer and an actress in musical theatre. To date she and her band have released seven albums.