This is Billy Cobham's third solo recording under his own name and is a fine follow-up to Crosswinds. The mini-suite "Solarization" not only showcases the band's technical abilities, but also Cobham's strong compositional skills. It also features a schizophrenic piano solo ("Second Phase") from the underrated pianist Milcho Leviev, who sounds like a mutation of Cecil Taylor and Bill Evans.
This is the companion disc to Flight Time, which was also recorded for the Inakustik label. While not quite as original as its predecessor it is still highly recommended. A young Mike Stern had not completely developed his sound yet, but is still unmistakable. Violinist Michael Urbaniak's presence gives Cobham classics like "Stratus," "AC/DC" and "Total Eclipse" a fresh sound. Here again, Cobham is more than willing to let his collegues step to the forefront and offer up their unique ideas, some better than other (Goldstein's "Wrapped in a Cloud" is enchanting while Landers' Reggae offering, "All Hallows Eve," falls flat).
Generally acclaimed as fusion's greatest drummer, Billy Cobham's explosive technique powered some of the genre's most important early recordings including groundbreaking efforts by Miles Davis and the Mahavishnu Orchestra before he became an accomplished bandleader in his own right.
Only a few times in history has a musician been singled out as the world-class master of his instrument. Billy Cobham is one of those few artists. For over 30 years, he has received international acclaim as the total consummate percussionist. .. Full Description Mississippi Knights captures Billy Cobham at his live best. Mississippi Knights comprises of his live set spanning several years of his legendary catalogue.
Shabazz captures Cobham's Total Eclipse band in a live setting, and contains two originals, "Shabazz" and "Tenth Pin." The other two songs, "Taurian Matador" and "Red Baron," which debuted on Cobham's classic recording, Spectrum, are given an impressive update. All of the songs are blowing sessions allowing each musician ample time to develop their ideas. Cobham attacks his drums with a vengeance on the introduction to "Shabazz" and on his powerful solo for "Tenth Pin." This is a good, old-fashioned blowing session that captures one of Cobham's best bands at their peak.
Billy Cobhams powerful and complex drumming has exerted a strong influence on jazz and jazz fusion since the seventies when he performed on groundbreaking recordings by Miles Davis (Jack Johnson) and The Mahavishnu Orchestra (The Inner Mounting Flame and others).
His excellent new CD “Palindrome” is Billy’s re-engagement with his own music from that time and the years that followed. Billy Cobham’s 2nd installment in the “Fruit From
The Loom” series is set to be released in March 2010 through his new record company BHM Productions.
Most of drummer Billy Cobham's recordings have featured his groups of the period, but this set for GRP matches him with a variety of all-stars. Three songs feature Grover Washington, Jr. on soprano or tenor; Randy Brecker takes a flugelhorn solo on "Taurian Matador"; and other guests include Tom Scott (on his anonymous-sounding lyricon), keyboardist George Duke and bassist Ron Carter.
Another strong album from a top funky drummer Billy Cobham. While elements of funk were always a part of his band's sound, it was now the primary focus. "Panhandler" stands out as the session's most memorable composition, while Milcho Leviev contributes nicely on "Moody Modes." Cobham fans will want to seek this out for the extended drum solo "A Funky Kind of Thing," which stands as one of the most original drum solos he ever recorded. Of particular interest here is the presence of John Scofield, who had replaced John Abercrombie.
Generally acclaimed as fusion's greatest drummer, Billy Cobham's explosive technique powered some of the genre's most important early recordings – including groundbreaking efforts by Miles Davis and the Mahavishnu Orchestra – before he became an accomplished bandleader in his own right. At his best, Cobham harnessed his amazing dexterity into thundering, high-octane hybrids of jazz complexity and rock & roll aggression.