Bill Evans Getz

Bill Evans - The Complete Bill Evans On Verve (1997) {18 CD Set Verve 314 527 953-2 rec 1962-1969}

Bill Evans - The Complete Bill Evans On Verve (1997) {18 CD Set Verve 314 527 953-2 rec 1962-1969}
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© 1962-69, 1997 Verve / PolyGram | 314 527 953-2
Jazz / Post Bop / Modal Music / Piano

THE COMPLETE BILL EVANS ON VERVE is an 18-disc, 269-track box set featuring every track that Bill Evans recorded for Verve between 1962 and 1969, including 98 previously-unreleased tracks. It includes a 160-page, full-color book. THE COMPLETE BILL EVANS ON VERVE was nominated for a 1998 Grammy Award for Best Recording Package - Boxed and for Best Historical Album. The 18 CDs in this exhaustive set provide a comprehensive picture of Bill Evans from 1962 to 1969, a period when the pianist was both consolidating his fame and sometimes taking his music into untested waters, from unaccompanied piano to symphony orchestra. His work with multitracked solo piano, originally released as Conversations with Myself and the later Further Conversations with Myself, was the most remarkable new format for his introspective music. It gave Evans a way to be all the pianists he could be at once–combining densely chordal, harmonically oblique parts with surprising, rhythmic punctuation and darting, exploratory runs.
Bill Evans - You Must Believe In Spring (1981) [Reissue 2003] (Repost)

Bill Evans - You Must Believe In Spring (1981) [Reissue 2003]
EAC Rip | WavPack (image+.cue+log) - 328 MB | MP3 CBR 320 kbps (LAME 3.93) - 154 MB | Covers (17 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Warner Bros. Records (8122-73719-2)

This well-rounded set (released posthumously) features the highly influential pianist Bill Evans in a set of typically sensitive trio performances. With his longtime bassist Eddie Gomez and his drummer of the period, Eliot Zigmund, Evans explores such songs as "We Will Meet Again," Jimmy Rowles's classic "The Peacocks" and the "Theme from M*A*S*H." It's a solid example of the great pianist's artistry.

Stan Getz & Bill Evans - Stan Getz & Bill Evans (1973) (Repost)  Music

Posted by gribovar at Dec. 15, 2017
Stan Getz & Bill Evans - Stan Getz & Bill Evans (1973) (Repost)

Stan Getz & Bill Evans - Stan Getz & Bill Evans (1973)
EAC Rip | WavPack (image+.cue+log) - 362 MB | MP3 CBR 320 kbps (LAME 3.93) - 158 MB | Covers (11 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Verve Records (833 802-2)

The only studio meeting between Stan Getz and Bill Evans took place over two days in 1964, with the aggressive drummer Elvin Jones and either Richard Davis or Ron Carter on bass. It is peculiar that Verve shelved the results for over a decade before issuing any of the music, though it may have been felt that Getz and Evans hadn't had enough time to achieve the desired chemistry, though there are memorable moments. The punchy take of "My Heart Stood Still," the elegant interpretation of "Grandfather's Waltz," and the lush setting of the show tune "Melinda" all came from the first day's session, with Davis on bass…
Bill Evans & Jim Hall - Intermodulation (1966) {2003 Japan Jazz The Best Series 24bit Remaster UCCU-5143}

Bill Evans & Jim Hall - Intermodulation (1966) {2003 Japan Jazz The Best Series 24bit Remaster UCCU-5143}
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© 1966, 2003 Verve / Universal Japan | UCCU-5143 | Verve LP V6-8655
Jazz / Post Bop / Modal Music / Piano / Guitar

A magnificent follow up to the Undercurrent album from the team of Bill Evans and Jim Hall – and like that one, a set that features amazing interplay between piano and guitar! Hall's guitar has never sounded better – and in the airy company of Evans, it takes on many of the same qualities as on his famous late 50s recordings in the Jimmy Guiffre trio. Bill's work is great too – almost more tonally focused than before, with perfectly chosen notes that resonate beautifully in this very spare space. Titles include "Jazz Samba", "All Across The City", "Angel Face", and "Turn Out The Stars".
Bill Evans Trio - Sunday At The Village Vanguard (1961) {2008 Riverside} [Keepnews Collection Complete Series] (Item #23of27)

Bill Evans Trio - Sunday At The Village Vanguard (1961) {2008 Riverside} [Keepnews Collection Complete Series] (Item #23of27)
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© 1961, 2008 Concord / Riverside | 0888072305090
Jazz / Post Bop / Modal Music / Piano

Conventional wisdom, which in this case may be right, holds that Bill Evans' storied career peaked on June 25, 1961, a date that yielded two live records, Sunday at the Village Vanguard and Waltz for Debby, the final two documents of Evans' first, and best, trio, with bassist Scott LaFaro and drummer Paul Motian. In the two years he'd been playing with Evans, LaFaro had opened up new possibilities for the jazz bass, playing with a harmonically oblique, melodically flexible style that was, at the time, unprecedented. Ten days after this record was made he died, just 25 years old.
Bill Evans - The Complete Village Vanguard Recordings, 1961 (2005) {3CD Box Set 20bit K2 3RCD-4443-2}

Bill Evans - The Complete Village Vanguard Recordings, 1961 (2005) {3CD Box Set 20bit K2 3RCD-4443-2}
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© 1961, 2005 Concord / Riverside | 3RCD-4443-2
Jazz / Post Bop / Modal Music / Piano

On June 25th, 1961, Bill Evans and his trio made jazz history over the course of five sets at the Village Vanguard. Selections from those performances were released on two full-length LPs, WALTZ FOR DEBBY and Sunday AT THE VILLAGE VANGUARD, both of which went on to become landmark jazz albums from the era. The three-disc COMPLETE VILLAGE VANGUARD RECORDINGS provides a valuable service by presenting all five sets in their complete and original sequence, with crisp remastered sound, a previously unissued take (Scott LaFaro's "Gloria's Step"), and snippets of on-stage patter.
Bill Evans - The Complete Riverside Recordings (1987) {12CD Set Riverside-Fantasy 12RCD 018-2 rec 1956-1963}

Bill Evans - The Complete Riverside Recordings (1987) {12CD Set Riverside-Fantasy 12RCD 018-2 rec 1956-1963}
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© 1956-63, 1987 Riverside Records / Fantasy | 12RCD 018-2
Jazz / Post Bop / Modal Music / Piano

This magnificent 12-CD set contains all of Bill Evans' Riverside recordings as a leader, an extremely important period in the influential pianist's development. The first session predates Evans' period with the Miles Davis Sextet and other significant sessions include his sets with bassist Scott LaFaro and drummer Paul Motian (highlighted by the marathon Village Vanguard session of June 25, 1961), Evans' return nearly a year after LaFaro's death in a car accident with a new trio (consisting of Motian and bassist Chuck Israels), a sideman set with altoist Cannonball Adderley, the Interplay sessions with either trumpeter Freddie Hubbard or tenor saxophonist Zoot Sims, an extensive and rather somber solo set, and a 1963 appearance at Shelly's Manne Hole with bassist Israels and drummer Larry Bunker.
Bill Evans - The Complete Fantasy Recordings (1989) {9CD BoxSet Fantasy FCD-1012-2 rec 1973-1979}

Bill Evans - The Complete Fantasy Recordings (1989) {9CD BoxSet Fantasy FCD-1012-2 rec 1973-1979}
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© 1973-79, 1989 Fantasy / ZYX Music | FCD-1012-2
Jazz / Post Bop / Modal Music / Piano

Bill Evans' Fantasy recordings of 1973-1979 have often been underrated in favor of his earlier work but, as this remarkable nine-CD set continually shows, the influential pianist continued to grow as a musician through the years while holding on to his original conception and distinctive sound. The collection has all of the 98 selections recorded at Evans' 11 Fantasy sessions, including nine numbers from a previously unreleased 1976 concert with his trio. In addition, Evans' appearance on Marian McPartland's Piano Jazz radio program is tacked on as a bonus and it is actually among McPartland's finest shows, a fascinating hour of discussion and music with Evans.

Bill Evans - From Left To Right (1970) {Verve 557 451-2 rel 1998}  Music

Posted by ruskaval at March 14, 2018
Bill Evans - From Left To Right (1970) {Verve 557 451-2 rel 1998}

Bill Evans - From Left To Right (1970) {Verve 557 451-2 rel 1998}
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© 1970, 1998 Verve / PolyGram | 557 451-2
Jazz / Post-Bop / Modal Music / Piano

In the '60s the jazz pianist Bill Evans would occasionally record an orchestral "easy listening" session to pay the bills, with predictably mediocre results. But FROM LEFT TO RIGHT, while certainly easy on the ears, is also one of Evans' most intriguing "lost" records, brought to us courtesy of Verve's winning "By Request" series. The novelty is that Evans plays both Fender Rhodes and acoustic piano simultaneously in real time, trading off themes and improvs with deliberative taste and, of course, rare skill. The sessions were produced by Evans' long-time, protective manager Helen Keane, so there was little danger of "selling out."
Bill Evans - The "Interplay" Sessions (1962) {Milestone 0888072470668 rel 2007}

Bill Evans - The "Interplay" Sessions (1962) {Milestone 0888072470668 rel 2007}
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© 1962, 2007 Milestone / Concord | 0888072470668
Jazz / Post Bop / Modal Music / Piano Jazz

During the seven year span at Riverside that launched his career, Bill Evans only twice recorded outside his customary trio format: in the summer of 1962, when he went into the studio in quintet settings involving some of the major jazz artists of the period. The results are combined in this package. #1-6 originally issued as Interplay (Riverside 445). #7-13 originally issued as part of The Interplay Sessions double-LP (Milestone 47055), as previously unreleased selections.