Christian McBride's second big-band album, 2017's Bringin' It, is a robust, swaggeringly performed set of originals and standards showcasing his deft arranging skills and his ensemble's exuberant virtuosity. The album comes six years after his previous big-band outing, The Good Feeling, and once again finds the bassist conscripting a slew of his talented cohorts (some new, others returning), including saxophonists Steve Wilson and Ron Blake, trumpeters Freddie Hendrix and Brandon Lee, trombonist Steve Davis, pianist Xavier Davis, drummer Quincy Phillips, and others. Together, they make a swinging, dynamic sound that brings to mind the Thad Jones/Mel Lewis Orchestra of the 1960s and bassist Charles Mingus' various big-band recordings. It should be noted that both of those ensembles continue to live on as the Vanguard Jazz Orchestra and Mingus Big Band, and McBride's group matches their high artistic legacies.
In the world of music, there was never anyone quite like ARTHUR 'BIG BOY' CRUDUP. Rooted in the Mississippi Delta, his style was propulsive, melodic, original, and profoundly soulful. If he wasn’t 'The Father of Rock ‘n’ Roll', as one LP proclaimed, there’s no doubt that rock ‘n’ roll owes a debt to his songs, including That’s All Right Mama, My Baby Left Me, Rock Me Mamma, So Glad You’re Mine, and Mean Ol’ Frisco Blues, as much as to his tight, swinging brand of rural blues.