The Jazztet had been in existence for two years when they recorded what would be their final LPs, this date plus Another Git Together. The personnel (other than the two co-leaders flugelhornist Art Farmer and tenor-saxophonist Benny Golson) had completely changed since 1960 but the group sound was the same. The 1962 version of the Jazztet included trombonist Grachan Moncur III, pianist Harold Mabern, bassist Herbie Lewis and drummer Roy McCurdy and it is remarkable to think that this talent-filled group could not find enough jobs in order to stay together…
Benny Carter's MusicMasters catalogue turned up some fine sessions in which colleagues included Clark Terry, Hank Jones, and Doc Cheatham, among a raft of musicians - for the stellar singers, see the end of this review. The recordings, made in various locations, span the years 1990-95 and reveal the altoist seemingly unruffled by the reach of Time, still spinning some sublime and harmonically darting lines as if for the first time.
The Jazztet had been in existence for two years when they recorded what would be their final LPs, Here and Now and Another Git Together. The personnel, other than the two co-leaders, flugelhornist Art Farmer and tenor-saxophonist Benny Golson, had completely changed since 1960 but the group sound was the same. The 1962 version of the Jazztet included trombonist Grachan Moncur III, pianist Harold Mabern, bassist Herbie Lewis, and drummer Roy McCurdy. It is remarkable to think that this talent-filled group wasn't, for some reason, snapped up to record even more albums together. Highlights of their excellent out-of-print LP include Ray Bryant's "Tonk," "Whisper Not," "Just in Time," and Thelonious Monk's "Ruby My Dear." A classic if short-lived hard bop group.
Art Farmer-Benny Golson Jazztet was a talent-studded little band, among the finest groups of its time (1959-1962), able and willing to try anything—notice the sextet’s exuberant romping on these two albums “Here and Now,” and “Another Git Together”—recorded in 1962. They feature only the co-leaders of the original band, but the replacements—trombonist Grachan Moncur III and a Harold Mabern Herbie Lewis—Roy McCurdy rhythm section—maintained the pungent blend of zest, relaxation, control and creativity that characterised the Jazztet at its best.
Features 24 bit remastering and limited edition. Release Date: December 04, 2013. The idea of the Jazztet playing arrangements by John Lewis written especially for them is intriguing. According to Gene Lees' liner notes, Art Farmer first approached Lewis about writing something for the sextet, to which the composer replied that he'd rather score an entire record. Even though the Jazztet and Lewis' own group, the Modern Jazz Quartet, are dissimilar in many ways, the marriage is a successful one.
At age eighty, tenor saxophonist, composer and band leader Benny Golson is still going strong, and although he experienced a few lean years, is very much a force on the modern mainstream jazz scene in the years of the 2000s. He has revived the spirit of his original Jazztet, co-founded with the late trumpeter Art Farmer, on several occasions since the ensemble was originally founded in 1959. This edition features a strong front line of Golson, trumpeter Eddie Henderson, and trombonist Steve Davis, players from different generations who completely understand the hard and post-bop language. The rhythm section is even more delicious, with pianist Mike LeDonne, peerless bassist Buster Williams, and younger drummer Carl Allen working together in the best sense of that ideal.
Benny Goodman took some stylistic chances during his 11-year tenure with Capitol. He listened closely to, then flirted with, bebop during this time, not altering his own swing-based playing but inserting it into a bop framework. He also played traditional swing in various small groups. The sessions covered on this most recent Mosaic four-disc (six-album) set were originally issued on a number of 10" and 12" albums, as well as the CDs BG in Hi Fi and The Benny Goodman Story, a Japanese issue.
Though he had already cut a single, "So Much Love," for Magnet Records in 1975, this was Chris Rea's first full-length album. While "So Much Love" had basically disappeared quickly upon its release, the song "Fool (If You Think It's Over)" from Whatever Happened to Benny Santini? became his largest hit, especially in the U.S., where it was nominated for a Grammy (though it didn't win)…