Eric Benét is a contemporary R&B singer with mild hip-hop and strong adult contemporary influences. As a teenager, he performed in a family vocal group (appropriately named Benét) with his sister and cousin. The group signed with EMI and released an eponymous album in 1992 that largely went unnoticed. Eric blazed his own trail as a solo artist shortly afterward, signing to Warner Bros. and releasing his debut album, True to Myself, in the fall of 1996. A Day in the Life followed in 1999. Its first single, a cover of Toto's "Georgy Porgy," was a moderate radio hit, but it was the album's second single, "Spend My Life with You" (featuring Tamia), that helped put him on the map.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. The Dutch jazz scene had plenty to offer back in the 70s – not just the better-remembered avant jazz from big free jazz musicians, but also some great straight ahead material too! This album's a key set from that wonderful time – and features a combo led by pianist Rein DeGraaf and reedman Dick Vennik – a great player who blows tenor, soprano sax, and flute on the record – with a depth of feeling that has us wondering why he never scored bigger fame on this side of the Atlantic. Even the mellower moments have a nice sort of bite – and rhythms are from Koos Serierse on bass and Eric Ineke on drums – on titles that include the stunning 13 minute title track "Modal Soul", plus "Short Rainbow", "Sweet Basil", "Detour Ahead", and "Lonely Hunter".
During the war against advanced colo-rectal cancer (from 2006), which included two primary tumors and two recurrences, Fred Ho, hammered by massive chemo and radiation, found inspiration in the fight for his life from watching movies of The Greatest, Muhammad Ali. Ali s bold, militant, defiant and spirited resistance to the forces of American racism, combined with his élan, grace and humor (both poetical and personal), his indisputable athletic abilities and genius, and the inspiration to the world s peoples (especially the oppressed) and their embrace of him, served as constant inspiration to Fred Ho. During one of his recovery periods, Ho decided to compose a work for his Green Monster Big Band to honor The Greatest.