This band was from Scotland, their name is derived from a novel by the poet John Gray in 1728. The musicians of Beggars Opera were Martin Griffiths (vocals), Rick Gardiner (guitar and vocals), Alan Park (keyboards), Gordon Sellar (bass, acoustic guitar and vocals), Virginia Scott (Mellotron and vocals) and Raymond Wilson (drums and percussion).
Their debut album "Act One" (1970) contains fluent and tasteful organ driven progrock with powerful "Sixties" sounding guitarwork. The long track "Raymond's Road" is a splendid tribute to the "classics" featuring Mozart's A la Turka, Bach's Toaccata in d-fuga en Grieg's Peer Gynt Suite on the Hammond organ…
Beggars Opera were a progressive rock band from Glasgow, Scotland, and were formed in Glasgow in 1969 by guitarist Ricky Gardiner. Ricky Gardiner (guitarist) went on to play for David Bowie on the Low album and with Iggy Pop on the Lust for Life album as well as the famed Idiot tour of 1976. He co-wrote The Passenger with Iggy Pop. Alan Park (organist) worked with Sir Cliff Richard for many years as musical director.
Essential: a masterpiece of progressive rock music
Swimming in mellotron
“Waters of change” was Beggar’s opera’s best album in my opinion, full of strong melodies and well constructed songs. Having introduced themselves with the innovative, classically driven “Act one”, the band invested in a mellotron, which instantly became the dominant instrument in their sound. The band moved away from the intricate symphonic prog of their first album, towards the art rock of the Moody Blues and Barclay James Harvest.
Excellent addition to any prog rock music collection
What a mindblowing debut-album this is! The very melodic and harmonic music from this five-piece band is based upon an incredible dynamic and propulsive rhythm-section and splendid, very exciting Hammond organ work, often accompanied by a powerful and fiery electric guitar. The interplay between the musicians is magnificent and the excertions on keyboards and guitar are very compelling, in the spirit of the late Sixties and early Seventies.
"… enorm charismatische Sängerin und Gitarristin… die gefühlvoll-unprätentiöses Songwriting mit bluesigen Untertönen kombiniert." (Audio Magazin)
The Stones forsook psychedelic experimentation to return to their blues roots on this celebrated album, which was immediately acclaimed as one of their landmark achievements. A strong acoustic Delta blues flavor colors much of the material, particularly "Salt of the Earth" and "No Expectations," which features some beautiful slide guitar work. Basic rock & roll was not forgotten, however: "Street Fighting Man," a reflection of the political turbulence of 1968, was one of their most innovative singles, and "Sympathy for the Devil," with its fire-dancing guitar licks, leering Jagger vocals, African rhythms, and explicitly satanic lyrics, was an image-defining epic.
This is the first pressing of Beggars Opera "Act One"…..