Beethoven Symphony No.7 Toscanini

Beethoven: Symphony no. 7 in A major; Haydn: Symphony no. 104 in D major - Wiener Philharmoniker; Herbert von Karajan

Ludwig van Beethoven: Symphony no. 7 in A major Op. 92; Joseph Haydn: Symphony No. 104 in D major “London” –
Wiener Philharmoniker; Herbert von Karajan

Classical | 1 CD | EAC Rip | 315 MB | FLAC+LOG+Cue | Full scans | RS links
Publisher: Decca | Recorded: 1960 | Published: 2002

These are not "classical" performances in the sense of attempting to reproduce the effect of a late eighteenth-century orchestra, but the interpretation has something classical about it all the same — a vigour and a sense of proportion which make me rate this record very highly among the many Karajan has given us … [the] guality of playing and interpretation and recording all combine to make this record … a luxury article. Gramophone (on the Haydn)
Reiner/CSO - Beethoven Symphony No. 7, Fidelio Overture (JVC XRCD) - Reuploaded

Reiner/CSO - Beethoven Symphony No. 7, Fidelio Overture (JVC XRCD)
Classical | 1955/2000 (JVC) | Ape | EAC Log + Cue | HQ Full Scans | 242mb
L. van Beethoven - Symphony No.7 (1812) - BFO - Ivan Fischer [Studio masters]

L. van Beethoven - Symphony No.7 (1812) etc. - BFO - Ivan Fischer
FLAC 2.0 24bit 96kHz | No LOG | Cover + Booklet | 1.2Gb | 1:00:52 | Channel Classics (CCS SA 25207) | 2007
Studio masters

Conductor Ivan Fischer and the Budapest Festival Orchestra give an enchanting performance of Beethoven's together with works from Weber, Rossini and Wilms.

Beethoven – Symphony No.7, Triple Concerto  Music

Posted by p.cedric at Jan. 31, 2008
Beethoven – Symphony No.7, Triple Concerto

Beethoven – Symphony No.7, Triple Concerto – LSO, Haitink [Live]
Classical | 2006 | 74'35 | FLAC+CUE | Front JPG | 293 MB
Beethoven - Berliner Philharmoniker / Herbert von Karajan - Symphony No. 7 & No. 8 (2003) {Hybrid-SACD // EAC Rip}

Ludwig van Beethoven - Symphony No. 7 in A major, op. 92 & No. 8 in F major, op. 93
Berliner Philharmoniker / Herbert von Karajan
EAC+LOG+CUE | FLAC: 301 MB | Full Artwork: 73 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 474 604-2 G SA6 | Country/Year: Germany 2003, 1963
Genre: Classical | Style: Viennese School, Orchestral
Beethoven - Berliner Philharmoniker / Herbert von Karajan - Symphony No. 7 & No. 8 (2003) {Hybrid-SACD // ISO & HiRes FLAC}

Ludwig van Beethoven - Symphony No. 7 in A major, op. 92 & No. 8 in F major, op. 93
Berliner Philharmoniker / Herbert von Karajan
SACD ISO (Stereo): 2,43 GB | 24B/88,2kHz Stereo FLAC: 1,08 GB | Full Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 474 604-2 G SA6 | Country/Year: Germany 2003, 1963
Genre: Classical | Style: Viennese School, Orchestral
London Symphony Orchestra, Bernard Haitink - Beethoven: Symphony No. 3 'Eroica', Leonore Overture No. 2 (2006) [24/96]

London Symphony Orchestra, Bernard Haitink - Beethoven: Symphony No. 3 'Eroica', Leonore Overture No. 2 (2006)
FLAC (tracks) 24-bit/96 kHz | Time - 61:04 minutes | 1,24 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet, Front cover

Beethoven took a massive stride forward in the development of the symphonic form with the 'Eroica'. Not only is the work written on an unprecedented scale, it also lays the very foundations of Romanticism in music.The symphony mirrors Beethoven's own emergence from despair and he used it to symbolize mankind's capacity for greatness. He initially dedicated the score to Napoleon whom embodied his view of greatness. However, when Napoleon crowned himself Emperor, Beethoven furiously removed the dedication from the score.
Michael Sanderling - Beethoven Symphony No. 3 & Shostakovich Symphony No. 10 (2017) [Official Digital Download 24/96]

Michael Sanderling - Beethoven Symphony No. 3 & Shostakovich Symphony No. 10 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 104:44 minutes | 1.61 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The Dresdner Philharmonie is one of Germany's major orchestras and has laid, together with his Principal Conductor Michael Sanderling, its focus on recording the complete cycle of symphonies by Ludwig van Beethoven (1770-1827) and Dmitri Shostakovich (1906-1975). After having released Beethoven's and Shostakovich's symphonies nos. 6 in 2015, for which the orchestra has received positive reviews, this recording is the second album from the cycle. Michael Sanderling decided to pair Beethoven's symphony no. 3 and Shostakovich's symphony no. 10 because of the similar motivation of both composers: to display the current political situation, i.e. Napoleon's reign and Stalin's dictatorial regime.
Emanuel Ax, San Francisco Symphony, Michael Tilson Thomas - Beethoven: Symphony No. 5, Piano Concerto No. 4 (2011) [24/96]

Emanuel Ax, San Francisco Symphony, Michael Tilson Thomas - Beethoven: Symphony No. 5, Piano Concerto No. 4 (2011)
FLAC (tracks) 24-bit/96 kHz | Time - 68:17 minutes | 1.37 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Michael Tilson Thomas and the San Francisco Symphony follow their recently completed Mahler cycle with a series of new live recordings, including an all-Beethoven disc featuring the Fourth Piano Concerto with Emanuel Ax, and Symphony No. 5. Following the recent completion of their award-winning and ground-breaking Mahler recording project, Michael Tilson Thomas and the San Francisco Symphony will continue to bolster their discography with recordings from both the core classical repertoire as well as works new to or rarely heard by audiences.
Bavarian Radio Symphony Orchestra, Mariss Jansons - Beethoven: Symphony No.9 (2010) [SACD ISO+HiRes FLAC]

Bavarian Radio Symphony Orchestra, Mariss Jansons - Beethoven: Symphony No.9 (2010)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Covers | 3.01GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Covers | 1.16GB + 5% Recovery

Hollow pathos is not his thing. From an artist like Mariss Jansons Friedrich Schiller’s Ode: “An die Freude” must receive a far deeper significance, which also fully encompasses the doubt and profound hope embodied in this text. And thus, in Jansons’s recording of the Ninth Symphony, the choral finale does not degenerate to mere superficial orgy of jubilation, but rather becomes a delicately balanced, wisely developed drama. On October 27, 2007, the Symphonieorchester des Bayerischen Rundfunks played Beethoven’s Ninth in the presence of the Pope in the Vatican. The recording of this memorable concert is now being released in the highest audiophile recording quality as a multi-channel SACD.