Beethoven String Quartet

Sally Beamish: String Quartets Nos. 1 and 2 -  Ludwig von Beethoven: String Quartet No. 4

Sally Beamish: String Quartets Nos. 1 and 2 - Ludwig von Beethoven: String Quartet No. 4
Classical | EAC: FLAC+Cue+Log | 1 Cd, Covers + Booklet | 286 Mb
Date: 2005

As a viola player and dedicated chamber musician, Sally Beamish has had ample opportunity to acquaint herself with the string quartet genre. The Beethoven C minor Quartet on this disc she first played when she was 14. Thirty years later, when commissioned by the Brodsky Quartet to write a work inspired by Beethoven's Op. 18, this is the one that caught her imagination. The result is String Quartet No.2, composed immediately after a visit to California in 2000. Inspired by two bridges – Golden Gate in San Francisco and a Californian rock formation called Natural Bridges – Beamish uses themes …….

Beethoven: String Quartet op.130/133 - Hagen Quartett  

Posted by Berthold_80 at Dec. 5, 2009
Beethoven: String Quartet op.130/133 - Hagen Quartett

BEETHOVEN: String Quartet Op. 130/133; MOZART: Adagio & Fuge K.546, etc. / Hagen Quartett
Deutsche Grammophone | 01 Nov. 2002
EAC | ape (img+cue) | log | 271 MB
Beethoven - String Quartet Op.135; Haydn - Missa Tempore Belli (Leonard Bernstein) (2012/1984)

Beethoven - String Quartet Op.135; Haydn - Missa Tempore Belli (Leonard Bernstein) (2012/1984)
BluRay | BDMV | MPEG-4 AVC Video / 22781 kbps / 1080i / 29,970 fps | 93 min | 21,1Gb
Audio1: Latin / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 24-bit / 3660 kbps

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 93 min | 4,73Gb
Audio: Latin / DTS / 6ch / 48.0 KHz / 24 bits
Classical | C MAJOR | Sub: Latin, English, German, French, Spanish, Chinese, Korean

Bernstein delivered a powerful and now legendary live performance of Beethovens String Quartet Op. 135 transcribed for String Orchestra and performed by the Vienna Philharmonic. For the first time ever this performance is now being released on DVD and Blu-ray. Another definitive Bernstein performance debuting now on both mediums is the enigmatic maestros reading of Haydns Missa in tempore belli, filmed live in concert at Ottobeuren in 1984, using to maximum effect the deeply impressive setting of the monasterys magnificent Baroque basilica.
Hagen Quartett - Mozart Quintet for Clarinet and Strings, Beethoven String Quartet No. 16 (2009) DVD9

Hagen Quartett - Mozart Quintet for Clarinet and Strings, Beethoven String Quartet No. 16 (2009) DVD9
DVD9 | VIDEO_TS | NTSC | 16:9 | 720x480 | 29,970 fps 5225 kbps | Artworks | 72 min | 4.58 Gb
Audio 1: AC3 6 ch @ 448 Kbps | Audio 2: DTS 6 ch 754 kbps | Audio 3: PCM 2 ch 1536 kbps
Classical

Writing in 29:4 about the Hagen’s fine CD accounts of Beethoven Quartets Nos. 12 and 15, I noted two salient features of its approach: a sonority that in its freedom from lushness and excessive vibrato echoes (without duplicating) “period” sonority; and a style suggestive of how the music is far closer to the composer’s middle period than we often think. In a similar vein, this is a tough, aggressive No. 16, yet one tempered by delicacy where apt and projected with sensitivity to the music’s pointed humor—a performance style that one probably was not likely to encounter 50 years ago. And fine though the Beethoven is, the Mozart may be even better, as commanding and sensitive account of the work as I have ever heard. For one thing, Sabine Meyer is superb, a true virtuoso who is capable of rendering the music’s gentler moments with a tender delicacy that is as arresting as her rapidly articulated runs in which every note is given its clearly articulated due.
Beethoven: String Quartet Op. 59, No. 1 & Op. 130, Busch Quartet

Beethoven: String Quartet Op. 59, No. 1 & Op. 130, Busch Quartet
Sony Classical Masterworks Portrait Remaster, 1992
Historical Classical | FLAC | EAC, Log, Cue | full scans | 325MB | RS
Elias String Quartet - Ludwig van Beethoven: The Complete String Quartets, Vol.1 (2015) 2 CDs

Elias String Quartet - Ludwig van Beethoven: The Complete String Quartets, Vol.1 (2015)
EAC | FLAC | Image (Cue&Log) ~ 509 Mb (incl 5%) | Mp3 (CBR320) ~ 275 Mb (incl 5%) | Scans included
Genre: Classical | Label: Wigmore Hall Live | # WHL0073/2 | Time: 01:53:30

At the heart of Beethoven’s life’s statement as a composer lies the cycle of sixteen string quartets, which, to this day, has retained a special status and reverence. Since 2012, the Elias String Quartet has been immersed in its Beethoven Project, performing all Beethoven’s string quartets at venues throughout the UK. In this live recording, the ensemble captures both the intimacy and grandeur of the works. With an ever-expanding recording catalogue that has been met with widespread critical acclaim, the quartet is delighted to release this disc, the first volume of its complete Beethoven cycle to be recorded live at Wigmore Hall over the coming Seasons.
Emerson String Quartet - Tchaikovsky & Borodin: String Quartet No.1&2 (1986) {Deutsche Grammophon}

Emerson String Quartet - Tchaikovsky & Borodin: String Quartet No.1&2 (1986) {Deutsche Grammophon}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 224MB + 5% Recovery
MP3 CBR 320 Kbps | 123MB + 5% Recovery
Genre: Classical

The String Quartet No. 1 in D major, Opus 11, was Pyotr Ilyich Tchaikovsky's first completed string quartet of three string quartets, published during his lifetime. (An earlier attempt had been abandoned after the first movement had been completed.) Composed in February 1871, it was premiered in Moscow on 16/28 March 1871 by four members of the Russian Musical Society: Ferdinand Laub and Ludvig Minkus, violins; Pryanishnikov, viola; and Wilhelm Fitzenhagen, cello.
Haydn - String Quartets, Op.50 Nos.2-6, Op.54, Op.55 No.1 (The Aeolian String Quartet) (2009)

Haydn - String Quartets, Op.50 Nos.2-6, Op.54, Op.55 No.1 (The Aeolian String Quartet)
Classical | DECCA 478 1267 | 2009 | TT: 62:50+62:16+61:00 | EAC (FLAC, cue, log) | Covers | 890 Mb

The Aeolian Quartet's epic cycle, originally released in the Seventies, was one of the gramophone's major contributions to Haydn's cause. Listening to the performances anew I find they have lost none of their freshness: they were based on the latest research, and the playing itself is always intelligent and thoughtful, with Emanuel Hurwitz's sweet-toned violin-playing a great asset throughout. (Misha Donat)
Haydn - String Quartets, Op.33, Op.42, Op.50 No.1 (The Aeolian String Quartet) (2009)

Haydn - String Quartets, Op.33, Op.42, Op.50 No.1 (The Aeolian String Quartet)
Classical | DECCA 478 1267 | 2009 | TT: 72:50+73:00 | EAC (FLAC, cue, log) | Covers | 700 Mb

The Aeolian Quartet's epic cycle, originally released in the Seventies, was one of the gramophone's major contributions to Haydn's cause. Listening to the performances anew I find they have lost none of their freshness: they were based on the latest research, and the playing itself is always intelligent and thoughtful, with Emanuel Hurwitz's sweet-toned violin-playing a great asset throughout. (Misha Donat)
Doric String Quartet, Allison Bell - Brett Dean: Epitaphs; String Quartets Nos. 1 & 2 (2015)

Brett Dean - Epitaphs; String Quartets Nos. 1 & 2 (2015)
Doric String Quartet; Allison Bell, soprano; Brett Dean, viola

EAC | FLAC | Image (Cue&Log) ~ 246 Mb (incl 5%) | Mp3 (CBR320) ~ 153 Mb (incl 5%) | Scans included
Genre: Classical, Contemporary | Label: Chandos | # CHAN 10873 | Time: 01:01:50

Brett Dean is not shy about revealing what his music is ‘about’. Whether inspired by certain individuals (as in Epitaphs), or by an ecological or human disaster (as in his String Quartet No. 1, on the now all too topical plight of refugees), Dean’s works are usually – perhaps invariably – driven by extra-musical narratives. Rather than tease out any innate structural puzzles or tensions, his music typically falls into short little dramatic narratives – no movement on this disc lasts as long as eight minutes, many of them rather less than five. The most obviously successful work here is Quartet No. 2, ‘And once I played Ophelia’, effectively a dramatic scena. Its soprano soloist is no mere extra voice (as in Schoenberg’s Second Quartet) but the leading protagonist. Allison Bell’s genuinely affecting performance is backed by the Doric Quartet’s expressionist scampering and sustained harmonies, the strings occasionally coming to the fore in the manner of a Schumann-style song postlude.