Elise (15) sehnt sich nach einem glücklichen Familienleben. Doch Betty (38), ihre Mutter, ist schwach und egozentrisch. Probleme ertränkt sie in Alkohol. Als beide Ludwig (39) kennen lernen, scheint plötzlich alles im Lot. Ludwig verliebt sich jedoch nicht in Betty, sondern in Elise.
Like Gilels, Brendel treats the Op. 35 Variations as far more than a poor relation of the Eroica Symphony finale. His approach has less of the urgent, seemingly improvisatory thrust which makes the Gilels DG performance (on LP only) so compelling, but the sharpness with which he characterizes each variation is a delight, each time bringing a moment of revelation, and often relating this essentially middle-period work to much later inspirations. The six Bagatelles of Op. 126 equally find Brendel giving these fragments a weight, concentration and seriousness to reflect what else Beethoven was writing at the time. There is a gruffness of expression with charm eliminated. The third Bagatelle is the more moving for its simple gravity, and only in the final one of the group does Brendel allow himself to relax in persuasive warmth. Fur Elise makes a simple, haunting prelude to the group and the six Ecossaises a jolly postude with Brendel evoking the bluff jollity of Austrian dance music.
Under one cover collection compilers gathered the greatest composers of all the classics I have never seen such a comprehensive, coherent, astonishing album of classical music like this. I think that the most passionate plays the greatest composers in the history enrich your rainy night for more than 3.5 hours without faltering on any note.
Covering the breadth of Beethoven’s complete output, this updated 86-CD box set is a staggering collection featuring performers including Alfred Brendel, Sir Colin Davis, David Zinman, Herbert Blomstedt, Staatskapelle Dresden and the London Symphony Orchestra.
Featured works include: Symphonies, Piano Concertos, Violin Concerto & Romances, Overtures and other orchestral works, Fidelio, Leonore, Septet, Sextet, String Quintets, String Quartets, String Trios, Violin Sonatas, Cello Sonatas, Chamber music for flute, Music for winds and brass, Piano Quintet, Clarinet Trio, Piano Sonatas & Variations, Songs, Masses.
Born in Australia Bruce Hungerford (1922-1977) studied with the legendary Ignaz Friedman in Sydney. His move to the USA brought him in contact with Myra Hess, who gave him valuable coaching, and later with Carl Friedberg. His prodigious qualities caught the attention of the Solomon brothers of the American Vanguard Classics label who contracted him for a complete Beethoven cycle recording. Sadly Hungerford died in a car accident halfway the project. Piano Classics is happy to issue his Beethoven Legacy for the first time in one CD box set. Hungerford’s Beethoven is powerful, full of dramatic contrasts and effects, but also of great tenderness and wit, the full spectrum of Beethoven’s genius and humanity. Apart from his superb pianism and musicianship, Hungerford is also remembered as a professional palaeontologist and Egyptologist.
A pianist noted for his taste and precise technique, Rudolf Buchbinder has been particularly identified with Austro-Germanic Classical and Romantic composers, especially since his survey of the complete Haydn piano sonatas for Teldec in the 1970s. Of his later efforts, his recording of the Brahms concertos with Nikolaus Harnoncourt won remarkably high praise upon its release in 2000. In recital, he plays a great deal of 20th century music, but his discography has been devoted almost exclusively to older works…
Following his highly acclaimed Beethoven ‘Moonlight’, ‘Pathétique’ and ‘Waldstein’ Sonatas release, Hyperion’s Gramophone-award-winning artist Steven Osborne turns his talents to Beethoven’s complete Bagatelles. Though the composer himself referred to these thirty short piano works, which he penned throughout his life, as ‘trifles’, these are nonetheless trifles from the mind of a genius. In this polished album, Osborne lends his remarkable artistry to everything from the Six Bagatelles of Op 126, which at times occupy the same rarefied spiritual world as the late quartets and were the very last works Beethoven ever wrote for the piano, to the composer’s most famous stand-alone piano piece, the mysterious little A minor Bagatelle known to all the world as ‘Für Elise’.