Covering the breadth of Beethoven’s complete output, this updated 86-CD box set is a staggering collection featuring performers including Alfred Brendel, Sir Colin Davis, David Zinman, Herbert Blomstedt, Staatskapelle Dresden and the London Symphony Orchestra.
Featured works include: Symphonies, Piano Concertos, Violin Concerto & Romances, Overtures and other orchestral works, Fidelio, Leonore, Septet, Sextet, String Quintets, String Quartets, String Trios, Violin Sonatas, Cello Sonatas, Chamber music for flute, Music for winds and brass, Piano Quintet, Clarinet Trio, Piano Sonatas & Variations, Songs, Masses.
60 CD box set. Selection of Ludwig Van Beethoven works recorded by David Zinman & Tonhalle Orchestra Zurich (Symphonies), Yefim Bronfman, David Zinman & tonhalle Orchestra Zurich (Piano concertos), Pinchas Zuckerman & Marc Neikrug (Violin Sonatas), Anner Bylsma & Jon Van Immerseel (Cello Sonatas), Seraphin Trio (Piano Trios), Alexander String Quartet (String Quartets), Yukio Yokoyama, Robert Casadesus, Justus Frantz, Vladimir Horowitz, Gerhard Oppitz & Charles Rosen (Piano Sonatas), Eugene Ormandy & Philadelphia Orchestra (Christ On The Mount Of Olives), Wolfdieter Maurer & Tokyo Oratorio Society (Mass in C Major), David Zinman & Tonhalle Orchestra Zurich (Missa Solemnis) and many other great artists.
A release of great importance: the first time CD-issue of the Complete Works of Girolamo Frescobaldi. This edition provides a superb opportunity to discover this neglected master of the Baroque. The project is masterminded by the harpsichordist and organist Roberto Loreggian, and previous individual volumes of the series have been well received. This is there first ever complete edition of Frescobaldi’s music to be issued: a landmark on record, sure to be widely noticed by the musical press.
This is a very complete set indeed. It includes all the quartets in the latest edition prepared by Jonathan Del Mar which restores many important markings by Beethoven and which has been done in collaboration with the Endellion Quartet. Both versions of the first quartet or included as well as Beethoven's quartet arrangement of the piano sonata Op. 14 no. 1. the Gross Fuge, both string quintets plus other works for string quartet including the two prelude and fugues.
Never have I heard the extraordinary and even 'strange' or 'otherworldly' character of the late Beethoven string quartets better than in the performance of the Julliard Quartet. They perfectly caption what could not be better described then as the revolution in the writing of string quartets that these late quartets represent. One could even say that some passages lay a bomb under the expectations of contemporary listereners and even now could almost shock you. So powerful and profound is this music while only using the modest means of four string instruments. Away with civilised chitchat, away with certainty! Here comes Beethoven!
The Julliard String Quartet does a magnificent job of presenting Beethoven's material in a technically perfect performance. To a student, this would be the place to start. Classical music walks a tightrope between precision and passion. This recording by the Julliard String Quartet is the best combination of skill, sound, and material.
The Juilliard String Quartet is a classical music string quartet founded in 1946 at the Juilliard School in New York by William Schuman. The original members were violinists Robert Mann and Robert Koff, violist Raphael Hillyer, and cellist Arthur Winograd; Current members are Joseph Lin and Ronald Copes violinists, violist Roger Tapping, and cellist Astrid Schween. In 2010 Nick Eanet resigned from the Quartet because of health issues and was replaced by Joseph Lin in 2011.
If beauty is truth and truth beauty, then the Quartetto Italiano's late-'60s, early-'70s cycle of the complete Beethoven string quartets is possibly the most truthful cycle ever recorded because it is certainly the most beautiful cycle ever recorded. No quartet has ever played with such consummate beauty of tone, such ideal intonation, and such superb ensemble as the Quartetto Italiano. In the most strenuous passages, in the most awkward, in the most excruciating passages, the Italiano is always and everywhere transcendentally beautiful.