"The sound is spectacular in whatever format you choose but the jump to Blu-ray is, as in vision, a leap forward. None of which would matter were the performances not also uniformly excellent: This is a superbly alive performance of the Britten Simple Symphony, making it sound a much more ambitiouswork than usual. A demonstration recording!" ~Grammophone
Originally released in 1984, Bob Marley's LEGEND illustrates the remarkable life and recording career of one of reggae music's most important figures. This iconic collection not only serves as the perfect introduction to the music of Bob Marley, it has become an essential part in every Marley collection. It remains the world's best-selling reggae album and continues to be one of the best-selling catalog albums, exceeding 15 copies in the U.S. alone and over 27 million worldwide.
Essential: a masterpiece of progressive rock music
After the lacklustre Unfortunate Cup of Tea, the next album was going to be a watershed for Horslips. In the end, they returned broadly to the formula that had brought them so much acclaim for The Tain and produced a concept album based on Irish mythology and full of great songs based on Irish traditional tunes. And it works just as well as The Tain, having brought them enormous critical acclaim. If anything, they show their amazing musicianship off even more, with Charles O’Connor’s fiddle and mandolin swopping riffs with Johnny Fean’s scything lead guitar and Jim Lockhart’s flute,whistle, pipes and keyboards.
Roger Waters was Pink Floyd's grand conceptualist, the driving force behind such albums as Dark Side of the Moon, Wish You Were Here, and The Wall. In the wake of Syd Barrett's departure, Waters emerged as a formidable songwriter, but it's this stretch of '70s albums – each one nearly symphonic in its reach – that established him as a distinctive, idiosyncratic voice within rock and, following his departure from Floyd in 1985, he continued to create new works in this vein (notably, 1992's Amused to Death) and capitalized on the enduring popularity of his old band by staging live revivals of Dark Side of the Moon and The Wall in their entireties…
Former Pink Floyd guitarist David Gilmour is not prolific. Rattle That Lock is only his fourth solo studio album (though it follows his late band's final album, The Endless River, by only ten months). Gilmour recorded some 35 songs for this set, some dating back 18 years. Trimming them to ten couldn't have been easy. Titled for John Milton's second book in Paradise Lost, Rattle That Lock is structured as an informal song cycle to reflect the sometimes random, sometimes weightier thought processes of a typical person in a single day…
As its album title suggests, Starship's compilation Greatest Hits (Ten Years and Change 1979-1991) covers not only the group's popular heyday, 1985-1991, but also the earlier era, 1979-1984, which was actually the latter days of Jefferson Starship, after the departures of co-lead singers Marty Balin and Grace Slick, with former Elvin Bishop Group singer Mickey Thomas replacing Balin, and Slick, eventually, returning. The history that is described by the collection is largely one of attrition, effectively traced by the performer credits listed in the booklet. In 1979, the group is a sextet consisting of Thomas, lead guitarist Craig Chaquico, rhythm guitarist Paul Kantner…
A full 25 favorites from this institution of a singer-songwriter, whose songs have been borrowed by Clapton, Santana, Skynyrd and so many others. You get Cocaine; After Midnight; Lies; Call Me the Breeze; Sensitive Kind; Magnolia; Crazy Mama; Cajun Moon, and more!
"…The disc’s exceptional, state-of-the-art recording draws you in right close, with Allan’s very special and intimate delivery cocooned by the immaculately judged and empathic contributions of a handful of other musicians (guitar, dobro, accordion, banjo, bowed psaltery, fretless bass). I feel sure that Leaving At Dawn will come to be judged as one of Allan’s finest ever collections." ~folk roots
Jamaican-born bluesman Kirkland has always stretched the boundaries of his music and on this outing moves further into contemporary waters. Guest stars abound on this album, and Kirkland's idiosyncratic guitar work is answered and abetted by appearances from Tab Benoit, Sonny Landreth, Kenny Neal, Cub Koda, Christine Ohlman and G.E. Smith, as well as driving work from drummer Jaimoe and organist Richard Bell. The material is all over the road, but particularly noteworthy as highlights are Kirkland's take on Elmore James' "Done Somebody Wrong," "Snake In the Grass," "Nightgirl," and the title track.