For this ECM project, John Surman (who plays soprano, baritone, clarinet, bass clarinet and piano) and conductor John Warren wrote a full set of original music for Surman's reeds, a seven-piece brass section and a rhythm section to interpret. This episodic set has its share of sound explorations but also contains swinging sections and an impressive amount of excitement. The colorful solos (mostly by Surman) and the unpredictable writing make this a highly recommended disc. (AMG)
The pairing of electric guitarists Bill Frisell and John Scofield had to be one of the most auspicious since John McLaughlin and Carlos Santana. Acoustic bassist Marc Johnson's stroke of genius in bringing the two together on Bass Desires resulted in a sound that demonstrated both compatibility between the guitarists and the distinctiveness of the two when heard in combination. Add drummer Peter Erskine and you had a bona fide supergroup, albeit in retrospect a short-lived one, before Frisell and Scofield would establish their own substantial careers as leaders. The guitarists revealed symmetry, spaciousness, and a soaring stance, buoyed by the simplicity of their rhythm mates. This is immediately achieved on the introductory track, "Samurai Hee-Haw," as hummable, head-swimming, and memorable a melody as there ever has been, and a definite signature sound.
A brilliant player on both acoustic and electric basses, Stanley Clarke has spent much of his career outside of jazz, although he has the ability to play jazz with the very best. He played accordion as a youth, switching to violin and cello before settling on bass. He worked with R&B and rock bands in high school, but after moving to New York, he worked with Pharoah Sanders in the early '70s. George Duke showed a great deal of promise early in his career as a jazz pianist and keyboardist, but has forsaken that form to be a pop producer.
The triumphant release of Mission in autumn 2012 drew rave reviews and was followed up in September 2013 with Steffani’s Stabat Mater, alongside his greatest sacred works for chorus, orchestra and soloists, and a further disc of dances and overtures with the celebrated I Barrochisti conducted by Diego Fasolis. On the Stabat Mater, Bartoli leads an array of internationally celebrated singers including countertenor Franco Fagioli, the bass Salvo Vitale and the two young German tenors Daniel Behle and Julian Prégardien. The final album of the collection is Danze & Ouvertures’, contains 43 great tracks of enchanting early-baroque music.
Music Inspired By The Little Prince is the first solo album by the famous Polish prog musician Ryszard Kramarsky (Millenium), for the recording of which he invited a whole galaxy of equally famous musicians-compatriots. The album is a typical, classical, progressive, melodic concept album inspired by the wonderful book by Antoine de Saint-Exupery - The Little Prince" You will not hear on this album crazy fast tracks, complicated broken time signatures and progmetal guitar riffs. You'll hear the melodious vocals, vocalizations and guitar solos, keyboards and orchestral movie atmosphere. This music should appeal to fans of artists like Camel, The Alan Parsons Project, Pink Floyd and Marillion.