The Bass Groove Survival Guide will indeed feed you for a lifetime. This extraordinary learning experience for bass players imparts a sense of groove without relying on technical explanations or tedious theory to work through. Rather, you will play your way through a series of 72 groove studies working with rhythm tracks and video playalongs across a wide variety of popular styles of music; Reggae, Shuffle, Country, Salsa, Samba, Bossa, R&B, Motown, Rock and Jazz. Learn to groove in these six styles and you'll be able to step into any gig, do the job, and get invited back time and time again.
Reissue with the latest remastering. Amazing stuff! Johnny "Hammond" Smith began his career as a simple soul jazz organist – but by the time of this album, he'd teamed up with the mighty Larry Mizell, the genius arranger/producer who'd breathed new life into the careers of Donald Byrd and Bobbi Humphrey. Mizell works with Hammond in the same way he does with other jazz artists – by taking a groove that works best with their solo style, and slowly layering other instrumentation and effects on top of it, so that when the solo kicks in, it's supported on waves and waves of funky sounds and soulful grooves.
Reissue with the latest remastering. Stellar reed work from Azar Lawrence – a player who's best known for his acoustic revival in recent years, but who could play with some excellent electric backings during the 70s! The set's less an electric funk outing than it is a spiritual jazz set, with keyboards and guitar in the mix – beautifully put together by the young Skip Scarborough, with a feel that's very similar to Gary Bartz's work with Larry Mizell!
Reissue with the latest remastering. Gene Ammons gets the Cannonball Adderley treatment – as he blows funky solos over an album arranged and conducted by David Axelrod! Brasswind has a larger, fuller funky sound than some of his earlier work for Prestige – and it works very well! The overall sound's a bit smoother, but Axelrod's edge is still quite sharp, and the polished jazzy arrangements still have plenty of funk to around. George Duke is on keyboards and Carol Kaye plays bass – and other players include Snooky Young, Michael Howell, Jim Horn and Kay Migliori. Titles include "Cantaro", "Brasswind", "Cariba", "Rozzie", and "Once I Loved".
This is the most complete and maybe the best live performance of Space Debris at the wonderful and perfectly organized festival "World-Music-Festival-Loshausen". The band playes in front an audience that is dancing permanently in spite of the nocturnal rain. A heavy hammond sound delivers the foundation for a dominant guitar play and an amazing bass groove of the meanwhile fully integrated femal bass player Vroni Frisch, who delivers an extra kick. The album contains all songs from the gig, including the Space Debris classic 'Mountain' in a 20 minutes long version. The band plays this track since more than 10 years and develops and modifies it permanently…
Reissue with the latest remastering. Stunning stuff – and one of the best-ever Latin soul albums of all time! Despite the fact that Eddie Cano's earlier albums are more in a Latin easy mode, this late 60's side for Dunhill is totally smoking – and probably his greatest album ever! Forgive the superlatives, but we're totally serious on this one – as the set's a firey batch of Latin instrumentals, with a slammin' boogaloo groove all the way through – filled with mad percussion, jazzy piano riffs, and a non-stop groove that's totally great. The set was recorded live at PJ's nightclub, and it's a non-stop Latin Soul party that includes massive originals like "Slip Slip", "Brown & Blue", "Miro Como Es", and "Don't Ever Change" – plus smoking covers of "El Pito" and "Louie Louie". The set screams with excitement, and is as great as the album is rare!