Baroque Aria

Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra - Arias for Farinelli by Nicola Porpora [2013]

Philippe Jaroussky - Arias for Farinelli by Nicola Porpora [2013]
Classical | Erato 50999 9341302 2 | TT: 71.11 | EAC (FLAC, cue, log) | Cover | 313 Mb

Italian composer Nicola Porpora is mainly a footnote in the history books these days, noted as Haydn's teacher, but in his day he was a rival to Handel and wrote a good deal of music for the celebrated castrato Carlo Broschi, aka, Farinelli. That music is sampled here by the startlingly soprano-like French countertenor Philippe Jaroussky, and listeners are likely to feel that it's been unjustly neglected. Jaroussky sounds great, his creamy voice sailing through the mostly tuneful pieces. There are also a few big showpieces of the sort that Renée Fleming and others have recorded on their Baroque aria albums. Jaroussky is not quite as powerful here, but there are some real finds in the music like the gripping soprano-and-trumpet cadenza in "Nell'attendere il mio bene," from Polifemo (track 8). All the way through the music is like that: it's recognizably part of the same world as Handel's arias, but it's full of original touches unrelated to Handel. Porpora's most famous piece, the atmospheric "Alto giove" (again from the opera Polifemo) is here, as are a couple of duets in which Jaroussky is joined by no less than Cecilia Bartoli. These fall easily into the classification of rare treat. Throw in sensitive accompaniment from the Venice Baroque Orchestra and conductor Andrea Marcon for an extremely worthwhile Baroque aria recital. (James Manheim)
Italian Baroque: The Instrumental Edition - Marino, Nardini, Pergolesi, Porpora,  Platti [2016]

Italian Baroque: The Instrumental Edition - Marino, Nardini, Pergolesi, Porpora, Platti [2016]
Classical | Brilliant Classics 95430 | TT: 66.28+68.40+60.40+56.36+63.23+65.38 | EAC (FLAC, cue, log) | Covers | 1.98 Gb

A celebration of instrumental Baroque splendour! This set present an anthology of Italian Baroque composers, featuring their instrumental output. Obviously the famous composers have their fair share: Vivaldi, Albinoni, Locatelli, Corelli, but also lesser known composers are featured: Barsanti, Bassani, Veracini, Nardini, Stradella, Vitali, Mancini, Platti, Legrenze and many more, over 30 composers! Performances by leading ensembles specialized in the Historically Informed Performance Practice: L'Arte dell'Arco/Federico Guglielmo, Ensemble Cordia/Stefano Veggetti, Violini Capricciosi/Igor Ruhadze, MusicaAmphion/Pieter Jan Belder and many more. A treasure trove of solo concertos, concerti grossi, sinfonias, overtures, trio sonatas and solo sonatas from the Golden Era of the Italian Baroque, era of joy, passion and brilliance!
John Eliot Gardiner, The English Baroque Soloisits, The Monteverdi Choir - Mozart: La clemenza di Tito [1991]

John Eliot Gardiner, The English Baroque Soloisits, The Monteverdi Choir - Mozart: La clemenza di Tito [1991]
EAC | FLAC | Image (Cue & Log) ~ 473 Mb | Total time: 58:20+59:44 | Scans included
Classical | Label: Archiv Produktion | # 431 806-2 | Recorded: 1990

Listening to this work so soon after hearing Zauberflote one is amazed anew that Mozart could write two such totally contrasted pieces within months of each other. Here, in the composer's last opera seria, we are in another world, one of formality tempered by the deep emotions engendered by love and jealousy. Instead of birdcatchers and Masonic rights we are dealing with historic figures in a supposedly historic context with down-to-earth feelings. For each Mozart finds precisely the appropriate music.
John Eliot Gardiner, The English Baroque Soloisits, The Monteverdi Choir - Mozart: Idomeneo [1991]

John Eliot Gardiner, The English Baroque Soloisits, The Monteverdi Choir - Mozart: Idomeneo[1991]
EAC | FLAC | Image (Cue & Log) ~ 832 Mb | Total time: 78:02+70:45+61:46 | Scans included
Classical | Label: Archiv Produktion | # 431 674-2 | Recorded: 1990

“This is unquestionably the most vital and authentic account of Idomeneo to date on disc. We have here what was given at the work's first performance in Munich plus, in appendices, what Mozart wanted, or was forced, to cut before that premiere and the alternative versions of certain passages, so that various combinations of the piece can be programmed by the listener. Gardiner's direct, dramatic conducting catches ideally the agony of Idomeneo's terrible predicament – forced to sacrifice his son because of an unwise row. This torment of the soul is also entirely conveyed by Anthony Rolfe Johnson in the title role to which Anne Sofie von Otter's moving Idamante is an apt foil. Sylvia McNair is a diaphanous, pure-voiced Ilia, Hillevi Martinpelto a properly fiery, sharp-edged Elettra.
Philharmonia Baroque, Nicholas McGegan - Alessandro Scarlatti: La Gloria di Primavera (2015) 2 CDs

Alessandro Scarlatti - La Gloria di Primavera (2015) 2 CDs
Diana Moore (Mezzo Soprano), Suzana Ograjenšek (Soprano), Clint Van Der Linde (Countertenor)
Nicholas Phan (Tenor), Douglas Williams (Bass Baritone)
Philharmonia Baroque Orchestra & Chorale; Nicholas McGegan, director

EAC | FLAC | Image (Cue&Log) ~ 648 Mb | Mp3 (CBR320) ~ 322 Mb | Artwork included
Classical, Baroque | Label: philharmonia BAROQUE | # PBP09 | 02:18:32

The San Francisco Chronicle called Scarlatti’s La Gloria di Primavera a “feast of vocal invention, supplemented by wondrous instrumental writing for a strikingly large orchestra” after Philharmonia Baroque Orchestra and Nicholas McGegan presented acclaimed western hemisphere premiere performances in October 2015. PBO and McGegan are delighted to be the first to record this newly-discovered 300 year old serenata. After Holy Roman Emperor Charles VI acquired the kingdom of Naples in a treaty, the Neapolitans commissioned their court composer, Alessandro Scarlatti, to compose a grand serenata to celebrate the birth of Charles VI’s son, prince John Leopold. Scarlatti wrote the piece within a few weeks and it was performed to audiences in Naples immediately following the birth. Unfortunately, just months after La Gloria di Primavera premiered, the celebrated infant died and the incredible work was forgotten.
Italian Baroque: The Instrumental Edition - Mancini, Manfredini, Alessandro & Benedetto Marcello [2016]

Italian Baroque: The Instrumental Edition: Mancini, Manfredini, Alessandro & Benedetto Marcello [2016]
Classical | Brilliant Classics 95430 | TT: 59.04+59.36+78.26+62.29+54.11 | EAC (FLAC, cue, log) | Covers | 1.50 Gb

A celebration of instrumental Baroque splendour! This set present an anthology of Italian Baroque composers, featuring their instrumental output. Obviously the famous composers have their fair share: Vivaldi, Albinoni, Locatelli, Corelli, but also lesser known composers are featured: Barsanti, Bassani, Veracini, Nardini, Stradella, Vitali, Mancini, Platti, Legrenze and many more, over 30 composers! Performances by leading ensembles specialized in the Historically Informed Performance Practice: L'Arte dell'Arco/Federico Guglielmo, Ensemble Cordia/Stefano Veggetti, Violini Capricciosi/Igor Ruhadze, MusicaAmphion/Pieter Jan Belder and many more. A treasure trove of solo concertos, concerti grossi, sinfonias, overtures, trio sonatas and solo sonatas from the Golden Era of the Italian Baroque, era of joy, passion and brilliance!

Latin American Neo-Baroque: Senses of Distortion  eBooks & eLearning

Posted by Jeembo at July 26, 2017
Latin American Neo-Baroque: Senses of Distortion

Latin American Neo-Baroque: Senses of Distortion by Pablo Baler
English | 2016 | ISBN: 1349949167 | 149 Pages | PDF | 4.7 MB

Pablo Baler studies the ruptures and continuities linking the de-centered dynamics of the 17thcentury to the logic of instability that permeates 20th century visual and literary production in Latin America.
Italian Baroque: The Instrumental Edition: Legrenzi, Leo, Locatelli [2016]

Italian Baroque: The Instrumental Edition: Legrenzi, Leo, Locatelli [2016]
Classical | Brilliant Classics 95430 | TT: 45.08+37.23+44.05+60.51+68.21+64.36 | EAC (FLAC, cue, log) | Covers | 1.57 Gb

A celebration of instrumental Baroque splendour! This set present an anthology of Italian Baroque composers, featuring their instrumental output. Obviously the famous composers have their fair share: Vivaldi, Albinoni, Locatelli, Corelli, but also lesser known composers are featured: Barsanti, Bassani, Veracini, Nardini, Stradella, Vitali, Mancini, Platti, Legrenze and many more, over 30 composers! Performances by leading ensembles specialized in the Historically Informed Performance Practice: L'Arte dell'Arco/Federico Guglielmo, Ensemble Cordia/Stefano Veggetti, Violini Capricciosi/Igor Ruhadze, MusicaAmphion/Pieter Jan Belder and many more. A treasure trove of solo concertos, concerti grossi, sinfonias, overtures, trio sonatas and solo sonatas from the Golden Era of the Italian Baroque, era of joy, passion and brilliance!

Annette Dasch - German Baroque Songs (2011) (Repost)  Music

Posted by tirexiss at July 24, 2017
Annette Dasch - German Baroque Songs (2011) (Repost)

Annette Dasch - German Baroque Songs (2011)
EAC | FLAC (image+.cue, log) | Covers Included | 66:43 | 315 MB
Genre: Classical, Vocal | Label: Harmonia Mundi | Catalog: HMG 501835

On Deutsche Barocklieder, Harmonia Mundi's outstanding imprint Les Nouveaux Musiciens introduces German soprano Annette Dasch in a recital of German Baroque songs. Not one of these 18 selections is familiar, and that is good; it is an overlooked area of the repertory consisting of a monumental amount of material.
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon - Concerto Italiano (2009) (Repost)

Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon - Concerto Italiano (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 81:38 | 440 MB
Genre: Classical | Label: ARCHIV Produktion | Catalog: 0289 477 6606 3

Recording after recording, Giuliano Carmignola, Andrea Marcon and the Venice Baroque Orchestra have proven themselves as a winning combination. After previously triumphing in the music of Vivaldi, Carmignola discovers the almost completely forgotten repertoire of the Italian violin concerto, bridging the gap between the Baroque and Classical styles in the mid-18th century. During this time period, violin virtuosi would travel across Europe giving concerts to great acclaim. It is their music that Carmignola performs.