It remains extraordinary that Michael Franks has not broken through from his small but devoted following to a wider audience, for he is without any doubt the most complete and perceptive songwriter currently active. His songs speak of love lost, found, abandoned, imagined, destroyed, recaptured, and all shades of nuance in between. Anyone who has experienced any emotional joy or upset (ie. anyone over the age of thirty) will find the memory of the experience captured in the deliciously subtle words and music of Michael Franks. "Heart Like an Open Book", has the male narrator singing, with a naive joy that is almost painful for the cynical listener to observe, of how he and his new lover reveal themselves, one to the other, with their hearts "like an open book". Cultural and literary references feature in many of the songs (eg. "I flashed my Rhett Butler look"), and are a joy to those with whom they strike a chord, but are not obstructive to the enjoyment of the music by those oblivious to such references. This album is perhaps not as good as the earlier, utterly marvellous "Abandoned Garden", but as that was one of the finest albums of all time, this is not in any way a criticism.
The exceptional atmosphere of this acoustic concert reflects not only in the music but also the familiar setting; candles instead of a laser show, a string section instead of keyboard sounds, reduction instead of inflation. Floydian grandeur turns into intimate music experience, borne by creativity, wit, charm and respect for the makers who are Pink Floyd. This DVD, recorded at the sold out Stadttheater Aschaffenburg, impressively documents the memorable evening and manifests the music of Pink Floyd in a way that it has not been heard before.
Jazz guitar icon Larry Coryell, one of the most respected and celebrated guitarists of his generation, offers this brand new album of seven original compositions! In addition to Coryell's signature guitar playing, this album features the talents of award-winning pianist Lynne Arriale, longtime Coryell collaborator John Lee on bass, Dan Jordan on saxophone and flute, and drummer Lee Pierson!
The two albums included here, New Groove, and Barefoot Adventure, present Bud Shank not only on alto sax, but also on baritone, an instrument he had played in clubs and as a sideman in sporadic studio sessions since the early 50s, but never before on his own recording dates. And while his alto has his customary command and fluency, his work on the less familiar baritone is equally impressive, the sound hard and driving, with expressive use of dynamics.