Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A sweet 70s set from the ultra-hip rhythm duo of bassist John Lee and drummer Gerry Brown – working here in a European setting with loads of great reed work to support the "bamboo" vibe of the title! Flute player Chris Hinze blows both bamboo and regular flute – and the feel of the set is like some of his excellent fusion dates from the same time – but the record also has lots of great work from Gary Bartz on alto and soprano sax, plus some keyboards from Hubert Eaves and Jasper Van'T Hof – two very different players who balance out the mood nicely. Some tracks are full-on fusion, but they're offset by mellower, more introspective passages – of the sort that really let the reed players come out strongly – and titles include "Jua", "Rise On", "Who Can See The Shadow Of The Moon", "Infinite Jones", and "Deliverance".
With Sun/Moon, Somei Satoh speaks with the ancient, distinct voice of Buddha, with enough melodramatic romanticism to stir the emotions of even the most Western ears. Perhaps less cinematic than his previous album, Toward the Night, but no less passionate in tone, with gorgeous, rich dialogue between shakuhachi and koto that circulates between whispers, cries, gasps, and deep contemplation. The opening piece, "Kougetsu," is the sound of a rock garden minding its own business, a dragonfly dreaming restlessly amongst the bamboo. "Sanyou" follows in much the same way, in an expression of (as the composer puts it) "the purity of the early morning air." Shin Miyashita plucks his 17-string koto with patience, reverence, and in perfect symbiosis with Akikazu Nakamura, a stoic virtuoso on the shakuhachi.