Even though Angela Hewitt's repertoire is quite extensive and diverse, encompassing the Baroque, Classical, Romantic, and modern eras, her true specialty is the music of J.S. Bach, which she has recorded almost exclusively for Hyperion since the 1980s. With this recording of The Art of Fugue, Hewitt completes her long-running series of piano renditions of the solo keyboard works, and while not everyone is convinced that Bach composed this study of fugal techniques for the keyboard, Hewitt's performance is credible and satisfying. She controls the often unwieldy counterpoint by regarding the lines as if they were vocal parts, and her phrases are shaped by natural breathing points, as well as the different emotional qualities she brings to each fugue and canon. The Art of Fugue can be daunting for both performer and listener because its persistent tonality of D minor and monothematic material can be quite tedious in the wrong hands.
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This remarkable three-disc set - two DVDs and play-along CD - takes a unique look at the art of playing with brushes. Brush masters Billy Hart, Eddie Locke, Joe Morello, Charli Persip, and Ben Riley, join drumming greats, Adam Nussbaum and Steve Smith, as they demonstrate and discuss their distinctive brush styles.
“you might think…that a performance of Bach's work would not make for the best viewing on video. Yet being able to see a performance can heighten the musical experience - as here, where the players' gestures often clarify the music's structure and texture…In turn, sheer contrapuntal wizardry begins to spill over from cerebral into emotional appreciation.”
Performer: Amsterdam Loeki Stardust Quartet
Composer: Johann Sebastian Bach
The Loeki Stardust Quartet play a variety of recorders from sopranino to sub-contrabass producing heavenly harmony. They offer a wonderful take on truly great but often difficult or unapproachable music. The recording is excellent. So good is it that the close miking may have you reaching for your distortion metre - don't panic: it's just the sound of spittle and air in the mouthpiece of some of the bass instruments.
A delightlful disc!
"The Art of Fugue has been written with an extraordinary knowledge of the technical possibilities of ten fingers on a keyboard. The work does not only show Bach on his immense creative height, but also as the grandiose master of the keyboard."
What you will find on this disc is A) contrapunctus I-IX played on two different organs in 1962; B) contrapunctus I II & IV from a1981 TV broadcast; C) contrapunctus IX XI & XIII in mono from a radio broadcast in 1967; D) the unfinished contrapunctus XIV from what may or may not be the same TV broadcast as B); and as a final filler E) a prelude and fugue on the name BACH from a studio recording in 1980. Items B)-E) are given on the piano.