When it came time for Johann Sebastian Bach to publish his Opus 1, what work do you think he picked? One of the sacred cantatas? One of the Brandenburg Concertos? One of the cello suites? No, none of the above. In 1726, Bach chose his B flat major Partita to start his publishing career – and once a year for the next five years, he published five more partitas, then collected them under the title Clavier-Übung in 1731. When it came time for Hungarian pianist András Schiff to make his major-label debut, what work do you think he picked? Yes, that's right. In 1985, Schiff released his recording of the complete partitas – and followed it with many more Bach recordings over the next few years until he'd released nearly the complete canonical works by 1996. And yes, Schiff's partitas are wonderful.
The star of the young Hungarian violinist Kristóf Baráti is quickly rising. Having won several important international competitions (the most recent first prize at the prestigious Paganini Competition in Moscow) he plays with important orchestras and conductors, like Charles Dutoit, Kurt Masur, Iván Fischer, Yuri Temirkanov and Marek Janowski. His recent recording of Beethoven’s complete violin sonatas with Klára Würtz received rave reviews: “5 stars…a great duo, comparable with Perlman/Ashkenazy, Grumiaux/Haskil, Ferras/Barbizet’ (Diapason), “A talent that comes along once in a decade, perhaps once in a generation, I don’t say it lightly, but once you’ve heard Baráti and Würtz you’ll never listen to anyone else again” (Fanfare). This recording of the great solo Bach was issued on Berlin Classics in 2009, and shows the sovereign command over the matter, and a deep understanding of the spirit of these masterworks.
Igor Levit has recorded Bach's Partitas BWV 825-830. It is the second release by the 27-year-old pianist, whom many regard as the greatest talent of his time, on Sony Classical. With his debut album, featuring the late Beethoven sonatas, Levit received critical acclaim and awards from international publications and organisations.
Isabelle Faust has gone back to the original manuscript sources to offer us her version of a masterpiece of the violin repertoire. In Bach’s time, music for solo instruments was still little explored territory, and his sonatas, partitas and suites immediately established themselves as a benchmark, technically challenging and brimming with creativity. Isabelle’s previous recording was our best selling title over the Christmas period.
"The present recording was made in 1984 and 198S, using a Dutch baroque violin and a baroque bow. The location was the village church of Oltingen in the canton of Basel in Switzerland, a space that seemed particularly favourable to the sound and atmosphere of Bach's music."