Bach Marimba

La Nuova Musica; David Bates, Lucy Crowe, Tim Mead - Pergolesi: Stabat Mater; J.S. Bach: Cantatas BWV 54 & 170 (2017)

Giovanni Pergolesi: Stabat Mater; Johann Sebastian Bach: Cantatas BWV 54 & 170 (2017)
Lucy Crowe, soprano; Tim Mead, countertenor; La Nuova Musica; David Bates, conductor

EAC | FLAC | Image (Cue&Log) ~ 283 Mb | Mp3 (CBR320) ~ 147 Mb | Artwork included
Classical, Sacred, Vocal | Label: Harmonia Mundi | # HMM907589 | Time: 01:04:14

Two of Bach’s finest cantatas, both for solo alto, composed in Weimar (1714) and Leipzig (1726) respectively, are here coupled with the delicious agony of grief that is Pergolesi’s 'Stabat mater', an acknowledged masterpiece by one of the 18th century’s most influential composers. Bach so admired the composition of his Neapolitan colleague that he made his own ‘parody’ of it to a German text. On this recording, La Nuova Musica, in its 10th anniversary year, and its two eminent soloists display equal mastery of both idioms.
Ottavio Dantone & Accademia Bizantina - Bach: The Art of Fugue (2017)

Ottavio Dantone & Accademia Bizantina - Bach: The Art of Fugue
Classical | WEB FLAC (tracks) & d. booklet | 76:46 min | 436 MB
Label: Decca | Tracks: 20 | Rls.date: 2017

Accademia Bizantina and Ottavio Dantone present a refreshing new interpretation of Bach’s The Art of Fugue.

Severin Balzer – Marimba in Concert (1990)  Music

Posted by d'Avignon at March 2, 2012
Severin Balzer – Marimba in Concert (1990)

Severin Balzer – Marimba in Concert (1990)
Classical/Various style periods | FLAC lossless | cuesheets+log | covers+booklet | 51m23s | 220mb
Label: Gallo | cat. no. CD 599
Alexandra Sostmann - J.S. Bach: French Suites - Chopin: Mazurkas (2017)

Alexandra Sostmann - J.S. Bach: French Suites - Chopin: Mazurkas (2017)
Classical, Piano | MP3 CBR 320 kbps | Digital Booklet | 01:11:18 | 170 MB
Label: TYXArt

Bach never wants to grow old. His works are constructed like geometric figures. Everything is in its place, and you want to look in vain for a subfluous line. Alexandra Sostmann combines Bach and Chopin and, with their sophisticated interpretations, sets out to trace the impact of Bach on Chopin. Bringing together Bach and Chopin, Sostmann seeks to polished Bach's effect on Chopin.
Domkantorei St. Pölten & Otto Kargl - J.S. Bach: Choral Sacred Works (Live) (2017)

Domkantorei St. Pölten & Otto Kargl - J.S. Bach: Choral Sacred Works (Live)
Classical, Choral | WEB FLAC (tracks) & d. booklet | 67:30 min | 321 MB
Label: Fra Bernardo | Tracks: 16 | Rls.date: 2017

The Domkantorei St. Pölten, under the direction of Otto Kargl, is one of the most profound amateur choirs in Austria. The group was founded in 1992 by Kappelmeister Otto Kargle. It is an exquisite special ensemble with only about 20 members and the group is mainly concerned with music written prior to the year 1800 as well as contemporary choral literature. In addition to the liturgical service at the cathedral church in St. Polten, the ensemble regularly performs at the Carinthian Summer, the Brucknerhaus Linz, the Musica Sacra Festival, and the Festspielhaus St. Polten.

Rethinking J.S. Bach's The Art of Fugue  eBooks & eLearning

Posted by ksveta6 at Nov. 18, 2017
Rethinking J.S. Bach's The Art of Fugue

Rethinking J.S. Bach's The Art of Fugue by Anatoly P. Milka,‎ Esti Sheinberg
2016 | ISBN: 1472458869 | English | 286 pages | PDF | 12 MB
Vox Luminis & Lionel Meunier - Bach: Magnificat - Handel: Dixit Dominus (2017)

Vox Luminis & Lionel Meunier - Bach: Magnificat - Handel: Dixit Dominus
Classical, Choral | WEB FLAC (tracks) & d. booklet | 61:04 min | 322 MB
Label: Alpha | Tracks: 22 | Rls.date: 2017

After several recordings on Ricercar and a first disc on Alpha, Actus Tragicus, containing early Bach cantatas, ‘of staggering profundity, purity and beauty’ (ffff Télérama), Lionel Meunier and his ensemble Vox Luminis devote this new project to two showpieces by Handel and Bach.
Vox Luminis & Lionel Meunier - Bach: Magnificat - Handel: Dixit Dominus (2017) [Official Digital Download 24/96]

Vox Luminis & Lionel Meunier - Bach: Magnificat - Handel: Dixit Dominus (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 61:04 minutes | 1.12 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

After several recordings on Ricercar and a first disc on Alpha, Actus Tragicus, containing early Bach cantatas, ‘of staggering profundity, purity and beauty’ (ffff Télérama), Lionel Meunier and his ensemble Vox Luminis devote this new project to two showpieces by Handel and Bach.

Christoph Stradner - Bach The Cello-Suites (2017)  Music

Posted by Pisulik at Nov. 16, 2017
Christoph Stradner - Bach The Cello-Suites (2017)

Christoph Stradner - Bach The Cello-Suites (2017)
Classical | MP3 CBR 320 kbps | 02:12:45 | 321 MB
Label: Espressivo Records

In this new Bach interpretation Stradner takes us on an exciting journey full of longings, fears, doubts, but also with pleasure. The listener relives time, sometimes she seems to go backwards.
Wolfgang Gonnenwein, Consortium musicum, Suddeutscher Madrigalchor - Bach: Johannes-Passion (1989)

Wolfgang Gönnenwein, Consortium musicum, Süddeutscher Madrigalchor - Bach: Johannes-Passion (1989)
EAC | FLAC | Image (Cue & Log) ~ 615 Mb | Total time: 64:04+65:44 | Scans included
Classical | Label: EMI | # CZS 7 62592 2 | Recorded: 1969

J.S. Bach's Johannes-Passion, or St. John Passion, BWV 245 – one of just two surviving Bach Passion works out of an original four or five – is, simply put, a headache for editors and performers wishing to recreate the authentic, stamped-and-approved original work. There is no such beast: the work was performed at least four times during Bach's lifetime, and for each new presentation he overhauled the music, adding numbers, deleting numbers, changing numbers, so that today we really have four different St. John Passions through which to pick and choose our way. Happily enough, however, Bach misses the mark in not a single one of those numbers, and the director can hardly go wrong selecting from such a wealth of fine material. The St. John Passion was first heard on April 7, 1724 (Good Friday), and then reproduced for Leipzig churchgoers in 1725, sometime in the early 1730s (perhaps 1732), and then again in 1749. Perhaps in part because of its sometimes bewildering compositional history and the fact that its texts were not really conceived as a single entity (Bach seems to have arranged the texts himself from a number of disparate sources, and sometimes his efforts – which seem to have been hasty ones – are not altogether graceful), the St. John Passion has never been a sweepingly popular work like the St. Matthew Passion, BWV 244. But it is a monumental work that must have made quite an impression indeed at its first performance, early on in Bach's tenure as Cantor of Leipzig.