Bach Jarrett Makarski

Keith Jarrett - J.S. Bach - Goldberg Variations + The French Suites [2CD] {ECM Records} [combined repost]

Keith Jarrett - J.S. Bach - Goldberg Variations + The French Suites [2CD] {ECM Records}
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© 1989, 1993 ECM Records | ECM New Series ECM 1395 / ECM 1513~14
Classical / Harpsichord

Wanda Landowska brought the Goldbergs out of hiding on the harpsichord in the '40s and Glenn Gould made them a bonafide hit on the piano in the '50s, opening the floodgates for keyboardists of all stripes. So, in one of his earlier recorded voyages into the classical world, Keith Jarrett is up against an imposing legacy as he tackles what has become the most famous set of variations in Western music. First, he chooses to play them on a double-manual harpsichord – which makes the task somewhat easier, avoiding the finger-tangling cross hand difficulties that can trip up a piano performance.
Keith Jarrett - J.S. Bach. The French Suites (1993) [2CD] {ECM New Series 1513/14}

Keith Jarrett - J.S. Bach. The French Suites (1993) [2CD] {ECM New Series 1513/14}
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© 1993 ECM Records | 1513/14 / 289 437 955-2
Classical / Harpsichord


Keith Jarrett - J.S. Bach. The French Suites (1993) [2CD] {ECM New Series 1513/14}

Jarrett plays brilliantly.
Personally, I love Jarrett's playing; he is one of the most sensitive and lyrical of contemporary pianists, and his long illness has deprived us of what would surely have been a larger body of baroque music recordings. So make your own mind up.
I highly recommend this collection to lovers of Bach, Jarrett and the diabolical harpsichord.
Keith Jarrett & Michelle Makarski – Johann Sebastian Bach: Six Sonatas for Violin and Piano (2013) {2CD ECM New Series}

Keith Jarrett & Michelle Makarski – Johann Sebastian Bach: Six Sonatas for Violin and Piano (2013) {2CD ECM New Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 444 Mb | MP3 @320 -> 223 Mb
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© 2013 ECM Records | ECM New Series | ECM 2230/31
Classical / Baroque / Chamber Music

Jazz pianist Keith Jarrett has recorded Bach before, on both piano and harpsichord. His interpretations are not jazz versions of Bach but are played straight. In this case you might say relatively straight, for Bach's sonatas for violin and keyboard, BWV 1014-1019, were written for a harpsichord and are generally played that way; somehow the ear is jarred more by the piano here than in Bach's solo keyboard music (which Jarrett has also recorded). Jarrett fans will find the evidence of his characteristic style not in rhythmic inflections toward jazz but in his way of sustaining notes, which is never excessive.
Michelle Makarski & Keith Jarrett - Johann Sebastian Bach: Six Sonatas for Violin and Piano (2013) [24bit/44,1kHz] RE-UP

Michelle Makarski, Keith Jarrett - Johann Sebastian Bach: Six Sonatas for Violin and Piano (2013)
ECM New Series | FLAC (tracks) 24 bit/44,1 kHz | Time - 94:07 minutes | 889 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Michelle Makarski and Keith Jarrett met when Makarski was recording Jarrett's album Bridge of Light. A musical friendship was formed, and the two decided to get together to play these Bach sonatas just for fun. Later on, they decided to record the pieces, which took place in November 2010 at the American Academy of Arts and Letters in New York.

Gary Burton & Keith Jarrett / Throb: Gary Burton (1994) REPOST  Music

Posted by Oceandrop at Dec. 18, 2011
Gary Burton & Keith Jarrett / Throb: Gary Burton (1994) REPOST

Gary Burton & Keith Jarrett / Throb: Gary Burton (1994) REPOST
Jazz (Fusion) | EAC Rip | APE (image)+CUE+LOG | mp3@320 | 469 MB. & 204 MB.
300dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (1994) | Label: Rhino/Atlantic | Catalog# 8122-71594-2 | 76:03 min.

Two of vibraphonist Gary Burton's albums from 1969-1970 are reissued in full on this single CD. Burton teams up with pianist Keith Jarrett for five numbers (including four of Jarrett's originals) in 1970, using a quintet that also features guitarist Sam Brown, bassist Steve Swallow, and drummer Bill Goodwin. The other session has more of an avant-country flavor, with Burton, Swallow, and Goodwin joined by guitarist Jerry Hahn and violinist Richard Greene; Michael Gibbs and Swallow contributed most of the obscurities. Burton was at his most explorative during this period, which is why he can be considered one of the pioneers of fusion (although his music never really fit into a tight category). This is excellent music that mostly still sounds fresh.
Keith Jarrett - A Multitude Of Angels (2016) {4CD Set ECM Japan UCCE-1161~64}

Keith Jarrett - A Multitude Of Angels (2016) {4CD Set ECM Japan UCCE-1161~64}
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© 1996, 2016 ECM Records / Universal Music Japan | UCCE-1161~64
Jazz / Contemporary Jazz / Improvisation / Modern Creative / Post Bop / Piano Solo

Keith Jarrett's numerous volumes of improvised solo piano recordings are all treasure troves of spontaneous music making. Documented since the 1970s, they reveal the opening of his music as it readily embraces classical and sacred music influences, filters out what is unnecessary in his technique, and encounters the depth and breadth of the jazz tradition and his own unique abilities as a composer. The four discs in A Multitude of Angels were recorded in as many Italian cities during the last week of October 1996 – some 20 months after the concert captured on La Scala.

Keith Jarrett - Bridge Of Light (1994) {ECM New Series}  Music

Posted by ruskaval at Oct. 24, 2014
Keith Jarrett - Bridge Of Light (1994) {ECM New Series}

Keith Jarrett - Bridge Of Light (1994) {ECM New Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 326 Mb | MP3 @320 -> 169 Mb
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© 1994 ECM Records | ECM New Series 1450 / 445 350-2
Jazz / Classical / Post Bop / Chamber Music / Piano

This is Keith Jarrett's most accomplished collection of classical compositions yet, seated squarely in the American East Coast neo-classical tradition of Samuel Barber, David Diamond, Irving Fine, etc. Jarrett's writing for strings is masterful here; the lines move and interweave instead of being shoveled on as in some pieces of the '70s, and the compositions have shape and direction. Most of all, they share a common feeling of reflection and an unabashed willingness to let the instrumental soloists sing.

Keith Jarrett - No End 2CD (2013)  Music

Posted by mark70 at Nov. 21, 2013
Keith Jarrett - No End 2CD (2013)

Keith Jarrett - No End 2CD (2013)
MP3 320 kbps CBR | 92:41 min | 211 MB
Genre: Jazz | Label: ECM

Recorded at his home studio in 1986, the double album No End illuminates hitherto undocumented aspects of Keith Jarrett's music. He is heard on electric guitars, electric bass, drums and percussion, overdubbing tribal dances of his own devising: "Somehow something happened during these days in the 80s that won't ever be repeated," he writes in his liner notes. "There was really, to my knowledge, no forethought or composition - in the typical sense - going on; just a feeling or a rhythmic idea or a bass line concept or melody. None of this was written down."

Keith Jarrett - Last Solo (2002)  Music

Posted by robi62 at Nov. 10, 2013
Keith Jarrett - Last Solo (2002)

Keith Jarrett - Last Solo (2002)
Video: NTSC, MPEG-2 at 5 951 Kbps, 720 x 480 (1.333) at 29.970 fps | Audio: AC-3 6ch. at 448 Kbps, PCM 2ch. at 1 536 Kbps
Genre: Jazz | Label: Image Entertainment | Copy: Untouched | Release Date: 18 Jun 2002 | Runtime: 92 min. | 5,32 GB (DVD9)

Pianist, composer, and bandleader Keith Jarrett is one of the most prolific, innovative, and iconoclastic musicians to emerge from the late 20th century. As a pianist (though that is by no means the only instrument he plays) he literally changed the conversation in jazz by introducing an entirely new aesthetic regarding solo improvisation in concert. Though capable of playing in a wide variety of styles, Jarrett is deeply grounded in the jazz tradition.
Keith Jarrett - JS Bach - Sonatas (1992) {RCA} + 3 Sonaten fur Viola da Gamba und Cembalo (1994) {ECM}

Keith Jarrett - JS Bach - Sonatas (1992) {RCA} + 3 Sonaten fur Viola da Gamba und Cembalo (1994) {ECM}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 631 Mb | MP3 @320 -> 238 Mb
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© 1992, 1994 RCA / BMG / ECM | 09026 61274 2 / ECM New Series 1501
Classical / Harpsichord / Flute / Viola

If you have any doubt that the fipple flute is an acceptable substitute for the specified transverse one in these works, this recording could allay it. What is lost is the warm, intimate, breathy, pitch-bending sound of the minimally-keyed wooden instrument, but what is gained is the luculent clarity and (in Petri's hands) spot-on accuracy of the recorder. Instruments at period pitch (which for her own good reasons Petri does not use) would restore some of the warmth, but rarely can you have everything—and here you have so much to be grateful for.