Bach Flower

Bach Flower Essences and Chinese Medicine  eBooks & eLearning

Posted by tarantoga at July 27, 2016
Bach Flower Essences and Chinese Medicine

Pablo Noriega, "Bach Flower Essences and Chinese Medicine"
ISBN: 1620555719 | 2016 | EPUB | 256 pages | 845 KB

Bach Flower Reflections: From a unique fresh perspective  eBooks & eLearning

Posted by AlenMiler at June 18, 2015
Bach Flower Reflections: From a unique fresh perspective

Bach Flower Reflections: From a unique fresh perspective by Sarah Brune
English | 27 Nov. 2009 | ISBN: 0986474800 | 78 Pages | EPUB/MOBI/PDF (conv) | 1.64 MB

Bach Flower Reflections provides fresh insights into the Bach Flower Remedies from a practitioner's unique "reflective" interpretation. It gives clear practical advice on all aspects of the remedies, ranging from the work of their creator, Dr. Bach, to how they can help your pet.

Pocket Guide to Bach Flower Essences  eBooks & eLearning

Posted by ChrisRedfield at May 25, 2015
Pocket Guide to Bach Flower Essences

Rachelle Hasnas - Pocket Guide to Bach Flower Essences
Published: 1997-03-01 | ISBN: 0895948656 | PDF | 128 pages | 4.3 MB

The Handbook of Bach Flower Remedies for Animals  eBooks & eLearning

Posted by avava at Feb. 12, 2012
The Handbook of Bach Flower Remedies for Animals

Enric Homedes, "The Handbook of Bach Flower Remedies for Animals"
Publisher: Singing Dragon | ISBN: 1848190751 | 200 | PDF | 254 pages | 3.3 MB
Pierre Hantai - Johann Sebastian Bach: Variations Goldberg, BWV 988 (2003)

Pierre Hantaï - Johann Sebastian Bach: Goldberg Variations, BWV 988 (2003)
XLD | FLAC | Image (Cue&Log) ~ 510 Mb | Mp3 (CBR320) ~ 192 Mb | Scans included
Genre: Classical | Label: Mirare | # MIR 9945 | Time: 01:18:28

Bach’s Goldberg Variations have played a central role in harpsichordist Pierre Hantai’s musical life since his early youth. At 28 he recorded the work for the Opus 111 label (now available on Naïve), a highly acclaimed release that stands among the work’s choice versions. Over the past 11 years Hantai evidently has rethought and refined his interpretation, as revealed in this 2003 remake. There’s greater rhythmic freedom and variety of articulation, plus a more subjective approach to ornaments and agogics, especially in the repeats (he observes all but those in Variation 15, 25, and the Aria Da Capo; the 1992 recording honors all repeats save for Variation 25). Variations previously characterized through Hantai’s seamless legato technique (Nos. 3, 6, 8, 11, 17, and 18, for example) are further enlivened by detaché finger strokes and more inflected phrasings. The latter infuse Variations 7, 10, and 16 with greater resilience and rhythmic verve than their earlier counterparts.
Netherlands Chamber Orchestra, David Zinman - J.C. Bach: Complete Symphonies Opp. 6, 9, 18 (2011) (Repost)

Netherlands Chamber Orchestra, David Zinman - J.C. Bach: Complete Symphonies Opp. 6, 9, 18 (2011)
EAC | FLAC (image+.cue, log) | Covers Included | 145:39 | 768 MB
Genre: Classical | Label: Newton Classics | Catalog: 8802065

Youngest son of J.S. Bach, Johann Christian Bach rose to prominence in England during the early Classical period much the same as his father dominated the German Baroque. His writing was influenced by his father, of course, but also by the fashions being explored by Haydn. J.C. Bach also served as a bridge to Mozart, whose work and early writings were also influenced by the junior Bach. A total of 15, three-movement symphonies were published under Opp. 6, 9, and 18.
Dunedin Consort, John Butt - J.S. Bach: Magnificat, Christmas Cantata (2015)

Dunedin Consort, John Butt - J.S. Bach: Magnificat, Christmas Cantata (2015)
EAC | FLAC (image+.cue, log) | Covers Included | 78:19 | 435 MB
Genre: Classical, Sacred | Label: Linn Records | Catalog: CKD 469

Given the considerable number of recordings that have tried to place Renaissance compositions within the context for which they were written, it is odd that the same has so rarely been done for Bach. After all, most of Bach's output consists of Gebrauchsmusik, music written for daily use. This release by Scotland's historical-instrument Dunedin Consort and its leader John Butt shows the possibilities of this approach.

The Faber Pocket Guide to Bach  eBooks & eLearning

Posted by ksveta6 at Aug. 15, 2017
The Faber Pocket Guide to Bach

The Faber Pocket Guide to Bach (Pocket Guide: Music) by Nicholas Kenyon
2011 | ISBN: 0571233279 | English | 512 pages | EPUB | 0.5 MB
Reinoud van Mechelen & A nocte Temporis - Bach: Erbarme Dich (2016)

Reinoud van Mechelen & A nocte Temporis - Bach: Erbarme Dich (2016)
Classical | MP3 320 kbps | 69:43 | ~162 Mb
Label: Alpha Classics | Tracks: 17 | Rls.date: 2016

The young tenor Reinoud Van Mechelen, whose career is currently in full flower, appears as a guest soloist with todays leading conductors of Baroque music. He has decided to devote his first solo album to a composer whom he interprets with elegance and contagious joy: Johann Sebastian Bach. The title Erbarme dich naturally evokes for music lovers the celebrated alto aria from the St Matthew Passion; but it is also the incipit of a sorrowful, sensuous aria for tenor and flute from the Cantata BWV 55. This album marks the birth of the ensemble founded by Reinoud Van Mechelen, A Nocte Temporis, and the start of his collaboration with Alpha, which will extend over several years.
Natalia Gutman - Portrait Series Vol. II: Debussy, Schnittke, Bach (2000)

Natalia Gutman - Portrait Series Vol. II: Debussy, Schnittke, Bach (2000)
Natalia Gutman, cello, Alexei Nassedkin, piano; Vassily Lobanov, piano

EAC | FLAC | Image (Cue&Log) ~ 234 Mb (incl 5%) | Mp3 (CBR320) ~ 135 Mb (incl 5%) | Scans included
Genre: Classical | Label: Live Classics | # LCL 203 | Time: 00:50:03

Live Classics’ Natalia Gutman “Portrait” series continues with a second volume documenting the cellist’s work from her early career up to the present. A 1967 German radio broadcast of the Debussy Cello Sonata stands out for Gutman’s warm, expansive tone and strong, fluid support from pianist Alexei Nassedkin. A few moments of uncertain intonation and less-than-centered articulation in the second movement’s opening pizzicatos are a small price to pay for fine overall ensemble values. Gutman shines in the declamatory, slow-motion passages that dominate the outer movements of Schnittke’s First Cello Sonata, and throws herself head first into the central Presto’s roller-coaster arpeggios and ruthless clusters. A gripping performance, this: every bit as authoritative as Alexander Ivashkin’s with the composer’s widow Irina Scnittke at the piano. She’s a more sensitive colorist than Gutman’s solid yet comparatively monochrome Vassily Lobanov.