Dedicated to the Margrave of Brandenburg, J. S. Bach's Brandenburg Concertos are timeless works of art - their variety of styles and instrumental combinations reveal inspiration of the highest order. Karl Richter's Brandenburg Concertos are perfectly paced, clear textured and undeniably stylish. There's a level of sophistication in this performance which few recordings are able to equal. The Munchener Bach-Orchester has a sound that is in the German tradition and thoroughly idiomatic.
The organ in the church of the former Velesovo monastery, built in 2007, represents the most consistent attempt so far in Slovenia to construct a new organ that would permit an authentic performance of the organ works by Johann Sebastian Bach and his contemporaries from Central and Northern Germany. The selection of music, recorded on this CD, has been made accordingly.
As the artist who has recorded longest with the BIS label, Hans Fagius has an impressive repertoire that includes organ music of several eras. Fagius' early organ lessons were with Nils Eriksson and Bengt Berg. His 1974 soloist's diploma from the Stockholm's Royal College of Music was earned under Alf Linder. That same year, he made his public debut in Stockholm. He spent the following year in Paris, doing private study with Maurice Duruflé.
These works both received their first performances in Leipzig - the Magnificat in 1723 and Cantata 82 in 1727. It was in 1723 that Bach had taken up thepost of Kantor at the Thomaskirche in Leipzig, having previously been Kapellmeisterto Prince Leopold in Cothen. The Magnificat was originally heard ina version in E flat major at Christmas Vespers when movements with seasonaltexts were inserted; the version included on this disc was rendered by Bach someyears later, returning to the ordinary Magnificat text in order to makethe work performable all year round. Bach's approach to the evening canticle ischaracteristically large-scale. There is no use of recitative, owing perhaps tothe poetic nature of the text: the verses have little natural hierarchy and itis appropriate that they should all be afforded extended settings. The scoringis unusually rich and includes three trumpets, two flutes, two oboes, strings,continuo, and timpani - one of the largest ensembles to be assembled at theThomaskirche in Bach's time. Bach takes a literal view of the text in which, forinstance, the full five-part choir is used to demonstrate Omnes generationes ("All generations") with soloists used for the more reflective movements. Ina typically Bachian gesture the opening material returns for Sicut erat inprincipio ("As it was in the beginning").