Bach Century

Isabelle Faust - J.S. Bach: Sonatas & Partitas, Vol. 1, BWV 1004-1006 (2010) [Official Digital Download 24/96]

Isabelle Faust - J.S. Bach: Sonatas & Partitas, Vol. 1, BWV 1004-1006 (2010)
FLAC (tracks) 24-bit/96 kHz | Time - 68:48 minutes | 1.13 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Isabelle Faust has gone back to the original manuscript sources to offer us her versions of these iconic masterpieces of the violin repertoire. In Bach s time, music for solo instruments was still little explored territory, and his Sonatas and Partitas immediately established themselves as a benchmark, technically challenging and brimming with creativity.

Igor Levit - Bach, Beethoven, Rzewski (2015)  Music

Posted by tirexiss at March 22, 2017
Igor Levit - Bach, Beethoven, Rzewski (2015)

Igor Levit - Bach: Goldberg Variations, Beethoven: Diabelli Variations, Rzewski: The People United Will Never Be Defeated! (2015)
EAC | FLAC (image+.cue, log) | Covers Included | 03:13:45 | 623 MB
Genre: Classical | Label: Sony Classical | Catalog: 88875060962

Following his landmark recordings, "Beethoven - The Late Piano Sonatas" and "Bach - Partitas", both of which has won him international acclaim, Igor Levit is now tackling another three major works: Bach's Goldberg Variations, Beethoven's Diabelli Variations, and Frederic Rzewski's Variations on "The People United Will Never Be Defeated".
It is testament to Igor Levit's invention and the command of his repertoire that in one release he is able to combine arguably two of history’s greatest sets of variations for the keyboard, complete alongside a classic of late 20th century piano music by contemporary composer Frederic Rzewski.
Mahan Esfahani - CPE Bach: Württemberg Sonatas (2014) [Official Digital Download 24/88.2]

Mahan Esfahani - CPE Bach: Württemberg Sonatas (2014)
FLAC (tracks) 24-bit/88.2 kHz | Time - 76:48 minutes | 1.44 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Hyperion is delighted to present the debut recording of the wonderful young harpsichordist Mahan Esfahani. He was the first harpsichordist to be named a BBC New Generation Artist or to be awarded a fellowship prize by the Borletti- Buitoni Trust. Here Mahan Esfahani has recorded CPE Bach's six 'Württemberg' sonatas, which were written in 17423 and published in 1744, and his thrillingly intense performances make the best possible case for this dramatic, beautifully written, endlessly imaginative but for some reason under-performed music.
Chor des Bayerischen Rundfunks, Concerto Koln, Peter Dijkstra - Johann Sebastian Bach: Johannes-Passion (2016) 3CDs

Johann Sebastian Bach - Johannes-Passion (2016) 3CDs
Julian Prégardien (Evangelist), Tareq Nazmi (Jesus), Christina Landshamer (soprano)
Ulrike Malotta (alto), Tilman Lichdi (tenor), Krešimir Stražanac (bass)
Chor des Bayerischen Rundfunks, Concerto Köln, conducted by Peter Dijkstra

EAC | FLAC | Image (Cue&Log) ~ 787 Mb | Mp3 (CBR320) ~ 409 Mb | Scans included
Classical, Choral | Label: BR Klassik | # 900909 | Time: 02:57:16

The music of Bach's 'St. John Passion', which the composer wrote for Holy Week in 1724 immediately after his appointment as cantor of St Thomas's Church in Leipzig, still retains all its freshness and vitality nearly 300 years later, and is a true Baroque delight. The two main choruses Herr, unser Herrscher and Ruht wohl, ihr heiligen Gebeine form the beginning and culmination of a large-scale orchestral and vocal structure in which Bach reveals his absolute mastery of polyphony. Inwardly reflective chorales are as much interwoven into the events of the Passion as the haunting arias which comment on the biblical texts of the Gospel of St John. Throughout this solemn Passion oratorio, there is a constant emphasis on Baroque musical magnificence. What makes this live recording of the concert version of March 7, 2015 in the Herkulessaal of the Munich Residenz so special? The fresh voices of the young and excellent vocal soloists, the regularly praised "astonishing three-dimensionality" and "crystalline clarity" of the Chor des Bayerischen Rundfunks under the direction of Peter Dijkstra and, of course, the renowned period instrument ensemble Concerto Köln.
Amsterdam Bach Soloists - Johann Sebastian Bach: Die Kunst der Fuge (1989)

Amsterdam Bach Soloists - Johann Sebastian Bach: The Art of Fugue (1989)
EAC | FLAC | Tracks (Cue&Log) ~ 317 Mb | Mp3 (CBR320) ~ 178 Mb | Scans included
Genre: Classical | Label: Ottavo | # OTR C48503 | Time: 01:12:09

The Amsterdam Bach Soloists comprise an ensemble of ten or so musicians. They play modern instruments but base their musical approach on ''an undogmatic use of authentic interpreting practice, so that the rich potentialities of the modern instruments can be combined with the baroque way of performing, which is in keeping with the accomplishments of Nikolaus Harnoncourt with the Concertgebouw Orchestra''. Most of the players are, in fact, drawn from the Concertgebouw, though there are some from Frans Bruggen's Orchestra of the Eighteenth Century. Nowadays Bach's didactic but very beautiful The Art of Fugue, is widely regarded as a work for solo harpsichord. Bach himself left no precise indication concerning instrumentation but the music was engraved in open score which places each individual voice or strand of the texture on a separate stave. This practice was not uncommon in contrapuntal keyboard works and is one of several features pointing towards the solo harpsichord as being Bach's most likely intention. Nevertheless, since 1924, when the Swiss musician Wolfgang Graeser set the canons and fugues for various combinations of instruments, the practice of performing The Art of Fugue with a mixed ensemble has remained popular.
English Bach Festival, Leonard Bernstein, Soloists - Igor Stravinsky: Les Noces; Mass (1977) Reissue 1988

Igor Stravinsky - Les Noces; Mass (1977) Reissue 1988
English Bach Festival Choir & Orchestra, Trinity Boys Choir, conducted by Leonard Bernstein
Patricia Parker (Mezzo Soprano), John Mitchinson (Tenor), Paul Hudson (Bass), Anne Mory (Soprano)
Pianos: Martha Argerich, Krystian Zimerman, Cyprien Katsaris, Homero Francesch

EAC | FLAC | Image (Cue&Log) ~ 192 Mb (incl 5%) | Mp3 (CBR320) ~ 109 Mb (incl 5%) | Scans included
Classical, Ballet, Choral, Sacred | Label: Deutsche Grammophon | # 423 251-2 | Time: 00:44:29

Les Noces is a screaming, shrieking, flat-out masterpiece. Leonard Bernstein himself has referred to it as Stravinsky's greatest work, and listening to this incendiary performance, it's awfully hard to disagree. Scored for voices, four pianos, and percussion, the work provided the inspiration for the entire career of Orff (of Carmina Burana fame), but it's so much better as sheer music than anything Orff wrote. And what a cast! The pianists for this performance include Martha Argerich, Krystian Zimerman, Cyprien Katsaris, and Homero Francesch, four certified virtuoso performers, while the singers of the English Bach Festival Chorus really cover themselves with glory in both works. A stunner.
Markku Luolajan-Mikkola - Johann Sebastian Bach: Sonatas and Partitas, BWV 1001-1006 (2015)

Markku Luolajan-Mikkola - J.S. Bach: Sonatas and Partitas, BWV 1001-1006 (2015)
EAC | FLAC | Image (Cue&Log) ~ 738 Mb (incl 5%) | Scans included | Time: 02:38:00
Genre: Classical, Baroque | Label: Linn Records | # CKD 548

Markku Luolajan-Mikkola has a reputation for excellence and already has two Gramophone Awards. With a fan base to match, Luolajan-Mikkola is at the top of his game. In Luolajan-Mikkola’s Linn debut, he tackles the pinnacle of Bach’s productions for violinists: the Partitas and Sonatas. Luolajan-Mikkola transcribed these works for cello. His goal with this recording has been to encapsulate expression and emotion according to the character of each movement. A historically informed musician, he performs on baroque cello.
Colin Tilney - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 & 2 (1990) 4CDs

Colin Tilney - Johann Sebastian Bach: Das Wohltemperirte Clavier (1990) 4CDs
EAC | FLAC | Image (Cue&Log) ~ 1.8 Gb (incl 5%) | Scans included | Time: 05:04:36
Genre: Classical | Label: Hyperion | # CDA66351/4

In his recording of Bach's 48 Colin Tilney, unlike his fellow competitors in the same repertory, plays both a clavichord (Book 1) and a harpsichord (Book 2). Why not? Bach's title for the first book of 24 preludes and fugues, The Well-tempered Clavier leaves both this issue and that of tuning wide open. The clavichord was a favourite instrument of Bach's, so was the harpsichord and the organ; indeed, I am sorry that Tilney does not include a chamber organ since some of the pieces, the E major Prelude and Fugue (Book 2), for instance, seem well-suited to it. Tilney's performance of the 48 differs again from almost if not all others in the sequence which he adopts in playing the preludes and fugues. But an apparently random approach is in fact nothing of the kind, but one that is directly linked with tuning. We know that Bach himself was a master in matters of tuning as he was in all other aspects of his craft. What we do not know is the exact nature of his tuning.

Bach - Johannes Passion, BWV 245 (Stephen Cleobury) [1996]  Music

Posted by Aregak at Jan. 22, 2017
Bach - Johannes Passion, BWV 245 (Stephen Cleobury) [1996]

Bach - Johannes Passion, BWV 245 (Ainsley, Richardson, Bott, Chance, Agnew, Varcoe;
King's College Choir Cambridge, The Brandenburg Consort, Stephen Cleobury) [1996]

EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 612 MB
Classical | Label: Brilliant Classics | Catalog Number: A911 | TT: CD1: 72’36, CD2: 64’18

Most of us come to the Saint John Passion knowing the Saint Matthew Passion first. The bigger and more elaborate Saint Matthew, which came along three, or possibly five years later (there is controversy about the date), has tended to cast a shadow in which the earlier work is swallowed up, and this has been so ever since Mendelssohn's Saint Matthew performance in 1829 marked the beginning of the public rediscovery of J.S. Bach. (The professionals had never forgotten.) But if the Saint John is smaller in scale than the Saint Matthew, it is hardly the lesser work in quality, though it would of course be silly to claim that the master of the Saint Matthew Passion had not learned from the experience of setting Saint John. But the most interesting differences between these two towering attestations of faith are differences in intention. Read Matthew 26-27, Mark 14-15, Luke 22-23, and John 18-19, and you get four tellings of the last days in the life of Jesus that differ in tone, emphasis, and detail…
Bach - Variations canoniques; Les Chorales de Leipzig, BWV 769, 651-668 (Hans Vollenweider) [1995]

Bach - Variations canoniques; Les Chorales de Leipzig, BWV 769, 651-668 (Hans Vollenweider) [1995]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 547 MB
Classical | Label: Accord | Catalog Number: 149514 | TT: CD1: 53’07, CD2: 53’55

It’s now time for a release with the famous German organist Helmut Walcha. This is the first of initially 4 releases with Walcha playing J. S. Bach. He recorded the complete works by J. S. Bach twice, from 1947-1950 in mono on the Schnitger organ in Cappel and in St. Jakobi in Lübeck and 1956-1971 on the famous organ in Alkmaar. This release is from the Alkmaar serie and is therefore in stereo. A quite interesting thing is to compare it with the IHORC14 release, where Fernando Germani plays the exact same organ about two years later…