Bach Century

Gachinger Kantorei, Bach-Collegium Stuttgart, Helmuth Rilling - Wolfgang Rihm: Deus Passus (2001) 2CDs

Wolfgang Rihm - Deus Passus (Passions-Stücke nach Lukas) (2001) 2CDs
Juliane Banse, soprano; Iris Vermillion, mezzo-soprano; Cornelia Kallisch, alto
Christoph Prégardien, tenor; Andreas Schmidt, baritone
Gächinger Kantorei; Bach-Collegium Stuttgart; Helmuth Rilling, conductor

EAC | FLAC | Image (Cue&Log) ~ 330 Mb | Mp3 (CBR320) ~ 228 Mb | Artwork included
Classical, Choral | Label: Hänssler Classic | # CD 98.397 | Time: 01:30:24

Deus Passus is one quarter of the Passion Project 2000, which celebrated not only the turning of the millennium but also commemorated the 250th anniversary of Bach’s death. German conductor Helmuth Rilling honored this occasion by commissioning Passions from four disparate composers: Wolfgang Rihm, Tan Dun, Sofia Gubaidulina, and Osvaldo Golijov. Deus Passus is a setting of the Passion according to St. Luke, and it is a marvel of a piece for many reasons. For a full hour and a half, with music that is mostly slow and largely atonal (in the sense that Berg’s music is atonal), the twisting, aching, unpredictable harmonies are totally captivating. Rihm chooses a straightforward setting, a simple, dramatic telling of the story, and it is in his capacity for restraint that the true brilliance of the piece lies. He uses the chorus sparingly, mostly for dramatic purposes, having it portray the angry rabble bent on crucifying Jesus (as it often does in Bach’s passions).

Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century  eBooks & eLearning

Posted by ksveta6 at June 18, 2017
Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century

Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century (Dover Books on Music) by Knud Jeppesen
1992 | ISBN: 048627036X | English | 320 pages | EPUB | 9 MB

The Cambridge Companion to Bach (Cambridge Companions to Music)  eBooks & eLearning

Posted by thingska at June 15, 2017
The Cambridge Companion to Bach (Cambridge Companions to Music)

The Cambridge Companion to Bach (Cambridge Companions to Music) by John Butt
English | 1997 | ISBN: 052145350X, 9780521453509, B00FF76UKW | 346 Pages | EPUB | 5.31 MB
Hana Blažíková, Dominik Worner, Kirchheimer BachConsort & Alfredo Bernardini - J.S. Bach: Dialog-Kantaten (2017)

Hana Blažíková, Dominik Worner, Kirchheimer BachConsort & Alfredo Bernardini - J.S. Bach: Dialog-Kantaten
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 70:50 min | 385 MB
Label: CPO | Tracks: 22 | Rls.date: 2017

Dominik Wörner, a prizewinner at the Bach International Competition in Leipzig in 2002, established the Kirchheimer BachConsort in 2008. Its members, leading musicians from the early music scene, perform as an ensemble of soloists in programs focusing on the repertoire of the eighteenth century. On this brand-new CD release Wörner leads his ensemble and the Czech soprano and harpist Hana Blažiková in interpretations of Johann Sebastian Bach’s dialogue cantatas.
Louis-Noël Bestion de Camboulas - Bach and Friends (2017) [Official Digital Download 24/96]

Louis-Noël Bestion de Camboulas - Bach and Friends (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 74:10 minutes | 1.40 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

For his first recital, Louis-Noël Bestion de Camboulas invites us on a fascinating exploration of the keyboard music of J. S. Bach and his mentors. In the hands of this talented musician, the intimate tones of the harpsichord and the sumptuous strains of the great organ ring out by turns. Until the middle of the eighteenth century, the organ and the harpsichord were the two principal faces of a generic ‘keyboard’ repertory that was often played without discrimination on a number of instruments, which might also include the clavichord, the spinet and the virginal.
Yehudi Menuhin - The Menuhin Century: The Historic Recordings (2016) (18 CD Box Set)

Yehudi Menuhin - The Menuhin Century: The Historic Recordings (2016) (18 CD Box Set)
MP3 320 kbps | 18 CDs, 22:02:20 min | Covers included | 2,96 Gb
Genre: Classical / Label: Warner

The Menuhin Century commemorates the 100th anniversary of his birth on 22 April 1916.These recordings depict Menuhin as a maker of musical history and place him in the context of momentous historical events.
Jordi Savall & Hesperion XX - Ensaladas, 15th-17th Century (1987) {Astrée-Auvidis E 7742}

Jordi Savall & Hesperion XX - Ensaladas, 15th-17th Century (1987) {Astrée-Auvidis E 7742}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 252 Mb | MP3 @320 -> 122 Mb
Full Artwork @ 300 dpi (jpg) -> 50 Mb | 5% repair rar
© 1987 Astrée / Auvidis | E 7742
Classical / Renaissance / Vocal Music

The Ensalada (musical salad) is a poetical work which combines lines in different languages, as well as instrumental sonatas. It is rooted in the medieval practice of singing different texts simultaneously, and incorporates well-known romances and madrigalist elements. Generally based on stories from Christ birth, ensaladas a big portrait, a la Janequin, occupying a midway position between art and folk music.
Jordi Savall - Bach - Messe en si mineur, BWV 232 (2012) {2CD Alia Vox AVDVD 9896 A/D}

Jordi Savall - Bach - Messe en si mineur, BWV 232 (2012) {2CD Alia Vox AVDVD 9896 A/D}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 508 Mb | MP3 @320 -> 240 Mb
Full Artwork @ 300 dpi (jpg) -> 136 Mb | 5% repair rar
© 2012 Alia Vox | AVDVD 9896 A/D
Classical / Baroque

During the final years of his life, Johann Sebastian Bach (1685-1750) created the monumental body of music that can be considered his “Testament”, comprising the Musical Offering, the Art of Fugue and the B minor Mass. This latter work is a perfect synthesis of all his skill and flair in the art of composition (and essentially in that of counterpoint), as well as his gift for invention and his extraordinary sense of form, structure and number.

Jean Rondeau - Dynastie: Bach Family Concertos (2017)  Music

Posted by Designol at May 27, 2017
Jean Rondeau - Dynastie: Bach Family Concertos (2017)

Jean Rondeau - Dynastie: Bach Family Concertos (2017)
Johann Sebastian - Carl Philipp Emanuel - Wilhelm Friedemann - Johann Christian

EAC | FLAC | Image (Cue&Log) ~ 404 Mb | Artwork included | Time: 01:16:18
Genre: Classical | Label: Erato | # 0190295888466

With his 2017 release on Erato, Jean Rondeau illustrates the beginnings of the harpsichord concerto, which can be traced from the Baroque masterpieces of Johann Sebastian Bach through the early Classical period, represented here by works of his sons, Carl Philipp Emanuel Bach, Wilhelm Friedemann Bach, and Johann Christian Bach. While this celebrated musical dynasty contributed to many forms in the 18th century, the keyboard concerto was given a special, innovative treatment by the Bachs, who effectively put the genre on the map.
Maurizio Pollini - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2009) 2CDs

Maurizio Pollini - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2009)
EAC | FLAC | Image (Cue&Log) ~ 380 Mb | Mp3 (CBR320) ~ 260 Mb | Scans included
Classical | Label: Deutsche Grammophon | # 0289 477 8078 GH2 | Time: 01:50:24

There's nothing at all wrong with Maurizio Pollini's 2009 performance of Bach's Well-Tempered Clavier, Book 1. The Italian pianist's intellectual lucidity, interpretive clarity, and technical virtuosity are apparent in every prelude and fugue, and his probing insights and penetrating analysis inform every note. However, there is almost nothing right with the sound quality of the recording. The piano sounds too distant, making it hard to hear precisely what Pollini is doing, but oddly, the ambient sound is too present, making every extraneous noise too loud. One should not hear the pedals being pressed and lifted, much less the clatter of the hammers and the twanging of the strings above the sound of the music. Worse yet, one can hear what sounds like every breath Pollini takes nearly as loudly as every note he plays. These are all grievous flaws that should have been eliminated, and their presence fatally undermines the brilliance of Pollini's performances. A reengineered version of these performances would be most welcome, but the present recording is so flawed that it virtually destroys Pollini's playing.