The performances heard on this recording by the superstar duo of violinist Itzhak Perlman and pianist Martha Argerich do not exactly form a discrete group: the first work, Schumann's Violin Sonata No. 1 in A minor, Op. 105, was recorded live in 1998, while the rest consists of 2016 studio recordings. The 1998 performance, however, was part of a concert in Saratoga Springs, New York, that provided the stimulus for the joint recording. The Schumann sonata performance was not released at that time, and the rest of the program expands on the music it presents. It's nice to have the Schumann, which has a good deal of tension and energy. As for the rest, it's hard to point to a clear decline in the skills of either of the septuagenarian performers.
CBS/Sony Classical has been accompanying superstar cellist Yo-Yo Ma for decades on his journey through the unsurpassed works written for his instrument by Johann Sebastian Bach. The label is now pleased to announce the release of important landmarks from that journey, Yo-Yo Ma Plays Bach, on a single CD. Ma's first recording of Bach's six Solo Suites, which went on to win the Grammy® for "Best Classical Instrumental Performance" and is represented here by the Sarabande from the Sixth Suite, took place in 1982. In the same year, Yo-Yo Ma recorded Bach's complete sonatas for viola da gamba with harpsichordist Kenneth Cooper which was hailed by Gramophone as "intelligent and expressive."
Die 1977 in Buenos Aires geborene Evangelina Mascardi studierte in ihrer Heimatstadt Gitarre an der „J.P. Esnaola National School of Music" bei Silvia Fernandez und Gabriel Schebor, bevor sie 1997 in die Lautenklasse von Hopkinson Smith an der „Schola Cantorum Basiliensis" eintrat, wo sie 2001 ihr Solistendiplom erlangt hat. Als Solistin nahm sie an mit großem Erfolg an verschiedenen Festivals teil (u.a. „Fringe" Barcelona. „Junge Künstler" Nürnberg, „Concentus" Berlin). Evangelina Mascardi spielt Continuo in verschiedenen Ensembles, wie „Venice Baroque Orchestra", „Zefiro", „Ensemble 415", „Capriccio Basel", „Ensemble Vocal de Lausanne" u.a…
Steven Isserlis and Richard Egarr here assemble all the viola da gamba sonatas written by three composers born in the propitious year of 1685: one each by Handel and Domenico Scarlatti, and three by JS Bach. Isserlis plays them on the gamba’s modern cousin, the cello, and the microphone loves his playing, picking up all the nuances and scampering asides from his soft-spoken instrument which can sometimes get lost in big concert halls. Egarr on harpsichord matches Isserlis’s eloquence and rambunctious energy all the way. The dreamy, airy slow movement of Bach’s Sonata in G minor brings telling use of vibrato as Isserlis circles around Egarr, his playing at once idiomatic and soulful. An extra cellist reinforces the bass line in the Handel and Scarlatti, in which the composers give the harpsichordist only a framework; Egarr’s imaginative realisations ensure that even when Scarlatti is at his most repetitive, he is never dull.
The box contains all of the Bach recordings made by Christopher Hogwoood and the Academy of Ancient Music for the L'Oiseau Lyre label on Decca. The whole set is compact and takes up little room on a storage shelf. The spine measures just two and a quarter inches thick. The box is a clam shell box. Each album is contained in a card sleeve. And the front of each sleeve has the same picture as the outer box. The back of each sleeve has the information about the album content. The recordings are on period instruments and the sound is excellent.