Steven Isserlis and Richard Egarr here assemble all the viola da gamba sonatas written by three composers born in the propitious year of 1685: one each by Handel and Domenico Scarlatti, and three by JS Bach. Isserlis plays them on the gamba’s modern cousin, the cello, and the microphone loves his playing, picking up all the nuances and scampering asides from his soft-spoken instrument which can sometimes get lost in big concert halls. Egarr on harpsichord matches Isserlis’s eloquence and rambunctious energy all the way. The dreamy, airy slow movement of Bach’s Sonata in G minor brings telling use of vibrato as Isserlis circles around Egarr, his playing at once idiomatic and soulful. An extra cellist reinforces the bass line in the Handel and Scarlatti, in which the composers give the harpsichordist only a framework; Egarr’s imaginative realisations ensure that even when Scarlatti is at his most repetitive, he is never dull.
Janine releases a brand new Bach recording, joined by a hand-picked group of friends – all exceptional musicians. This is energising Bach which is lustrous, new and vital made available in vivid, full studio-quality, sound.
Fans of Angela Hewitt will be delighted to find her in chamber mode, accompanying Andrea Oliva (described as ‘one of the best flutists of his generation, a shining star in the world of the flute’ by Sir James Galway) in a programme of J S Bach’s flute sonatas (including one by his most famous and talented son, CPE). Of unfailingly remarkable quality, all these works exploit the full potential of an instrument which was only just coming into its own when they were written. Oliva’s lyricism and agility coupled with Hewitt’s musicianship—not to mention her lifelong rapport with Bach’s music—make this an album to treasure.
Il Giardino Armonico, founded in Milan in 1985, brings together a number of graduates from some of Europe’s leading colleges of music, all of whom have specialised in playing on period instruments. Many of its members are also in demand as international soloists and have appeared in concert with such eminent artists as N. Harnoncourt, G. Leonhardt, T. Pinnock, Ch. Coin and J. Savall. The ensemble’s repertory is concentrated in the main on the 17th and 18th centuries. Depending on the demands of each programme, the group will consist of anything from 3 to 30 musicians…
Lisa Batiashvili presents a fine selection in chamber and orchestral music of popular, but also newly recorded Bach pieces. This includes the first ever recording of Bach’s famous aria “Erbarme Dich, mein Gott” in a transcription for violin, oboe and orchestra on Deutsche Grammophon. First ever recording of C. Ph. E. Bach’s Trio Sonata in b flat minor for violin, flute and BC on Deutsche Grammophon. For this Lisa teams up with the world’s famous flutist from Berliner Philharmoniker, Emmanuel Pahud. For one of the real hits on that CD, the double concerto for violin and oboe BWV 1060, Lisa collaborates with her husband, the oboist Francois Leleux. An interpretation from the heart!