Atlantic us

Zebra - Zebra (1983) {Atlantic US LP} 24/192  Vinyl & HR

Posted by 0pp0 at Oct. 22, 2011
Zebra - Zebra  (1983) {Atlantic US LP} 24/192

Zebra - Zebra (1983)
Vinyl Rip in 24-bit/192kHz | FLAC (5% Recovery) | no cue or log (vinyl) | Artwork | 1.60 GB
WU + FS | Rock | Prog Rock
Atlantic Records - Original US Pressing

Zebra broke from the gate with their eponymous first release, a record that was, at the time, one of Atlantic Records' fastest-selling debuts ever.

Julian Lennon - Valotte (1984) {Atlantic US LP} 24/192  Vinyl & HR

Posted by 0pp0 at Oct. 20, 2011
Julian Lennon - Valotte  (1984) {Atlantic US LP} 24/192

Julian Lennon - Valotte (1984)
Vinyl Rip in 24-bit/192kHz | FLAC (5% Recovery) | no cue or log (vinyl) | Artwork
1.60 GB | WU + FS | Rock | Soft Rock |
Atlantic Records - Original US Pressing

The album was finished and mixed at The Hit Factory by Bradshaw Leigh on the same console used by John Lennon to record "Double Fantasy".
Foreigner - Agent Provocateur (1984) {Atlantic US LP} 24bit/192khz Vinyl Rip plus Redbook CD Version

Foreigner - Agent Provocateur (1984)
Vinyl rip in 24-bit/192kHz | FLAC (5% Recovery) | no cue or log (vinyl) | Full LP Artwork
1.76 GB (24/192) + 294 MB redbook | HF + FS + FF | Rock
Atlantic Records - Original US Pressing

is the fifth album by AOR rock group Foreigner, released in 1984. This album featured the number one power ballad "I Want To Know What Love Is".
AC/DC: Dirty Deeds Done Dirt Cheap - Original Atlantic US Release - 24/96 rip to redbook

AC/DC: Dirty Deeds Done Dirt Cheap
Atlantic SD 16033, original US Release, 1981 (Australian version released in 1976)
Vinyl remaster in 24-bit/96kHz resampled and dithered to redbook | FLAC | LP Scans | 248MB

US Carrier War  eBooks & eLearning

Posted by AlenMiler at Oct. 28, 2015
US Carrier War

US Carrier War: Design, Development and Operations by Kev Darling
English | Sep 1, 2011 | ISBN: 184884185X | 312 Pages | EPUB (True) | 10 MB

This book covers all aspects of the operations made by US aircraft carriers, from their introduction into service during WW1 to the continuing conflicts in the Middle East. America's part in WW1 saw the deployment of US Navy aircraft operating from coastal bases - mainly Curtiss flying boats.
Crosby, Stills & Nash – CSN (1977) Atlantic/SD 19104 – 1st US Presswell Pressing - LP/FLAC In 24bit/96kHz

Crosby, Stills & Nash – CSN
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Mastered By Howard Albert/Ron Albert
Label: Atlantic/SD 19104 | Release: 1977 | Genre: Country-Rock

What’s so instantly striking about Crosby, Stills and Nash’s CSN, their second group album in eight years, is that it sounds so much like the debut LP even though its makers are so vastly changed. Since CS&N, and later Y, were always at the vanguard of the conspicuous counterculture (always ready to hoist their tie-dyed freak flag at a moment’s notice), their current reflection and hesitancy are especially interesting. And, because the music is so eerily familiar, the album communicates a kind of time warp (imagine if we knew in 1969 what we know now) that’s compelling and troubling.
Crosby, Stills & Nash – Daylight Again (1982) Atlantic/SD 19360 –  1st US Pressing - LP/FLAC In 24bit/96kHz

Crosby, Stills & Nash – Daylight Again
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Mastered at Sheffield Lab Matrix by Stan Ricker
Label: Atlantic/SD 19360 | Release: 1982 | Genre: Country-Rock

Although Crosby, Stills & Nash had, in effect, been together for well over a decade when Daylight Again (1982) was issued, it was only their third studio long-player of concurrently new material.
Horslips – Happy To Meet… (1972) Atco Records/SD 7030 – 1st US Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Horslips – Happy To Meet… Sorry To Part
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Atco Records/SD 7030 | Release: 1972 | Original US Issue: 1973 | Genre: Progressive-Folk

Excellent addition to any prog rock music collection
Entry into the exclusive club of “professional musicians” is often a gradual and painful process. Based on recorded documents, such was not the case with Horslips, who came to the game fully formed and ready to rock n reel. I’m sure they paid their dues in a live setting for years, even if that included weddings, funerals, and christenings, as off the cuff performing is often part and parcel of Irish culture. Whatever the case, “Happy to Meet…Sorry to Part” is a landmark celtic rock recording and a stunning debut, and this applies whether you are a celtic music fan, a progressive fan, a rocker, or any combination thereof.
Cat Stevens – Foreigner (1973) A&M Records/SP-4391 – Original US Pressing - LP/FLAC In 24bit/96kHz

Cat Stevens – Foreigner
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Mastered at Sterling Sound by Lee Hulko
Label: A&M Records/SP-4391 | Release: 1973 | Genre: Folk-Rock

Between 1970 and 1972, Cat Stevens recorded four albums in the same manner, using the same producer and many of the same musicians, painting the album covers, and assigning the records ponderous titles. Things changed with his next album, Foreigner.
VA - Synthesize The Soul Astro​ ​Atlantic Hypnotica From The Cape Verde Islands 1973​-​1988 (2017)

VA - Synthesize The Soul Astro​-​Atlantic Hypnotica From The Cape Verde Islands 1973​-​1988 (2017)
MP3 CBR 320 kbps | 01:16:02 | 192 Mb
Genre: Soul, Latin, Cumbia, Breakbeat, Brokenbeat, Swing / Label: Ostinato US

In Cape Verde, we had no access to electronic instruments, said Tchiss Lopes, a Cape Verdean singer based in Rome. In Europe, we had access, but we had to adapt. Audiences expected electronic sounds, but we still stayed true to our sound. In the 1980s, that feeling transpired across Lisbon, Paris, Rotterdam, and Boston, as one the largest waves of migration from a single country, propelled by political instability and economic uncertainty, sent thousands of Cape Verdeans to the West’s cities.