For those uninitiated into the world of Baroque or harpsichord music, be forewarned: this budget-priced trio of CDs from Archiv is a hefty amount of Bach on the harpsichord. These are reissues of recordings of Bach's greatest keyboard works made in the early '80s by Trevor Pinnock. While you may be able to listen to nearly four straight hours of Bach, some may find it hard to listen to the harpsichord for that long.
Handel’s two sets of concerti grossi have been mainstays of the Baroque orchestral repertoire for many years and therefore have been embraced by ensembles around the world. They are among the few remaining examples of concertos composed early in his career. The dozen concertos of Handel’s op. 6 have eclipsed the half-dozen of op. 3 in popularity. The purpose of the set was twofold: to serve as interval music in his operas and oratorios, and—via their publication—to ensure dissemination to the various concerto societies and venues of London. Handel solicits comparison to the Corellian model by titling the set Twelve Grand Concertos and by making use of a concertino of two violins, cello, and continuo, a combination that was extremely popular at the time.