Arturo Marquez

Frankfurt Radio Symphony Orchestra, Arturo Tamayo - Bruno Maderna: Complete Works for Orchestra, Vol.4 (2010)

Frankfurt Radio Symphony Orchestra, Arturo Tamayo - Bruno Maderna: Complete Works for Orchestra, Vol.4 (2010)
EAC | FLAC (image+.cue, log) | Covers Included | 78:08 | 306 MB
Genre: Classical | Label: NEOS Music | Catalog: NEOS10936

Quadrivium was composed in 1969 and marks the beginning of Maderna’s final creative period, during which he wrote impressive and headstrong works for large symphonic forces. Aura was commissioned for the 80th anniversary of the Chicago Symphony Orchestra and was premiered in 1972. Amanda was written in 1966 and is uninhibited, cheerful and lyrical.
DSO Berlin, Arturo Tamayo - Alberto Ginastera: Concerto per corde; Estudios sinfonicos; Glosses; Iubilum (2016)

Alberto Ginastera - Concerto; Estudios sinfónicos; Glosses; Iubilum (2016)
Deutsches Symphonie-Orchester Berlin, conducted by Arturo Tamayo

EAC | FLAC | Image (Cue&Log) ~ 285 Mb (incl 5%) | Mp3 (CBR320) ~ 191 Mb (incl 5%) | Scans included
Genre: Classical | Label: Capriccio | # C5271 | Time: 01:17:22

After achieving independence from Spain, Argentina developed its own models for concert- and opera-going, even though these continued in many respects to reflect European traditions. Musical legends emerged during this time: Astor Piazzolla, the founder of the Tango Nuevo, Mauricio Kagel, Carlos Gardel and Alberto Ginastera, the man considered for decades to be the country's most significant composer of classical music. Three of the works recorded on this CD fall into Ginastera's final ‘Neo-Expressionist’ period: the Concerto per corde Op.33 (1965), cast in a classical, four-movement form; the Estudios sinfonicos Op.35 (1967), which represent Ginastera at his most adventurous with the avant-garde style; and the Glosses sobra temes de Pau Casals Op.48 (1976/77), in which Ginastera experiments by taking traditional themes by the great Spanish cellist Pablo Casals and holding them up to an avant-garde mirror.
Arturo Toscanini - Wagner: Die Meistersinger von Nürnberg (2016)

Arturo Toscanini - Wagner: Die Meistersinger von Nürnberg (2016)
EAC Rip | FLAC (Tracks) +cue, log, artworks - 1.33 GB | MP3 CBR 320 kbps - 751 MB | 05:27:03
Classical, Opera | Label: Immortal Performances | Release Year: 2016

This five-CD set from andante presents the highly sought-after version of Wagner's "Die Meistersinger von Nürnberg" recorded live at the 1937 Salzburg Festival, with Arturo Toscanini conducting and a cast including Hans Hermann Nissen as Hans Sachs and Maria Reining as Eva. With the Nazi annexation of Austria to follow the next year, Toscanini - a dedicated anti-fascist - would never return to Salzburg. This recording captures both the Maestro and the Salzburg Festival at a fraught moment in history, and the electricity in the air and in the music-making was captured by Austrian Radio's experimental Selenophone audio film system.
Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol.5 (2008) (Repost)

Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol.5 (2008)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 01:00:15 | 336 MB
Genre: Classical | Label: Timpani | Catalog: 1113

On the four previous installments in Timpani's series of the orchestral works of Iannis Xenakis, Arturo Tamayo and the Orchestre Philharmonique du Luxembourg have presented highly varied and volatile works from different periods of the composer's career and have provided an excellent overview of his output. This fifth volume focuses on the early orchestral works, which brought architect and mathematician Xenakis world renown as a cutting-edge composer and put him in direct opposition to the serial establishment.
Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol. 4 (2005) (Repost)

Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol. 4 (2005)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 53:06 | 329 MB
Genre: Classical | Label: Timpani | Catalog: 1084

The fourth volume of Timpani's series of orchestral works by Iannis Xenakis presents four works from three distinct periods, though not in chronological order. Erikhthon for piano and orchestra (1974) is one of the "arborescent" or branch-like compositions from Xenakis' middle phase. Expanding and contracting through criss-crossing glissandi and bending clusters, the extremely loud and aggressive orchestra overwhelms the impossibly dense and struggling piano part; in this role reversal, Erikhthon may be regarded as the absolute antithesis of the conventional piano concerto. Ata (1987) is a late work, contrapuntal in nature but with the difference that the polyphonic lines are all tightly bunched in clusters; it also features a sly reference to Stravinsky's Le Sacre du printemps, which is unexpected and hilarious.
Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol.2 (2001) (Repost)

Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol.2 (2001)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 01:03:14 | 385 MB
Genre: Classical | Label: Timpani | Catalog: 1062

These four compositions are among the best and most forceful works of Xenakis. This recording of Jonchaies easily beats the version on Col Legno. I believe Shaar, Lichens, and Antikhthon are recorded here for the first time, and they are outstanding works, brilliantly performed and recorded. For those unfamiliar with the later large works of Xenakis, the CD is a must have!
Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol.1 (2000) (Repost)

Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol.1 (2000)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 59:02 | 321 MB
Genre: Classical | Label: Timpani | Catalog: 1057

Arturo Tamayo's recordings of the works of Iannis Xenakis on the Timpani label are among the finest available, for they are finely interpreted, expertly performed, and brilliantly recorded. Xenakis' music is always different from piece to piece, because the composer never wanted to repeat himself, and his works always present unique challenges, depending on the nature of his evolving techniques and changing expressions. Whether it is in the stark text and extreme vocalizations of Aïs (1980), or the densely dissonant aggregations of Tracées (1987), Empreintes (1975), Noomena (1974), and Roáï (1991), Tamayo keeps the energy levels high and shapes the sound to have a sharp edge and forceful impact.

Arturo (Tomo 2): Excalibur  Comics

Posted by Coda at Dec. 30, 2016
Arturo (Tomo 2): Excalibur

Arturo (Tomo 2): Excalibur
Norma Editorial S.A. | Spanish | CBR | 80 págs. | 76.4 MB
Autores: Pérez Navarro y Martín Saurí
Arturo Toscanini  - The Television Concerts 1948-52 Vol.3: Verdi - Aida (2005/1949)

Arturo Toscanini - The Television Concerts 1948-52 Vol.3: Verdi - Aida (2005/1949)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | 7.65 Gb (DVD9) | 150 min
Classical | Testament

One of the most acclaimed musicians of his era, Toscanini was a conductor of the "old school" - aristocratic, perfectionistic and something of an autocrat on the podium. After a brief flurry of interest in Fascism in the 1910s, he rapidly became disillusioned with the movement and indeed became a personal rival of Mussolini, repeatedly antagonising him through acts of artistic defiance such as refusals to open concerts with the Fascist anthem Giovinezza.
Eventually he fled Italy for the United States, becoming the first conductor of the newly-formed NBC Symphony Orchestra, with whom he pioneered radio broadcasts and recordings that made him a household name in America until his retirement at the age of 87. He gave the premiere performances of several major works, including Barber's Adagio for Strings and the American premiere of Shostakovich's Seventh Symphony.
Arturo Toscanini  - The Television Concerts 1948-52 Vol.2: Mozart, Brahms, Dvorak, Wagner (2005)

Arturo Toscanini - The Television Concerts 1948-52 Vol.2: Mozart, Brahms, Dvořák, Wagner (2005)
NTSC 4:3 (720x480) VBR | (LinearPCM, 2 ch) | 7.55 Gb (DVD9) | 112 min
Classical | Testament

One of the most acclaimed musicians of his era, Toscanini was a conductor of the "old school" - aristocratic, perfectionistic and something of an autocrat on the podium. After a brief flurry of interest in Fascism in the 1910s, he rapidly became disillusioned with the movement and indeed became a personal rival of Mussolini, repeatedly antagonising him through acts of artistic defiance such as refusals to open concerts with the Fascist anthem Giovinezza.
Eventually he fled Italy for the United States, becoming the first conductor of the newly-formed NBC Symphony Orchestra, with whom he pioneered radio broadcasts and recordings that made him a household name in America until his retirement at the age of 87. He gave the premiere performances of several major works, including Barber's Adagio for Strings and the American premiere of Shostakovich's Seventh Symphony.