Arturo Marquez

Arturo Benedetti Michelangeli - The Art Of Arturo Benedetti Michelangeli (DG Collectors Edition) (2003)

Arturo Benedetti Michelangeli - The Art Of Arturo Benedetti Michelangeli (DG Collectors Edition)
EAC Rip | FLAC (tracks)+cue, log, m3u, artwork | 543:29 min | 2.05 GB
Label: Deutsche Grammophon ‎– 469 820-2 | Tracks: 111 | Rls.date: 2003
Classical, Romantic

This is the best – the noblest, the grandest, the most tragic – Ballade in G minor ever recorded. This is the best – the most virtuostic, the most colorful, the most imaginative – set of Book I Preludes ever recorded. This is the best – the most Romantic, the most heartfelt, the funniest – Carnaval ever recorded. This is the best – the most elegant, the most witty, the most athletic – recording of Beethoven's Piano Concerto No. 1 ever recorded. This is the best – the most brooding, the most violent, the most consoling – set of Brahms Ballades ever recorded. This is the best – the most loving, the most awe-inspiring, the most transcendent – "Emperor" Concerto ever recorded. This is the best – the subtlest, the most sorrowful, the most sublime – set of Chopin mazurkas ever recorded. And on and on and on.
Frankfurt Radio Symphony Orchestra, Arturo Tamayo - Bruno Maderna: Complete Works for Orchestra, Vol.4 (2010)

Frankfurt Radio Symphony Orchestra, Arturo Tamayo - Bruno Maderna: Complete Works for Orchestra, Vol.4 (2010)
EAC | FLAC (image+.cue, log) | Covers Included | 78:08 | 306 MB
Genre: Classical | Label: NEOS Music | Catalog: NEOS10936

Quadrivium was composed in 1969 and marks the beginning of Maderna’s final creative period, during which he wrote impressive and headstrong works for large symphonic forces. Aura was commissioned for the 80th anniversary of the Chicago Symphony Orchestra and was premiered in 1972. Amanda was written in 1966 and is uninhibited, cheerful and lyrical.
DSO Berlin, Arturo Tamayo - Alberto Ginastera: Concerto per corde; Estudios sinfonicos; Glosses; Iubilum (2016)

Alberto Ginastera - Concerto; Estudios sinfónicos; Glosses; Iubilum (2016)
Deutsches Symphonie-Orchester Berlin, conducted by Arturo Tamayo

EAC | FLAC | Image (Cue&Log) ~ 285 Mb (incl 5%) | Mp3 (CBR320) ~ 191 Mb (incl 5%) | Scans included
Genre: Classical | Label: Capriccio | # C5271 | Time: 01:17:22

After achieving independence from Spain, Argentina developed its own models for concert- and opera-going, even though these continued in many respects to reflect European traditions. Musical legends emerged during this time: Astor Piazzolla, the founder of the Tango Nuevo, Mauricio Kagel, Carlos Gardel and Alberto Ginastera, the man considered for decades to be the country's most significant composer of classical music. Three of the works recorded on this CD fall into Ginastera's final ‘Neo-Expressionist’ period: the Concerto per corde Op.33 (1965), cast in a classical, four-movement form; the Estudios sinfonicos Op.35 (1967), which represent Ginastera at his most adventurous with the avant-garde style; and the Glosses sobra temes de Pau Casals Op.48 (1976/77), in which Ginastera experiments by taking traditional themes by the great Spanish cellist Pablo Casals and holding them up to an avant-garde mirror.
Arturo Toscanini - Wagner: Die Meistersinger von Nürnberg (2016)

Arturo Toscanini - Wagner: Die Meistersinger von Nürnberg (2016)
EAC Rip | FLAC (Tracks) +cue, log, artworks - 1.33 GB | MP3 CBR 320 kbps - 751 MB | 05:27:03
Classical, Opera | Label: Immortal Performances | Release Year: 2016

This five-CD set from andante presents the highly sought-after version of Wagner's "Die Meistersinger von Nürnberg" recorded live at the 1937 Salzburg Festival, with Arturo Toscanini conducting and a cast including Hans Hermann Nissen as Hans Sachs and Maria Reining as Eva. With the Nazi annexation of Austria to follow the next year, Toscanini - a dedicated anti-fascist - would never return to Salzburg. This recording captures both the Maestro and the Salzburg Festival at a fraught moment in history, and the electricity in the air and in the music-making was captured by Austrian Radio's experimental Selenophone audio film system.

Arturo (Tomo 1): El único y futuro Rey  Comics

Posted by Coda at Feb. 1, 2017
Arturo (Tomo 1): El único y futuro Rey

Arturo (Tomo 1): El único y futuro Rey
Norma Editorial S.A. | Spanish | CBR | 81 págs. | 50.6 MB
Autores: Pérez Navarro, J.M. Martín Saurí

Reseña en la editorial: Martín Saurí y Francisco Pérez Navarro vuelven a trabajar juntos en la adaptación de una leyenda, esta vez la de Arturo, Merlín y la espada mágica Excalibur. En espléndido blanco y negro nos presentan la primera parte de sus aventuras, desde que su padre Uther Pendragón deja preñada a su madre, hasta que Arturo levanta la espada que le consagra como Rey de toda Inglaterra, pasando por las sabias enseñanzas que recibe de su maestro y tutor, Merlín.

The Resistible Rise of Arturo Ui  eBooks & eLearning

Posted by ksveta6 at Jan. 31, 2017
The Resistible Rise of Arturo Ui

The Resistible Rise of Arturo Ui (Modern Plays) by Bertolt Brecht
2013 | ISBN: 1408179938 | English | 112 pages | PDF | 0.5 MB
Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol.5 (2008) (Repost)

Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol.5 (2008)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 01:00:15 | 336 MB
Genre: Classical | Label: Timpani | Catalog: 1113

On the four previous installments in Timpani's series of the orchestral works of Iannis Xenakis, Arturo Tamayo and the Orchestre Philharmonique du Luxembourg have presented highly varied and volatile works from different periods of the composer's career and have provided an excellent overview of his output. This fifth volume focuses on the early orchestral works, which brought architect and mathematician Xenakis world renown as a cutting-edge composer and put him in direct opposition to the serial establishment.
Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol. 4 (2005) (Repost)

Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol. 4 (2005)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 53:06 | 329 MB
Genre: Classical | Label: Timpani | Catalog: 1084

The fourth volume of Timpani's series of orchestral works by Iannis Xenakis presents four works from three distinct periods, though not in chronological order. Erikhthon for piano and orchestra (1974) is one of the "arborescent" or branch-like compositions from Xenakis' middle phase. Expanding and contracting through criss-crossing glissandi and bending clusters, the extremely loud and aggressive orchestra overwhelms the impossibly dense and struggling piano part; in this role reversal, Erikhthon may be regarded as the absolute antithesis of the conventional piano concerto. Ata (1987) is a late work, contrapuntal in nature but with the difference that the polyphonic lines are all tightly bunched in clusters; it also features a sly reference to Stravinsky's Le Sacre du printemps, which is unexpected and hilarious.
Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol.2 (2001) (Repost)

Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol.2 (2001)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 01:03:14 | 385 MB
Genre: Classical | Label: Timpani | Catalog: 1062

These four compositions are among the best and most forceful works of Xenakis. This recording of Jonchaies easily beats the version on Col Legno. I believe Shaar, Lichens, and Antikhthon are recorded here for the first time, and they are outstanding works, brilliantly performed and recorded. For those unfamiliar with the later large works of Xenakis, the CD is a must have!
Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol.1 (2000) (Repost)

Orchestre Philharmonique du Luxembourg, Arturo Tamayo - Iannis Xenakis: Orchestral Works, Vol.1 (2000)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 59:02 | 321 MB
Genre: Classical | Label: Timpani | Catalog: 1057

Arturo Tamayo's recordings of the works of Iannis Xenakis on the Timpani label are among the finest available, for they are finely interpreted, expertly performed, and brilliantly recorded. Xenakis' music is always different from piece to piece, because the composer never wanted to repeat himself, and his works always present unique challenges, depending on the nature of his evolving techniques and changing expressions. Whether it is in the stark text and extreme vocalizations of Aïs (1980), or the densely dissonant aggregations of Tracées (1987), Empreintes (1975), Noomena (1974), and Roáï (1991), Tamayo keeps the energy levels high and shapes the sound to have a sharp edge and forceful impact.