This SIX CD collection of 101 favorite tracks is the perfect introduction to the music of Wolfgang Amadeus Mozart, one of the greatest and most popular composers of all time. With a running time of well over 7 ½ hours of music this box set provides unbeatable value for money. The comprehensive collection covers every aspect of this popular composers music best-loved arias from his operas and highlights from the sacred choral works rub shoulders with favorite moments from his symphonies, concertos, serenades, sonatas and chamber music. Includes recordings by some of the greatest exponents of this repertoire in the Decca catalogue, including artists such as Mitsuko Uchida, Vladimir Ashkenazy, Sir Colin Davis, Joshua Bell, Sir Neville Marriner and Sir Georg Solti.
Never before have all Arthur Rubinstein albums been available together like this. Arthur Rubinstein – The Complete Album Collection features all of the legendary pianist’s issued recordings made by RCA Victor between 1940 and 1976, plus one recording issued on the DECCA label in 1978. Also included in this set are the recordings Rubinstein made in England for the His Master’s Voice (HMV) label between 1928 and 1940. As a bonus, this special package also has the sensational world-premiere release of two Carnegie Hall concerts recorded on December 8 and 10, 1961.
Mozart Double Piano Concertos is Arthur and Lucas Jussen’s first orchestral recording, featuring two of the most famous works composed for two pianos. Ever since they performed for the Dutch queen in 2005 at the ages of just 12 and 8 years old and becoming the first Dutch artists to sign with the historic Yellow Label, Deutsche Grammophon, the Jussen brothers are regarded as something of Dutch national treasures.
The greatest of Mozart's wind serenades and the toughest of Alban Berg's major works might seem an unlikely pairing, but in an interview included with the sleeve notes for this release, Pierre Boulez points up their similarities. Both works are scored for an ensemble of 13 wind instruments (with solo violin and piano as well in the Berg) and both include large-scale variations as one of their movements - and Boulez makes the comparisons plausible enough in these lucid performances. It's rare to hear him conducting Mozart, too, and if the performance is a little brisker and more strait-laced than ideal, the EIC's phrasing is a model of clarity and good taste. It's the performance of the Berg, though, that makes this such an important issue; both soloists, Mitsuko Uchida and Christian Tetzlaff, are perfectly attuned to Boulez's approach - they have given a number of performances of the Chamber Concerto before - and the combination of accuracy and textural clarity with the highly wrought expressiveness that is the essence of Berg's music is perfectly caught.
… Arax Mansourian's recordings of medieval Armenian chants are an important part of the treasure vault of Armenian music. In the 1990's, during a liturgical festival, she toured 14 cities in France with an all male Armenian choir. French Armenian artist Garzou said …….“Arax Mansourian was divine in Yekmalian's liturgy. As if she wasn't a singer but virgin Mary herself, so impressive and powerful was her singing…”
Thank you Kathleen Battle for making another masterful recording.Mozart's requiem is an excellent work,and this particular version is well recorded too.I just wish mozart wrote more music for the soprano to sing in his requiem.I must say that Verdi's requiem is the greatest ever composed,but thus far of all the requiems i've listened to,mozart's requiem must come in second.Mozart,you go boy!!Kathleen,you go girl!!!! Ps,requiems should be listened to especially on rainy evenings & nights with some introspective thoughts.Perhaps,mozart is now composing an anti-requiem for the afterlife..
Together with the Talich Quartet’s accounts on Calliope, these Mozart string quintets with Arthur Grumiaux and friends represent the best currently available choices. Since the Grumiaux version was released in 1973 it has remained a stalwart of the catalog, and was previously released as part of Philips’ grandiose Complete Mozart Edition in 1991 and later was included with other chamber works in a pair of Duos issued in 1997. The analog sound has held up well compared to current standards and is perfectly acceptable, placing the musicians in a natural, believable sound-stage.
October 21, 2012 marks Sir Georg Solti's centenary and Decca is celebrating this with several important reissues.
Sir Georg was an exclusive Decca artist for 50 years.
In 1947 he signed his first contract with Decca - as a pianist and that same year he made his first record as a conductor (with the Zurich Tonhalle in Beethovens Egmont Overture). His last public concerts took place just a few weeks before his death in 1997 and were with the Zurich Tonhalle.