The album Schubert Impromptus by Arthur Jussen and Lucas Jussen has been listed for 22 weeks on the Dutch Albums Top 100. It entered the chart on position 4 on week 39/2011, it's last appearance was on week 4/2013. It peaked on number 4, where it stayed for 2 weeks.
… Arax Mansourian's recordings of medieval Armenian chants are an important part of the treasure vault of Armenian music. In the 1990's, during a liturgical festival, she toured 14 cities in France with an all male Armenian choir. French Armenian artist Garzou said …….“Arax Mansourian was divine in Yekmalian's liturgy. As if she wasn't a singer but virgin Mary herself, so impressive and powerful was her singing…”
So Arthur Brown's name remains irremediably attached to the late-'60s freakout hit "Fire." So his numerous subsequent albums and projects never eclipsed that one fulgurous shot at stardom. Yet the man kept on going, re-emerging periodically with a new serving of songs. And in all of them remains one element: the voice. That unusually powerful, charismatic voice upon which aging seems to have no hold is what gives Tantric Lover its soul. Beyond the battered-up Summer of Love lyrics and the acoustic guitars, the voice is still a strange attractor and enough reason to turn your ear to this album. That is not to say that Brown's writing doesn't deserve your attention…
R.I.P. Arthur. In Memoriam. Given the urban title of alto saxophonist Arthur Blythe's debut Columbia album, it's quite a shock when he and his red-hot band of collaborators that include James Blood Ulmer on guitar, Bob Stewart on tuba, flutist James Newton, bassist Cecil McBee, and Jack DeJohnette open with the decidedly funky Latin breaks on "Down San Diego Way." It's not a vamp and it's not a misleading intro, the first of four tracks showcases not only the deep versatility of the rhythm section, but Blythe's own gift as both a composer and as a soloist. He states the melody, handing off the harmonics to Ulmer and Newton and then flies high into the face of its chosen changes, allowing the beat to change under him several times before bringing back a theme and letting Ulmer solo.