Not a prolific composer, Thackery's strength lies in strong arrangements that make other people's material his own. He covers Stevie Ray Vaghan's "Rude Mood," and one suspects there will be comparisons made in this direction. His solos burn the motel down on Luther Johnson's "Lickin' Gravy," and he manages a more than credible job on Hendrix's "Red House." Of the two self-penned numbers, the title track is a convincing boogie driven by an ultra-cool, echoed, chicken-scratch guitar riff, while "Getting Tired of Waiting" offers a more traditional blues shuffle.
In 1938 and 1939, about 10,000 children, most of them Jews, were sent by their parents from Germany, Austria, and Czechoslovakia to the safety of England where foster families took most of them in for the duration of the war. Years later, eleven kinder, one child's mother, an English foster mother, a survivor of Auschwitz who didn't go to England, and two of the kindertransport organizers remember: the days before the Nazis, the mid-to-late 1930s as Jews were ostracized, saying farewell to family, traveling to England, meeting their foster families, writing home, fearing the worst, coping, and trying to find families after the war ended. 1,500,000 children dead; 10,000 saved.
Maria is a young and caring nurse who wants to break free. Niels is an incurable patient who wants to travel to Switzerland to commit assisted suicide. Together they embark on an intense journey that will bring them closer to each other but also closer to their dreams.